'It's all the same, only he's not here'?: popular music and political change in post-Tuđman Croatia
Baker, Catherine (2010) 'It's all the same, only he's not here'?: popular music and political change in post-Tuđman Croatia. Europe-Asia Studies, 62, (10), 1741-1759. (doi:10.1080/09668136.2010.522428).
- Accepted Manuscript
While Franjo Tuđman was the president of Croatia (1990–99), popular music and other forms of entertainment were heavily structured around the key presidential narratives: Croatia’s political and cultural independence from Yugoslavia, and the idea that Croatia’s war effort had been purely defensive. After Tuđman, the Croatian music industry had to cope with media pluralism and the transnational challenges of the digital era. Patriotic popular music expressed an oppositional narrative of Euroscepticism and resistance to the Hague Tribunal, yet Croatia retained and expanded its position in the transnational post-Yugoslav entertainment framework, undermining a key element of Tuđman’s ideology.
|Digital Object Identifier (DOI):||doi:10.1080/09668136.2010.522428|
|Subjects:||M Music and Books on Music > M Music
P Language and Literature > PG Slavic, Baltic, Albanian languages and literature
D History General and Old World > DR Balkan Peninsula
D History General and Old World > D History (General) > D839 Post-war History, 1945 on
|Divisions:||University Structure - Pre August 2011 > School of Humanities > Modern Languages
|Date Deposited:||30 Mar 2010 08:34|
|Last Modified:||27 Mar 2014 19:03|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
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