Deadness: technologies of the intermundane
Piekut, Benjamin and Stanyek, Jason (2010) Deadness: technologies of the intermundane. TDR: The Drama Review, 54, (1), 14-38. (doi:10.1162/dram.2010.54.1.14).
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Description/Abstract
Posthumous duets—performances involving a dead singer and a living one—have become ubiquitous in popular music. As the case of Natalie and Nat “King” Cole’s “Unforgettable” makes clear, all sound recording harnesses the productive capacities of both living and dead, patterned through specific forms of co-laboring, or “deadness.”
| Item Type: | Article |
|---|---|
| ISSNs: | 1531-4715 (electronic) 1054-2043 (print) |
| Subjects: | M Music and Books on Music > M Music |
| Divisions: | University Structure - Pre August 2011 > School of Humanities > Music |
| Item ID: | 151363 |
| Date Deposited: | 10 May 2010 14:17 |
| Last Modified: | 08 Jun 2012 12:47 |
| Contributors: | Piekut, Benjamin (Author) Stanyek, Jason (Author) |
| Date: | 1 March 2010 |
| Status: | Published |
| URI: | http://eprints.soton.ac.uk/id/eprint/151363 |
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