What we have gained is infinitely more than that small loss: Rudolph Cartier and The Dybbuk
Jordan, James (2010) What we have gained is infinitely more than that small loss: Rudolph Cartier and The Dybbuk. Jewish Culture and History, 11, (1-2)
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This article recounts the Jewish journey of producer and director Rudolph Cartier, an Austrian refugee from Nazism who forged a new life in Britain from 1935 onwards, playing a pivotal role in the moulding of BBC television’s post-war drama output. It also explores the journey of Jewish cultural texts and traditions as it discusses the production and reception of Cartier’s 1952 English-language adaptation for the small screen of Ansky’s classic play The Dybbuk. The challenges Cartier perceived in completing this production and the responses of both Jewish and non-Jewish audiences reveal much about the limits of assimilation in an increasingly multicultural Britain.
|Subjects:||B Philosophy. Psychology. Religion > BM Judaism
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
|Divisions :||University Structure - Pre August 2011 > School of Humanities > English
|Accepted Date and Publication Date:||
|Date Deposited:||17 May 2010 13:23|
|Last Modified:||31 Mar 2016 13:23|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
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