William Henry Fry’s Leonora: the Italian connection

Izzo, Francesco (2009) William Henry Fry’s Leonora: the Italian connection. Nineteenth-Century Music Review, 6, (1), 7-25. (doi:10.1017/S1479409800002871).


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On 7 June 1845, the New York Herald published a letter by an ‘occasional correspondent’ from Philadelphia concerning William Henry Fry's first grand opera, Leonora, which premiered three days before at the Chestnut Street Theatre. The letter contained the following remark:

All were delighted with the music, it was so much like an old acquaintance in a new coat; indeed some of ‘the cognoscenti’ said that it was a warm ‘hash’ of Bellini, with a cold shoulder of ‘Rossini,’ and a handful of ‘Auber’ salt – whilst others congratulated Mr. Fry upon his opera being so much like Norma…

Item Type: Article
Digital Object Identifier (DOI): doi:10.1017/S1479409800002871
ISSNs: 1479-4098 (print)
2044-8414 (electronic)
Subjects: M Music and Books on Music > ML Literature of music
Divisions : University Structure - Pre August 2011 > School of Humanities
ePrint ID: 154243
Accepted Date and Publication Date:
June 2009Published
Date Deposited: 15 Feb 2011 09:21
Last Modified: 31 Mar 2016 13:25
URI: http://eprints.soton.ac.uk/id/eprint/154243

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