The University of Southampton
University of Southampton Institutional Repository

Art, technology and policy in the 21st century

Art, technology and policy in the 21st century
Art, technology and policy in the 21st century
21st century media are integral to the making, dissemination and business of art. They are also the infrastructure of neo-liberal globalisation. Artists and cultural activists can no longer ignore the technical workings of network media, nor how they are constructed politically in global and national policy forums. This article analyses the loss of integral governance as a result of the rise of neo-liberalism, the increased exclusion of the developing world from decision making processes, and the emergence of technical norms which threaten to constrain creative and social activity aimed at anything other than profit. It argues that we have already models for intervening in these processes at local and global levels, proposing that these are no longer tactical but strategic options for artistic practice. It concludes with a brief consideration of the largest remaining challenge: the social and environmental impact of new media technologies, and recommends artists relinquish their concern for content and turn their attention to the vehicles of their art.
0952-8822
571-578
Cubitt, Sean
aad644d3-3b69-4ca8-a999-9b0f809eb729
Cubitt, Sean
aad644d3-3b69-4ca8-a999-9b0f809eb729

Cubitt, Sean (2009) Art, technology and policy in the 21st century. Third Text, 23 (5), 571-578. (doi:10.1080/09528820903184799).

Record type: Article

Abstract

21st century media are integral to the making, dissemination and business of art. They are also the infrastructure of neo-liberal globalisation. Artists and cultural activists can no longer ignore the technical workings of network media, nor how they are constructed politically in global and national policy forums. This article analyses the loss of integral governance as a result of the rise of neo-liberalism, the increased exclusion of the developing world from decision making processes, and the emergence of technical norms which threaten to constrain creative and social activity aimed at anything other than profit. It argues that we have already models for intervening in these processes at local and global levels, proposing that these are no longer tactical but strategic options for artistic practice. It concludes with a brief consideration of the largest remaining challenge: the social and environmental impact of new media technologies, and recommends artists relinquish their concern for content and turn their attention to the vehicles of their art.

This record has no associated files available for download.

More information

Published date: September 2009

Identifiers

Local EPrints ID: 179769
URI: http://eprints.soton.ac.uk/id/eprint/179769
ISSN: 0952-8822
PURE UUID: 5bf5727d-2666-4b54-927f-ecc01b0e8329

Catalogue record

Date deposited: 04 Apr 2011 12:44
Last modified: 14 Mar 2024 02:50

Export record

Altmetrics

Contributors

Author: Sean Cubitt

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×