Elgar's pianistic iconoclasm
Norris, David Owen (2007) Elgar's pianistic iconoclasm.
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| Authors/Creators: | Norris, David Owen |
|---|---|
| Description/Abstract: | The researcher plays a number of examples showing particular features of Elgar’s piano notation. He explains that the way Elgar’s pianism developed means that these particularities can be easily misunderstood by conventionally-trained pianists. He suggests that Elgar’s pianism foreshadows Stravinsky’s habits of piano-writing, and that Elgar’s pianistic iconoclasm made him a modernist. |
| Item Type: | Music Item - UNSPECIFIED |
| Music Item Type: | performance |
| Locations: | Barnard's Inn Hall, Gresham College, London, UK (event_location) |
| Additional Information: | An exploration of the subtlety of Elgar's piano writing, with particular reference to unexpected aspects of articulation and phrasing. Presented on the PRIMO website as an audio recording. |
| Subjects: | M Music and Books on Music > M Music M Music and Books on Music > MT Musical instruction and study |
| Divisions: | University Structure - Pre August 2011 > School of Humanities > Music |
| Date: | 14 December 2007 |
| URL: | http://primo.sas.ac.uk/eprints/14/ |
| ePrint ID: | 184799 |
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