John Blow: Venus and Adonis
(2011) John Blow: Venus and Adonis.
Full text not available from this repository.
|Description/Abstract:||For this recording of Venus & Adonis on Wigmore Hall Live, Elizabeth Kenny, one of Europe’s leading lute players and founder of the Theatre of the Ayre, has, for the first time, used girl choristers in the chorus and females rather than boys in the roles of Cupid and Little Cupids. The critically-lauded Theatre of the Ayre was set up to explore the dramatic vocal music of 17th century England and this performance, with its distinctive female perspective and improvisatory nature apt to Blow’s recitative style, is a faithful interpretation. The distinguished vocal line-up includes Sophie Daneman, Roderick Williams and Elin Manahan Thomas. Venus & Adonis later served as a model for Purcell’s Dido and Aeneas, and in this new recording - alongside Lambert’s excerpts from Livre d’airs de cour and de Visée’s Chaconne - it demands attention as a masterpiece in its own right.|
|Item Type:||Music Item - Performance (live)|
|Music Item Type:||performance|
|Locations:||Wigmore Hall Live (WHLIVE0043), London, GB (Location of event)|
|Additional Information:||The author of the libretto of Venus & Adonis, the oldest surviving all-sung English opera (1683), had the simple moniker of “anonymous,” until recent research uncovered the true librettist to be not only female, but also maid of honour to the Duchess of York, Maria Beatrice of Modena. In penning Venus & Adonis, Anne Kingsmill (1661-1720) used her inside knowledge to comment on court morals with staggering directness, incorporating strands of comedy, sexual politics and passionate love.|
|Subjects:||M Music and Books on Music > M Music|
|Divisions :||University Structure - Pre August 2011 > School of Humanities > Music|
|Date:||30 January 2011|
Associated Staff Only: edit my ePrint