The image and its prohibition in Jewish antiquity
Pearce, Sarah (ed.) (2013) The image and its prohibition in Jewish antiquity, Oxford, GB, Journal of Jewish Studies, 288pp. (Journal of Jewish Studies Supplement Series, 2).
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Against the commonly held opinion that ancient Judaism was an artless culture, this sumptuously illustrated book offers new ways of looking at art in Jewish antiquity. Leading experts, under the editorship of Sarah Pearce, skilfully explore different functions of images in relation to their prohibition by the Second of the Ten Commandments. The visual world of ancient Judaism often reflects a tense confrontation between Mediterranean, artful classical culture and the image-filled, yet law-inspired biblical literature. Readers will encounter a rich collection of objects and texts analysed in different contexts, from Solomon’s Temple to late antiquity. The imageless God of monotheistic Judaism combated the polytheistic cults of Israel’s neighbours with the use of symbols. Figurative, floral and geometrical embellishments of synagogues served as decoration and not for worship. Narrative biblical scenes in the Dura-Europos synagogue played an educational and political role in Jewish society on the outskirts of the Roman Empire. Antique Jewish art exercised a profound influence on medieval Islam and even on the modern Western visual world. This book is aimed at both the scholarly world and all readers interested in religion and art.
|Additional Information:||This is an edited volume with an introduction and chapter (15,000 words) by Sarah Pearce as sole editor.|
|Subjects:||B Philosophy. Psychology. Religion > BM Judaism
D History General and Old World > D History (General) > D051 Ancient History
N Fine Arts > N Visual arts (General) For photography, see TR
|Divisions:||University Structure - Pre August 2011 > School of Humanities > History
Faculty of Humanities > History
|Date Deposited:||11 May 2011 11:11|
|Last Modified:||31 Mar 2016 13:38|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
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