Collage: The Making of Modern Art
Taylor, Brandon (2004) Collage: The Making of Modern Art, London, UK, Thames and Hudson Ltd, 224pp.
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The book is the most complete account of a central technique of modern visual art, and the first to establish its many and fertile innovations. Reflecting throughout on the major aesthetic and productional inventions enabled by the adhesion of alien material in the art-work, the book covers Cubism, Dada, Surrealism, the post-war revolutions in abstract art, Fluxus, Conceptual Art and recent developments in digital art. It charts the connections of collage with neighbouring concepts such as montage, assemblage, and gives new information on artists from California to Moscow, with Western and Central Europe presented with a formidable range of artists, movements and styles.
|Additional Information:||Collage: The Making of Modern Art has been translated into French and published as Collage: l'Invention des avant-gardes, Paris 2005, and issued in English 2006 in paperback edition.|
|Subjects:||N Fine Arts > N Visual arts (General) For photography, see TR
N Fine Arts > NE Print media
D History General and Old World > D History (General) > D204 Modern History
|Divisions:||University Structure - Pre August 2011 > School of Art
|Date Deposited:||01 Jun 2006|
|Last Modified:||27 Mar 2014 18:24|
|Publisher:||Thames and Hudson Ltd|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
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