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Shifting perceptions: spatial order, cosmology, and patterns of deposition at Stonehenge

Shifting perceptions: spatial order, cosmology, and patterns of deposition at Stonehenge
Shifting perceptions: spatial order, cosmology, and patterns of deposition at Stonehenge
The changing cosmological symbolism incorporated in Phases 1 and 2 at Stonehenge is reviewed in the light of new evidence from patterns of deposition prior to the construction of the bluestone and sarsen stone settings. The early structure of the monument and attendant depositional practices embodied a scheme of radial division, including a symbolic quartering primarily demarcated by solstitial rising and setting points. Through sustained ritual practice, however, the motions of the moon came increasingly to be referenced through deposition, particularly of cremations. This evidence seems to contradict earlier claims of a sudden shift in and around Wessex during the mid-third millennium BC from a predominantly lunar to a predominantly solar cosmology. It suggests instead that interest in solar and lunar events did not necessarily preclude each other and that over the centuries there was a process of subtle change involving the continual reworking of symbolic schemes emphasizing a sense of ‘timelessness’ and the unchanging order of the universe.
stonehenge, spatial order
0959-7743
69-90
Pollard, Joshua
5080faff-bc2c-4d27-b702-e40a5eb40761
Ruggles, Clive
8fe63896-d4ed-4789-a056-d6bb15fef5f2
Pollard, Joshua
5080faff-bc2c-4d27-b702-e40a5eb40761
Ruggles, Clive
8fe63896-d4ed-4789-a056-d6bb15fef5f2

Pollard, Joshua and Ruggles, Clive (2001) Shifting perceptions: spatial order, cosmology, and patterns of deposition at Stonehenge. Cambridge Archaeological Journal, 11 (1), 69-90. (doi:10.1017/S095977430100004X).

Record type: Article

Abstract

The changing cosmological symbolism incorporated in Phases 1 and 2 at Stonehenge is reviewed in the light of new evidence from patterns of deposition prior to the construction of the bluestone and sarsen stone settings. The early structure of the monument and attendant depositional practices embodied a scheme of radial division, including a symbolic quartering primarily demarcated by solstitial rising and setting points. Through sustained ritual practice, however, the motions of the moon came increasingly to be referenced through deposition, particularly of cremations. This evidence seems to contradict earlier claims of a sudden shift in and around Wessex during the mid-third millennium BC from a predominantly lunar to a predominantly solar cosmology. It suggests instead that interest in solar and lunar events did not necessarily preclude each other and that over the centuries there was a process of subtle change involving the continual reworking of symbolic schemes emphasizing a sense of ‘timelessness’ and the unchanging order of the universe.

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More information

Published date: April 2001
Keywords: stonehenge, spatial order
Organisations: Archaeology

Identifiers

Local EPrints ID: 389676
URI: http://eprints.soton.ac.uk/id/eprint/389676
ISSN: 0959-7743
PURE UUID: 04940316-131f-4224-978d-3b45c384eb0b
ORCID for Joshua Pollard: ORCID iD orcid.org/0000-0002-8429-2009

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Date deposited: 11 Mar 2016 09:51
Last modified: 15 Mar 2024 03:38

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Contributors

Author: Joshua Pollard ORCID iD
Author: Clive Ruggles

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