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Performance and the composite film score

Performance and the composite film score
Performance and the composite film score
Contents
Introduction Chapter One: The Hidden Heritage of Film Music: History and Scholarship K. J. Donnelly
Chapter Two: Analytical and Interpretive Approaches to Film Music (I): Analysing the Music David Neumeyer and James Buhler
Chapter Three: Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film James Buhler
Chapter Four: ‘In the Mix’: How Electrical Producers Facilitated the Transition to Sound in British Cinemas Michael Allen
Chapter Five: King Kong and Film on Music (Out of the Fog) Peter Franklin
Chapter Six: The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music William H. Rosar
Chapter Seven: The Documentary Film Scores of Gail Kubik Alfred W. Cochran
Chapter Eight: Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot Caryl Flinn
Chapter Nine: Performance and the Composite Film Score K.J. Donnelly
Chapter Ten: Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape Robynn J. Stilwell
Chapter Eleven: ‘Would You like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino Ken Garner
152-166
Edinburgh University Press
Donnelly, Kevin
528e9512-698d-4bc2-8f28-b023b5c788b7
Donnelly, Kevin
Donnelly, Kevin
528e9512-698d-4bc2-8f28-b023b5c788b7
Donnelly, Kevin

Donnelly, Kevin (2001) Performance and the composite film score. In, Donnelly, Kevin (ed.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA. Edinburgh University Press, pp. 152-166.

Record type: Book Section

Abstract

Contents
Introduction Chapter One: The Hidden Heritage of Film Music: History and Scholarship K. J. Donnelly
Chapter Two: Analytical and Interpretive Approaches to Film Music (I): Analysing the Music David Neumeyer and James Buhler
Chapter Three: Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film James Buhler
Chapter Four: ‘In the Mix’: How Electrical Producers Facilitated the Transition to Sound in British Cinemas Michael Allen
Chapter Five: King Kong and Film on Music (Out of the Fog) Peter Franklin
Chapter Six: The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music William H. Rosar
Chapter Seven: The Documentary Film Scores of Gail Kubik Alfred W. Cochran
Chapter Eight: Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot Caryl Flinn
Chapter Nine: Performance and the Composite Film Score K.J. Donnelly
Chapter Ten: Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape Robynn J. Stilwell
Chapter Eleven: ‘Would You like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino Ken Garner

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More information

Published date: July 2001
Additional Information: I also wrote the chapter "Performance and the Composite Film Score". This book was one of the first edit collections on film music.
Organisations: Film

Identifiers

Local EPrints ID: 392609
URI: http://eprints.soton.ac.uk/id/eprint/392609
PURE UUID: c0656f07-9c16-4d09-92b0-bab15d55fee1

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Date deposited: 12 May 2016 12:11
Last modified: 03 Jan 2024 16:13

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Contributors

Author: Kevin Donnelly
Editor: Kevin Donnelly

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