The new novel and the new criticism


Kelly, Michael (1995) The new novel and the new criticism. In, Forbes, Jill and Kelly, Michael (eds.) French Cultural Studies: An Introduction. Oxford, UK, Oxford University Press, 164-171.

Download

Full text not available from this repository.

Description/Abstract

Contents
List of Illustrations x
Notes on Contributors xii
Introduction: French Cultural Identities MICHAEL KELLY 1
PART I: INDUSTRIALIZATION AND WAR (1870-1944) 9
1 Industrialization and its Discontents (1870-1914) GORDON MILLAN , BRIAN RIGBY , JILL FORBES 11
From Symbolism to Modemism 12
Paris, the Capital of Art 15
or the Challenge to Europe 18
Science, Technology, and the Growth of the Mass Market 20
Mallarmé the Total Artist 22
The Heritage of Wagner 27
The Birth of Impressionism 28
The Neurosis of the Fin de siècle 33
Cubism and the Impact of 'Primitive' Art 34
The Belle Époque? 37
The Imposition of the New Moral Order 38
The Eroticization of the Public Domain 43
The Feminist Critique 45
Leisure, Consumption, and Popular Culture 47
2 Wars and Class Wars (1914-1944) MICHAEL SCRIVEN , NICHOLAS HEWITT , MICHAEL KELLY , MARGARET ATACK 54
War and Revolution 54
Les Années folles 61
Crisis and Commitment 69
Les Années noires 78
Suggestions for Further Reading 92
PART II: RECONSTRUCTION AND ITS IDEOLOGIES (1945-1967) 97
3 Crises of Modernization MICHAEL KELLY , ELIZABETH FALLAIZE , ANNA RIDEHALGH 99
Reconstructions of the French Nation 99
The French Ideologies 109
Existentialism and The Second Sex 119
Politics and Culture from the Cold War to Decolonization 124
African Literature and Film in French 135
4 Modernization and Avant-gardes MICHAEL KELLY , TONY JONES , JILL FORBES 140
Modernization and Popular Culture 140
The New Theatre 152
The New Novel and the New Criticism 164
The Cinema from Occupation to New Wave 171
Suggestions for Further Reading 178
PART III: REVOLUTION AND POSTMODERNITY (1968-1995) May 1968 and After 183
5 The Author, the Reader, and the Text after 1968 MICHAEL WORTON 191
The Revolution in Writing 191
Literature as Rewriting 193
A Woman's Rewriting: Christiane Baroche 195
Literature as Repetition and Commemoration 198
Orientalism 202
The Temptations of Autobiography 204
The Gamble of Poetry 206
The Vivacity of Literature 210
6 The Self and Others KEITH READER 213
Marxism and Post-Marxism 218
The Future of Literary Criticism 222
Foucault: From Document to Monument 224
Régis Debray and the 'Communications Revolution' 225
The Feminist Critique 226
Other Voices: Voices of Others 229
7 Popular Culture and Cultural Politics JILL FORBES 232
The Rise of Audio-visual Culture 232
The City as Signifying Practice 246
Cultural Politics and the Postmodem Condition 258
8 French in the World: From Imperialism to Diversity RODNEY BALL , ALEC HARGREAVES , BILL MARSHALL , ANNA RIDEHALGH 264
Preservationists vs. Innovators and the Contemporary French Language 264
Beur Culture 269
National Allegory in Francophone Canada 273
African Literature and Cinema in French after 1968 278
Suggestions for Further Reading 286
Conclusion: French Cultural Studies in the Future JILL FORBES 290
Chronology 1870-1994 296
Index

Item Type: Book Section
ISBNs: 0198715005 (hardback)
0198715013 (paperback)
Related URLs:
Subjects: P Language and Literature > PQ Romance literatures
P Language and Literature
Divisions: University Structure - Pre August 2011 > School of Humanities > Modern Languages
ePrint ID: 45199
Date Deposited: 14 May 2007
Last Modified: 27 Mar 2014 18:29
URI: http://eprints.soton.ac.uk/id/eprint/45199

Actions (login required)

View Item View Item