Intimate Engagements: Art, Heritage and Experience at the 'Place-Ballet'
Schofield, John (2007) Intimate Engagements: Art, Heritage and Experience at the 'Place-Ballet'. International Journal of the Arts in Society, 1, (5), 105-114.
- Publishers print
Restricted to Registered users only
This essay will examine the cross-overs that can increasingly be seen between archaeological research and practice, and contemporary art: artistic installation and intervention becomes archaeological, if anything other than the most literal and conservative of definitions is used; archaeological practice is performance, and like much art, the process matters more than the result - the journey more than the destination; and finally art can be used to interpret historic places and events, in some cases more effectively than conventional heritage facilities, and archaeological evidence. Here I will use a range of examples to examine how artists are archaeologists, and vice versa.
|Keywords:||contemporary art, contemporary archaeology, heritage, conflict|
|Subjects:||C Auxiliary Sciences of History > CC Archaeology
N Fine Arts > NX Arts in general
|Divisions:||University Structure - Pre August 2011 > School of Humanities > Archaeology
|Date Deposited:||18 May 2007|
|Last Modified:||28 Jun 2012 11:00|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
Actions (login required)