Performance and the Composite Film Score


Donnelly, Kevin (2001) Performance and the Composite Film Score. In, Donnelly, Kevin (ed.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum, 152-166.

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Description/Abstract

Contents

Introduction
Chapter One:
The Hidden Heritage of Film Music: History and Scholarship
K. J. Donnelly

Chapter Two:
Analytical and Interpretive Approaches to Film Music (I): Analysing the Music
David Neumeyer and James Buhler

Chapter Three:
Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film
James Buhler

Chapter Four:
‘In the Mix’: How Electrical Producers Facilitated the Transition to Sound in British Cinemas
Michael Allen

Chapter Five:
King Kong and Film on Music (Out of the Fog)
Peter Franklin

Chapter Six:
The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music
William H. Rosar

Chapter Seven:
The Documentary Film Scores of Gail Kubik
Alfred W. Cochran

Chapter Eight:
Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot
Caryl Flinn

Chapter Nine:
Performance and the Composite Film Score
K.J. Donnelly


Chapter Ten:
Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape
Robynn J. Stilwell

Chapter Eleven:
‘Would You like to Hear Some Music?’ Music in-and-out-of-control in the Films of Quentin Tarantino
Ken Garner

Item Type: Book Section
Additional Information: I also wrote the chapter "Performance and the Composite Film Score". This book was one of the first edit collections on film music.
ISBNs: 0748612882 (paperback)
9780748612888 (paperback)
Related URLs:
Subjects: M Music and Books on Music > M Music
P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
M Music and Books on Music > ML Literature of music
Divisions: University Structure - Pre August 2011 > School of Humanities > Film Studies
ePrint ID: 47516
Date Deposited: 31 Jul 2007
Last Modified: 27 Mar 2014 18:31
URI: http://eprints.soton.ac.uk/id/eprint/47516

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