Narrative Theory as an Analytical Tool in the Study of Popular Music Texts


Nicholls, David (2007) Narrative Theory as an Analytical Tool in the Study of Popular Music Texts. Music and Letters, 88, (2), 297-315. (doi:10.1093/ml/gcm006).

Download

Full text not available from this repository.

Original Publication URL: http://dx.doi.org/10.1093/ml/gcm006

Description/Abstract

Narrative theory and popular music are not the most obvious of bedfellows: the former lends itself primarily to the elaboration (or analysis) of extended narrative structures, while the latter tends to manifest itself in three- to four-minute songs describing essentially static cameos, vignettes, or states of mind. That popular music texts may nevertheless contain elements of narration is hardly in doubt, however, as is shown by such songs as The Beatles’ ‘Norwegian Wood’ (1968), Kate Bush's ‘Wuthering Heights’ (1978), or The Buggles’ ‘Video Killed the Radio Star’ (1979). But narrative structures truly come into their own at the point where albums begin to function as significant units of music organization. Referring primarily to Genesis's The Lamb Lies Down on Broadway (1974) and The Who's Quadrophenia (1973), this article explores the ways in which music, lyrics, prose, art work, and other elements can be used to create and describe both single and multiple narratives.

Item Type: Article
ISSNs: 0027-4224 (print)
Related URLs:
Subjects: M Music and Books on Music > M Music
Divisions: University Structure - Pre August 2011 > School of Humanities > Music
ePrint ID: 47969
Date Deposited: 15 Aug 2007
Last Modified: 27 Mar 2014 18:31
URI: http://eprints.soton.ac.uk/id/eprint/47969

Actions (login required)

View Item View Item