When Seve met Bregovi?: folklore, turbofolk and the boundaries of Croatian musical identity

Baker, Catherine (2008) When Seve met Bregovi?: folklore, turbofolk and the boundaries of Croatian musical identity. Nationalities Papers, 36, (4), 741-764. (doi:10.1080/00905990802230514).


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Popular music in Croatia has consistently been a field where the boundaries of national cultural identity are set, contested and transgressed. The most contentious boundaries involve Serbian culture and the abstract “east”, to which essentialized nationalist concepts of Croatian culture denied any similarity. The Croatian singer Severina’s attempt to represent Croatia at the 2006 Eurovision Song Contest with her song Moja štikla (My stiletto) called these aspects into question with connotations which could be claimed as both Croatian and Serbian. Although the song was justified with reference to the (disputed) authenticity of Croatian folklore, it ultimately suggested that Croatian cultural space could not be separated from that of the other ex-Yugoslav states.

Item Type: Article
Digital Object Identifier (DOI): doi:10.1080/00905990802230514
ISSNs: 0090-5992 (print)
Related URLs:
Keywords: croatia, popular music, national identity, eurovision song contest, folklore
Subjects: G Geography. Anthropology. Recreation > GR Folklore
M Music and Books on Music > M Music
P Language and Literature > PB Modern European Languages
D History General and Old World > DR Balkan Peninsula
Divisions : University Structure - Pre August 2011 > School of Humanities > Modern Languages
ePrint ID: 66291
Accepted Date and Publication Date:
September 2008Published
Date Deposited: 29 May 2009
Last Modified: 31 Mar 2016 12:52
URI: http://eprints.soton.ac.uk/id/eprint/66291

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