Sing a song of difference: Connie Boswell and a discourse of disability in jazz


Stras, Laurie (2009) Sing a song of difference: Connie Boswell and a discourse of disability in jazz. Popular Music, 28, (3), 297-322. (doi:10.1017/S0261143009990080).

Download

Full text not available from this repository.

Description/Abstract

Although a wheelchair-user and permanently disabled through polio, the southern American singer Connie Boswell was one of radio and vaudeville's biggest stars in the 1930s. She and her sisters were a compelling force in American popular entertainment for the first half of the decade; and when the group split in 1936, Connie carried on a solo career in radio, recording, film and television for another twenty-five years. Connie's unique position as the only visibly disabled ‘A-list’ female popular entertainer for most of the twentieth century – and one whose voice, both physical and musical, shaped the sound of jazz and popular music – makes her an obvious focus for any study that links popular music and disability. This essay is concerned with how disability may have operated as a discourse about and within Connie's chosen medium, jazz; and how disability studies can illuminate why the ways in which difference is figured in her work, initially a source of anxiety, could have also been a significant reason for her success.

Item Type: Article
ISSNs: 0261-1430 (print)
1474-0095 (electronic)
Subjects: M Music and Books on Music > M Music
M Music and Books on Music > ML Literature of music
Divisions: University Structure - Pre August 2011 > School of Humanities > Music
ePrint ID: 67401
Date Deposited: 03 Sep 2009
Last Modified: 27 Mar 2014 18:48
URI: http://eprints.soton.ac.uk/id/eprint/67401

Actions (login required)

View Item View Item