Music, theater and cultural transfer: Paris 1830-1914
Fauser, Annegret and Everist, Mark (eds.) (2009) Music, theater and cultural transfer: Paris 1830-1914, Chicago, US, Chicago University Press, 456pp.
Full text not available from this repository.
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia.
The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
|Keywords:||history, european, culture, cultural, transfer, stage, music, everist, fauser|
|Subjects:||D History General and Old World > DC France
M Music and Books on Music > M Music
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
|Divisions:||University Structure - Pre August 2011 > School of Humanities > Music
|Date Deposited:||14 Sep 2009|
|Last Modified:||27 Mar 2014 18:48|
|Publisher:||Chicago University Press|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
Actions (login required)