The polyphonic rondeau c1300: repertory and context
Everist, Mark (1996) The polyphonic rondeau c1300: repertory and context. Early Music History, 15, 59-96. (doi:10.1017/S0261127900001522).
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Description/Abstract
Any explanation of the emerging polyphonic chanson in the years before 1330 must negotiate varied repertories and compositions. One of the central genres in such a study would be the polyphonic rondeau. It is characterised by a musico-poetic structure more or less analogous to the rondeau of the later fourteenth century, but also by three-part music – mostly syllabic, note-against-note – that is copied in score. Our view of these sorts of compositions is dominated by the works of Adam de la Halle, whose sixteen score-notated polyphonic settings of vernacular lyrics are preserved in a manuscript now in the Bibliothèque Nationale (F-Pn), MS fr. 25566
| Item Type: | Article |
|---|---|
| ISSNs: | 0261-1279 (print) |
| Related URLs: | |
| Keywords: | polyphonic, rondeau, 1300, fourteenth, thirteenth, century, everist, repertory, context |
| Subjects: | M Music and Books on Music > ML Literature of music |
| Divisions: | University Structure - Pre August 2011 > School of Humanities > Music |
| Item ID: | 67506 |
| Date Deposited: | 27 Aug 2009 |
| Last Modified: | 02 Mar 2012 11:32 |
| Contributors: | Everist, Mark (Author) |
| Date: | 1996 |
| Status: | Published |
| Contact Email Address: | m.everist@soton.ac.uk |
| URI: | http://eprints.soton.ac.uk/id/eprint/67506 |
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