The polyphonic rondeau c1300: repertory and context
Everist, Mark (1996) The polyphonic rondeau c1300: repertory and context. Early Music History, 15, 59-96. (doi:10.1017/S0261127900001522).
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Any explanation of the emerging polyphonic chanson in the years before 1330 must negotiate varied repertories and compositions. One of the central genres in such a study would be the polyphonic rondeau. It is characterised by a musico-poetic structure more or less analogous to the rondeau of the later fourteenth century, but also by three-part music – mostly syllabic, note-against-note – that is copied in score. Our view of these sorts of compositions is dominated by the works of Adam de la Halle, whose sixteen score-notated polyphonic settings of vernacular lyrics are preserved in a manuscript now in the Bibliothèque Nationale (F-Pn), MS fr. 25566
|Digital Object Identifier (DOI):||doi:10.1017/S0261127900001522|
|Keywords:||polyphonic, rondeau, 1300, fourteenth, thirteenth, century, everist, repertory, context|
|Subjects:||M Music and Books on Music > ML Literature of music|
|Divisions:||University Structure - Pre August 2011 > School of Humanities > Music
|Date Deposited:||27 Aug 2009|
|Last Modified:||06 Aug 2015 02:54|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
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