Meyerbeer’s Il crociato in Egitto: mélodrame, opera, orientalism
Everist, Mark (1996) Meyerbeer’s Il crociato in Egitto: mélodrame, opera, orientalism. Cambridge Opera Journal, 8, (3), 215-250. (doi:10.1017/S0954586700004730).
Full text not available from this repository.
Il crociato in Egitto was the last in a series of Italian operas written by Giacomo Meyerbeer between 1817 and 1824. Although his Emma di Resburgo and Margherita d'Anjou had been successful in Venice and Milan, it was Il crociato that put Meyerbeer in the first rank of internationally renowned composers of Italian opera. The work's contemporary popularity makes it an important element in the history of early nineteenth-century Italian opera, and the abundant source material that survives for the opera permits a reconstruction of its early history. Furthermore, the publication in facsimile of a copyist's score from the première at La Fenice and the recording of the work by Opera Rara have encouraged a modern revaluation.
|Keywords:||meyerbeer, crociato, everist, melodrame, opera,orientalism|
|Subjects:||M Music and Books on Music > ML Literature of music|
|Divisions:||University Structure - Pre August 2011 > School of Humanities > Music
|Date Deposited:||27 Aug 2009|
|Last Modified:||06 Aug 2015 02:54|
|RDF:||RDF+N-Triples, RDF+N3, RDF+XML, Browse.|
Actions (login required)