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On the occult nature of sound-image synchronization

On the occult nature of sound-image synchronization
On the occult nature of sound-image synchronization
Points of synchronization between sound and image can be approached as a form of repose, providing moments of comfort in a potentially threatening environment of asynchrony that can be overwrought with sound and image stimuli. The interplay between the synchrony and asynchrony is a central dynamic of audio-visual culture, which can be re-conceived and newly understood along these lines.
1712-9265
39-43
Donnelly, K.J.
b31cebde-a9cf-48c9-a573-97782cd2a5c0
Donnelly, K.J.
b31cebde-a9cf-48c9-a573-97782cd2a5c0

Donnelly, K.J. (2010) On the occult nature of sound-image synchronization. [in special issue: 'Sound on Screen’] Cinephile, 6 (1), Spring Issue, 39-43.

Record type: Article

Abstract

Points of synchronization between sound and image can be approached as a form of repose, providing moments of comfort in a potentially threatening environment of asynchrony that can be overwrought with sound and image stimuli. The interplay between the synchrony and asynchrony is a central dynamic of audio-visual culture, which can be re-conceived and newly understood along these lines.

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Published date: 2010

Identifiers

Local EPrints ID: 157945
URI: http://eprints.soton.ac.uk/id/eprint/157945
ISSN: 1712-9265
PURE UUID: 429f45d4-165e-4250-b073-681656458586

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Date deposited: 29 Jun 2010 11:39
Last modified: 14 Mar 2024 01:49

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