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Whatever happened to electronic editing?

Whatever happened to electronic editing?
Whatever happened to electronic editing?
As early as 1989, Bernard Cerquiglini anticipated the marriage of new technology and the New Philology; and from the early 1990s onwards, scholars embarked on a series of ambitious electronic editing projects, exploiting the possibilities of the new technology to explore medieval and later textual traditions in unprecedented depth. Over the past five years, however, the sustainability of such projects has become a major problem, since their technological complexity and low impact have made them particularly vulnerable to current institutional, political, and financial pressures. The paper focuses on the response to these developments by three directors of major e-editing projects, Peter Robinson (Canterbury Tales Project, 1993-), Hoyt N. Duggan (Piers Plowman Electronic Archive,1994-), and Jerome J. McGann (The Rossetti Archive,1993–2008), tracing their changing attitude in recent years to electronic editing, and their growing anxiety about its future.
978-2-503-53683-5
TT 5
39-54
Brepols
Millett, Bella
99523544-2312-4078-97f1-c6d4eb8edd39
Gillespie, V.
Hudson, A.
Millett, Bella
99523544-2312-4078-97f1-c6d4eb8edd39
Gillespie, V.
Hudson, A.

Millett, Bella (2013) Whatever happened to electronic editing? In, Gillespie, V. and Hudson, A. (eds.) Probable Truth: Editing Medieval Texts from Britain in the Twenty-First Century. (Texts and Transitions, TT 5) Turnhout, BE. Brepols, pp. 39-54.

Record type: Book Section

Abstract

As early as 1989, Bernard Cerquiglini anticipated the marriage of new technology and the New Philology; and from the early 1990s onwards, scholars embarked on a series of ambitious electronic editing projects, exploiting the possibilities of the new technology to explore medieval and later textual traditions in unprecedented depth. Over the past five years, however, the sustainability of such projects has become a major problem, since their technological complexity and low impact have made them particularly vulnerable to current institutional, political, and financial pressures. The paper focuses on the response to these developments by three directors of major e-editing projects, Peter Robinson (Canterbury Tales Project, 1993-), Hoyt N. Duggan (Piers Plowman Electronic Archive,1994-), and Jerome J. McGann (The Rossetti Archive,1993–2008), tracing their changing attitude in recent years to electronic editing, and their growing anxiety about its future.

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More information

Published date: 2013
Organisations: English

Identifiers

Local EPrints ID: 196255
URI: http://eprints.soton.ac.uk/id/eprint/196255
ISBN: 978-2-503-53683-5
PURE UUID: 5b63948f-b6ca-41a1-8c0c-85e9b3d7f62a

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Date deposited: 06 Sep 2011 08:32
Last modified: 14 Mar 2024 04:07

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Contributors

Author: Bella Millett
Editor: V. Gillespie
Editor: A. Hudson

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