The University of Southampton
University of Southampton Institutional Repository

Introduction

Introduction
Introduction
CONTENTS: List of Tables; List of Plates; Acknowledgements; Notes on the Contributors; Introduction: P.Garside, E.J.Clery & C.Franklin; PART I: AUTHORSHIP Anne Grant and the Professionalization of Privacy; P.Perkins Women Poets and Anonymity in the Romantic Era; P.R.Feldman Walter Scott: Anonymity and the Unmasking of the Harlequin; C.Lamont James Hogg and his Publishers: The Queen's Wake and Queen Hynde; D.S.Mack Author and Community: John Clare and John Taylor; P.Chirico PART II: COMMERCE Eliza Haywood and the Discourse of Taste; R.W.Jones Camilla in the Market Place: Moral Marketing and Feminist Editing in 1796 and 1802; S.Salih Economics, Expertise, Enterprise and the Literary Scene: The Commercial Management Ethos in British Circulating Libraries; C.Skelton-Foord Popular Romanticism?: Publishing, Readership and the Making of Literary History; B.Colbert PART III: THE PUBLIC Cultures of Print: Mass Markets and Theories of the Liberal Public Sphere; J.Stoddart 'The Hastings Circle': Writers and Writing in Calcutta in the Last Quarter of the Eighteenth Century; M.J.Franklin A 'Memorable Grave': The Abject Subtext of Charles Lloyd's Edmund Oliver; P.Keen State Patronage and the Romantic Writer: Henry Taylor's Modest Proposal; W.Christie
0333964551
9-16
Palgrave Macmillan
Clery, E.J.
c8e13d5b-130f-4201-9bf2-f213326c226c
Clery, E.J.
Franklin, Caroline
Garside, Peter
Clery, E.J.
c8e13d5b-130f-4201-9bf2-f213326c226c
Clery, E.J.
Franklin, Caroline
Garside, Peter

Clery, E.J. (2002) Introduction. In, Clery, E.J., Franklin, Caroline and Garside, Peter (eds.) Authorship, Commerce and the Public: Scenes of Writing, 1750-1850. Basingstoke, UK. Palgrave Macmillan, pp. 9-16.

Record type: Book Section

Abstract

CONTENTS: List of Tables; List of Plates; Acknowledgements; Notes on the Contributors; Introduction: P.Garside, E.J.Clery & C.Franklin; PART I: AUTHORSHIP Anne Grant and the Professionalization of Privacy; P.Perkins Women Poets and Anonymity in the Romantic Era; P.R.Feldman Walter Scott: Anonymity and the Unmasking of the Harlequin; C.Lamont James Hogg and his Publishers: The Queen's Wake and Queen Hynde; D.S.Mack Author and Community: John Clare and John Taylor; P.Chirico PART II: COMMERCE Eliza Haywood and the Discourse of Taste; R.W.Jones Camilla in the Market Place: Moral Marketing and Feminist Editing in 1796 and 1802; S.Salih Economics, Expertise, Enterprise and the Literary Scene: The Commercial Management Ethos in British Circulating Libraries; C.Skelton-Foord Popular Romanticism?: Publishing, Readership and the Making of Literary History; B.Colbert PART III: THE PUBLIC Cultures of Print: Mass Markets and Theories of the Liberal Public Sphere; J.Stoddart 'The Hastings Circle': Writers and Writing in Calcutta in the Last Quarter of the Eighteenth Century; M.J.Franklin A 'Memorable Grave': The Abject Subtext of Charles Lloyd's Edmund Oliver; P.Keen State Patronage and the Romantic Writer: Henry Taylor's Modest Proposal; W.Christie

This record has no associated files available for download.

More information

Published date: 2002

Identifiers

Local EPrints ID: 43063
URI: http://eprints.soton.ac.uk/id/eprint/43063
ISBN: 0333964551
PURE UUID: 04932d04-e946-40e0-9cac-2f42ad2eb653

Catalogue record

Date deposited: 11 Jan 2007
Last modified: 05 Aug 2022 16:38

Export record

Contributors

Author: E.J. Clery
Editor: E.J. Clery
Editor: Caroline Franklin
Editor: Peter Garside

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×