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"Civil wars of the mind": the commemoration of the 1789 revolution in the Parisian press of the radical right, 1939

"Civil wars of the mind": the commemoration of the 1789 revolution in the Parisian press of the radical right, 1939
"Civil wars of the mind": the commemoration of the 1789 revolution in the Parisian press of the radical right, 1939
This article explores the occasion of the 150th anniversary of the French Revolution in 1939 and the responses to it of agents on the Left, centre and radical Right of French Political culture. In particular, it is argued that French fascists, especially the ‘literary fascists’ of Action française and Je suis partout, developed throughout the sesquicentennial year a critique of revolutionary and republican forces that placed 1789 at the beginning of the French slide into a decadent modernity marked by class conflict, racial integration and the blurring of the boundaries between the sexes. Such an analysis reveals the importance of practising historians in cultural political debate and shows how the commemoration of the 1789 Revolution reflected, in part, contemporary fears of an apocalyptic war against Germany. In addition, the memory of the contested eighteenth-century past was displaced for these actors by a contemplation of a supposedly pure and pre-modern era embodied by Joan of Arc.
fascism, memory, modernity, war
0265-6914
389-429
Tumblety, Joan
8742e0ca-a9c0-4d16-832f-b3ef643efd7b
Tumblety, Joan
8742e0ca-a9c0-4d16-832f-b3ef643efd7b

Tumblety, Joan (2000) "Civil wars of the mind": the commemoration of the 1789 revolution in the Parisian press of the radical right, 1939. European History Quarterly, 30 (3), 389-429. (doi:10.1177/026569140003000301).

Record type: Article

Abstract

This article explores the occasion of the 150th anniversary of the French Revolution in 1939 and the responses to it of agents on the Left, centre and radical Right of French Political culture. In particular, it is argued that French fascists, especially the ‘literary fascists’ of Action française and Je suis partout, developed throughout the sesquicentennial year a critique of revolutionary and republican forces that placed 1789 at the beginning of the French slide into a decadent modernity marked by class conflict, racial integration and the blurring of the boundaries between the sexes. Such an analysis reveals the importance of practising historians in cultural political debate and shows how the commemoration of the 1789 Revolution reflected, in part, contemporary fears of an apocalyptic war against Germany. In addition, the memory of the contested eighteenth-century past was displaced for these actors by a contemplation of a supposedly pure and pre-modern era embodied by Joan of Arc.

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More information

Published date: July 2000
Keywords: fascism, memory, modernity, war

Identifiers

Local EPrints ID: 73420
URI: http://eprints.soton.ac.uk/id/eprint/73420
ISSN: 0265-6914
PURE UUID: 6ad2ff10-d116-4bf5-ba6d-7d2aa1ecf9bc

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Date deposited: 16 Mar 2010
Last modified: 13 Mar 2024 22:02

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