Items where Division is "Faculty of Business and Law > Winchester School of Art" and Year is 2010
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Bloom, Jaygo (2010) Arcade. Dundee Contemporary Art Centre, United Kingdom of Great Britain and Northern Ireland, GB.
Foster, Stephen, Le Frenais, Rob, Sloan, Helen and Triscott, Nicola (2010) Dark places: Beatrice DeCosta, Office of Experiments, Halford & Beard, Steve Rowell (collaboration with Arts Catalyst & SCAN). John Hansard Gallery, Southampton, GB.
Foster, Stephen and Bolivar, Juan (2010) Dawnbreakers. John Hansard Gallery, Southampton, GB.
Foster, Stephen, Carter, Rosalind and Hammond, Kit (2010) Ground Level: Hayward Touring Curatorial Open II. John Hansard Gallery, Southampton, GB.
Ashton, Daniel (2010) Awarding the self in Wikipedia: identity work and the disclosure of knowledge. First Monday, 16, (1) (doi:10.5210/fm.v16i1.3156).
Ashton, Daniel (2010) From the bedroom to beyond: identifying (with) industry tools and technologies. In, Affective Fabrics of Digital Culture: Feelings, Technologies, Politics, Manchester, GB, 03 - 04 Jun 2010. University of Manchester.
Ashton, Daniel (2010) Player, student, designer: games design students and changing relationships with games. Games and Culture, 5, (3), 256-277. (doi:10.1177/1555412009359766).
Ashton, Daniel (2010) Productive passions and everyday pedagogies: exploring the industry-ready agenda in higher education. Art, Design & Communication in Higher Education, 9, (1), 41-56. (doi:10.1386/adch.9.1.41_1).
Ashton, Daniel (2010) You just end up feeling more professional: media production and industry-ready personhood. Networks, 10, 14-19.
Ashton, Daniel and Newman, James (2010) Relations of control: walkthroughs and the structuring of player agency. The Fibreculture Journal, 16, (110)
Avakian, Stephanos, Clark, Timothy and Roberts, Joanne (2010) Examining the relationship between trust and culture in the consultant-client relationship. In, Saunders, Mark N.K., Skinner, Denise, Dietz, Graham, Gillespie, Nicole and Lewicki, Roy J. (eds.) Organisational Trust: A Cultural Perspective. Cambridge, GB, Cambridge University Press, 129-155. (Cambridge Companions to Management).
Bishop, Ryan and Phillips, John (2010) Modernist avant-garde aesthetics and contemporary military technology: technicities of perception, Edinburgh, GB, Edinburgh University Press, 248pp.
Manghani, Sunil (2010) Japan: lost in translation, or nothing to see but everything. In, Elkins, James (ed.) Visual Cultures. Chicago, US, Intellect with University of Chicago Press, 27-42.
Parikka, Jussi (2010) Insect media: an archaeology of animals and technology, Minneapolis, US, University of Minnesota Press, 320pp. (Posthumanities).
Roberts, Joanne (2010) Community and international business futures: insights from software production. Futures, 42, (9), 926-936. (doi:10.1016/j.futures.2010.08.023).
Roberts, Joanne and Fuller, Ted (2010) International business: past, present and futures. Futures, 42, (9), 901 -909. (doi:10.1016/j.futures.2010.08.019).
Walters, Victoria (2010) The artist as Shaman: the work of Joseph Beuys and Marcus Coates. In, Schneider, Arnd and Wright, Christopher (eds.) Between Art and Anthropology: Contemporary Ethnographic Practice. Oxford, GB, Berg, 35-48.
Walters, Victoria (2010) Working 'in the opposite direction': Joseph Beuys in the field. Anthropological Journal of European Cultures, 19, (2), Autumn Issue, 22-43. (doi:10.3167/ajec.2010.190203).