Items where Division is "Faculty of Humanities > Film" and Year is 2013
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Donnelly, K.J. and Hayward, Philip (eds.) (2013) Music in science fiction television: tuned to the future, London, GB, New York City, US, Routledge, 231pp. (Routledge Music and Screen Media Series).
Bergfelder, Tim (2013) Giants, sultans, and other strangers: Fritz Kortner in British cinema, 1934-37. Journal of British Film and Television, 10, (4), 683-708. (doi:10.3366/jbctv.2013.0170).
Cheung, Ruby (2013) Film and migration, East Asia. In, Ness, Immanuel and Bellwood, Peter (eds.) The Encyclopedia of Global Human Migration. Chichester, GB, Wiley-Blackwell. (doi:10.1002/9781444351071).
Donnelly, Kevin (2013) Visualizing live albums: progressive rock and the British concert film in the 1970s. In, Edgar, Robert, Fairclough-Isaacs, Kirsty and Halligan, Ben (eds.) The Music Documentary: From Acid Rock to Electropop. New York, US, Routledge, 171-181.
Mazdon, Lucy (2013) Festival de Cannes: archive or archivist? In, Marlow-Mann, Alex (ed.) Archival Film Festivals. Saint Andrews, GB, St Andrews Film Studies, 117-128. (Film Festival Yearbook, 5).
Penfold, Christopher (2013) Elizaveta Svilova and Soviet documentary film. University of Southampton, Faculty of Humanities, Doctoral Thesis , 349pp.
Sandberg, Claudia and Areal Vélez, Alejandro (2013) Peliculas Escondidas/Hidden Treasures.
Sandberg , Claudia (2013) Literaturverfilmungen. In, Langford, Michelle (ed.) Directory of World Cinema: Germany 2. Bristol, GB, Intellect , 121-126. (Directory of World Cinema Series).
Sandberg , Claudia (2013) Peter Lilienthal’s DAVID (1978). Heimatlosigkeit als Überlebensstrategie. Filmblatt, 18, (51), 37-46.
Schultz, Corey K.N. (2013) The intellectual in the films of Jia Zhangke. In, Chinese Film Forum UK Conference, Manchester, GB, 29 - 30 Jan 2013.
Schultz, Corey K.N. (2013) Mediated memory: prosthetic memory in 24 City. In, BRESTOLON Network: Research Institute for Media, Communications, Culture and Society, Stockholm, SE, 23 May 2013.
Schultz, Corey K.N. (2013) Mediating trauma: the Nanjing massacre and its filmic and emotional dissemination. In, Chinese Cinemas In and Outside China, Chinese Film Forum UK Conference, Manchester, GB, 11 - 13 Oct 2013.
Williams, Michael (2013) Gloria Swanson as Venus: silent stardom, antiquity and the classical vernacular. In, Michelakis, Pantelis and Wyke, Maria (eds.) The Ancient World in Silent Cinema. Cambridge, GB, University of Cambridge Press, 125-144.
Williams, Michael (2013) Review: 'The Sounds of the Silents in Britain', edited by Julie Brown and Annette Davison. Viewfinder: Moving Image and Sound, Knowledge and Access, (93), 21.
Williams, Michael (2013) Stars as sculpture in the 1920s fan-magazine interview. In, Harrow, Susan (ed.) The Art of the Text: Visuality in Nineteenth and Twentieth-Century Literary and Other Media. Cardiff, GB, University of Wales Press, 131-147.
Xu, S.X. (2013) Hong Kong cinema since 1997: the response of filmmakers following the political handover from Britain to the People’s Republic of China. University of Southampton, Faculty of Humanities, Doctoral Thesis , 252pp.