Browse by Divisions pre August 2011
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Dawson, Ian (2002) 126.96.36.199.188.8.131.52.34. Centro Culturale Paggeria, Sassoulo, Italy. Galleria Del Tasso Arte, Trento, Italy. Galerie Xippas, Athens, Greece.
Dawson, Ian (2002) 1365.
Hayward, Maria and Saunders, A. (2002) Costume: journal of the Costume Society.
Carnie, Andrew (2002) Hygiene.
Barber, Claire, King, Judith and Axford, Tanya and Hadzi-Vasileva, Elpida and Stokes, Matt and Weilder, Wolfgang (2002) Land and the samling.
Medley, Susan (2002) Naoya Hatakeyama: Slow glass. Northern Gallery for Contemporary Art, Sunderland, GB. Winchester Gallery, Winchester, GB. Impressions Gallery, York, GB.
Makhoul, B and Horn, Rebecca (2002) The shock of September 11 and the mystery of the other. Haus am Lutzowplatz, Berlin, DE.
Gibbons, J and Marlow, Tim (2002) Thinking Big: Concepts for Twenty-First Century British Sculpture. Peggy Guggenheim Collection, Venice, IT.
Unsworth, J. (ed.) (2002) A vision for twenty-first century British sculpture, UK, Sculpture at Goodwood, 410pp. (Sculpture at Goodwood).
Brooks, M. and Francoise, S. (2002) Communication and technology: a distance learning experience in conservation education and training. In, 13th International Council for Museums Committee for Conservation Triennial Meeting, Rio de Janeiro, Brazil, 22 - 27 Sep 2002. London, UK, James and James (Science Publishers) Ltd.6pp, 125-131.
Brooks, Mary (2002) A chippendale bed cornice conserved. In, Beard, G. (ed.) Country House Collections. Teddington, UK, The Attingham Trust, 134-135.
Bruton, Jo, Klassnik, Robin and Craddock, Sacha (2002) Walk Slowly Towards the Light. Matt's Gallery, London, UK.
Burman, B. (2002) Fashion, sport and identity. In, Costume Society annual symposium on the history of sportswear Jul 2002.
Burman, B. (2002) The pleasure of sewing a fine seam: an oral history of home dress making in the lives of English working women. In, 12th Berkshire Conference of Women Historians, Conneticut, USA, 07 Jun 2002. (Submitted).
Burman, B. (2002) Review of Smith, J. 'The Paperless office' in White, N. and Griffiths, I. (eds.) The fashion business: theory, practice, image. Oxford: Berg, 2000. Business History, 44, (2), 156-157.
Burman, B. (2002) The white collar: working women, cleanliness and 'personal purity' in late Victorian and Edwardian England. In, Vice and Virtue: Social History Society 27th annual conference, Manchester, UK, 04 - 06 Jan 2002.
Burman, Barbara (2002) Pocketing the difference: gender and pockets in nineteenth-century Britain. (Section 2. Identity and eroticism, consumption and production, from the early seventeenth to the mid–twentieth century. Special issue Material Strategies: Dress and Gender in Historical Perspective, edited by Barbara Burman and Carole Turbin.). Gender and History, 14, (3), 447-469. (doi:10.1111/1468-0424.00277).
Burman, Barbara (2002) Pocketing the difference: pockets and gender in nineteenth-century Britain. Gender & History, 14, (3), 447-469. (doi:10.1111/1468-0424.00277).
Burman, Barbara (2002) "What a deal of work there is in a dress!’’: Englishness and home dressmaking in the age of the sewing machine. In, Breward, Christopher, Conekin, Becky and Cox, Caroline (eds.) The Englishness of English Dress. Oxford, UK; New York, USA, Berg Publishing, 79-96.
Carnie, Andrew (2002) Magic Forest: a time based slide dissolve work. Science Museum, London, UK . Natuurmuseum, Rotterdam, Netherlands. Design Museum, Zurich, Switzerland. Westport Art Centre , Connecticut, USA.
Daniel, M. (2002) The man with the movie camera. Speed of vision, speed of truth? In, 2002 International Symposium on Photography: Communication Between the Eyes, Taipei, Taiwan, The Society for Photographic Education of Chinese, 118-136.
Deebi, Aissa, Berberich, Frank, Pott, Karin, Sontag, Susan and Horn, Rebecca (2002) The shock of September 11 and the mystery of the other: a documentation. Haus am Lutzowplatz , Berlin, Germany.
Dimitrakaki, Angela and Tsiantis, M.S. (2002) Terminators, monkeys and mass culture: The carnival of time in science fiction films. Time & Society, 11, (2/3), 209-231.
Dronsfield, J.L. (2002) Abstraction given time. In, Helen Robertson (catalogue). Helen Robertson (solo exhibition) Dudelange, Luxembourg, Galerie Nei Liicht, 2-5.
Dronsfield, J.L. (2002) On humanism. In, Heidegger & France, North American Heidegger Society, Southern Conneticut State University, USA, 2002. New Haven, USA, North American Heidegger Society, 203-211.
Eastop, D.D.M. and Takami, M. (2002) The conservation of a Korean painted silk banner, c.1800: paint analysis and support via solvent-reactivated acrylic adhesive. In, 13th Triennial meeting of the ICOM Committee for Conservation, Rio de Janiero, Brazil, Sep 2002. London, UK, James & James (Science Publishers), 747-754.
Ferry, David (2002) Faces and places from English history: a complete set of thirty fine prints. University of Utah, Salt Lake City, USA. The Centre for Fine Print Research, of the University of The West of England, Bristol, UK. Ashmolean Museum, Oxford, UK.
Ferry, David (2002) The window seat series. Avram Gallery, New York, USA. Crawford Municiple Art Gallery, Cork, Ireland. Amiellie Wallace Gallery, SUNY, New York, USA. ON Gallery and the Academey of Fine Arts, Poznan, Poland.
Garside, P. and Wyeth, P. (2002) Characterisation of silk deterioration. In, North American Textile Conservation Conference, Philadelphia, USA and Winterthur, Switzerland, 2002. Philadelphia, USA, NATCC, 55-60.
Garside, P. and Wyeth, P. (2002) Towards informed conservation: characterising the state of deterioration of weighted silk. In, Art 2002: 7th International Conference on Non-destructive Testing and Microanalysis for the Diagnostics and Conservation of the Cultural and Environmental Heritage, Antwerp, Belgium, 02 - 06 Jun 2002.
Gill, K. (2002) The Ernest Race chair: recovering the structure. In, Pasold Conference: Textile Matters - Objects-based Research: the contribution of conservation to textile history and research, Winchester, UK, 18 - 19 Apr 2002. (Submitted).
Gill, K., Eastop, D.D.M. and Matsumura, M. (2002) Monitoring emissions from cellulose nitrate and cellulose acetate costume accessories: an evaluation of pH indicator dyes on paper, cotton tape and cotton threads. The Conservator, 26, 57-69.
Gill, Kate and Rogerson, Cordelia (2002) Review of CDP workshop adhesives today: exploring current adhesive options and application techniques. Conservation News, (81), 17.
Gillett, John (2002) Loss of gravity. ArtSway, Sway, UK.
Hayard, M.A. (2002) Reflections on gender and status distinctions: an analysis of the Liturgical Textiles Record in mid-sixteenth-century London. Gender and History, 14, (3), 403-425. (doi:10.1111/1468-0424.00275).
Hayward, M. (2002) The 1542 inventory of the palace of Westminster. History Today, 52, (11), 7-8.
Hayward, M. (2002) Men in skirts. At Men in Skirts: a conference organised by the Costume Society and the V&A 14 Apr 2002. (Submitted).
Hayward, M. (2002) The sign of some degree?: the social, financial and sartorial significance of male headwear at the courts of Henry VIII and Edward VI. Costume, 36, 1-17.
Hayward, M.A., Mitchell, D., Parker, K. and Gaimster, D. (2002) Tudor silver-gilt dress-hooks: a new class of treasure find in England. The Antiquaries Journal, 82, (there is no iss), 157-196.
Hayward, Maria (2002) Reflections on gender status distinctions: an analysis of the liturgical textiles recorded in mid-sixteenth-century London. Gender and History, 14, (3), 403-425. (doi:10.1111/1468-0424.00275).
Hemmings, Jessica (2002) Reinventing textiles: gender and identity: book review. Surface Design Journal, 26, (4)
Matthews David, A. (2002) Elegant Amazons: Victorian riding habits and the fashionable horsewoman. Victorian Literature and Culture, 30, (1), 179-210. (doi: 10.1017/S1060150302301098).
Matthews David, A. (2002) Equestriennes and fast women: tailoring for the Victorian sportswoman. In, British Costume Society Annual Conference, Manchester, UK, 05 - 07 Jul 2002. (Submitted).
Matthews David, A. (2002) Made to measure? Tayloring the male body in Nineteenth century France. In, International Conference: Controlling Bodies: The Regulation of Social Conduct 1600-2002, Glamorgan, Wales, UK, 25 - 27 Jun 2002.
Miller, L. (2002) Entrepreneurship and control in Eighteenth Century silk manufacturing: the case of Philippe de Lasalle, silk designer extraordinaire. In, Textile Society of America Symposium, Massachussetts, USA, 26 - 28 Sep 2002.
Miller, L. (2002) Loyautes ambigues: la consommation d' etoffes de soie francaise a Madrid, 1759-1789. In, Autour des Van Loos: peinture, commerce textile et espionnage industrielle, Rouen, France, 15 - 16 Mar 2002. (Submitted).
Miller, L. (2002) Mysterious Manufacturers: situating L. Galy Et Cie in the 18th Century lyon silk industry. Studies in the Decorative Arts, IX, (2), 87-131.
Miller, L.E. (2002) The object of design: a reassessment of the life and work of Philippe Lasalle (1723-1804). In, Textile Matters: Object-based Research: The Contribution of Conservation to Textile History and Research, Annual Conference of the Pasold Research Fund run in conjunction with the Textile Conservation Centre, University of Southampton, Winchester, UK, 18 - 19 Apr 2002.
Padovani, Clio, Millar, Lesley and Taylor, Louise (2002) Jerwood Applied Arts Prize 2002: Textiles. Crafts Council, London, UK. Salford Museum and Art Gallery, Salford, UK. Crafts Council of Ireland , Kilkenny, Ireland. Ulster Museum, Belfast, UK.
Perry, L.A. (2002) Forefathers: the National Portrait Gallery in London. In, Universities Art Association of Canada Annual Conference, Alberta, Canada, 31 Oct - 01 Nov 2002.
Perry, L.A. (2002) Making a modern museum: experience, interpretation, and the National Portrait Gallery in the new millennium. Visual Culture in Britain, 3, (2), 1-16.
Perry, L.A. (2002) Review of Wallinger, M. 'British Pavilion: The 49th Venice Biennale'. Visual Culture in Britain, 3, (1), 117-121.
Richardson, A. (2002) An aesthetics of performance: dance in Hogarth's Analysis of Beauty. Dance Research, 20, (2), 38-87.
Richardson, A.E. and Kennedy, A. (2002) Blotting and blurring one against the other: Reynolds, Gainsborough and narratives of the artist. Oxford Art Journal, 25, (1), 106-118.
Rogerson, C. (2002) Casting adhesive films using organic solvent and water. Conservation News, (80), 30-31.
Rogerson, C. (2002) Material and digital transformations: the conservation of two ancient Egyptian beaded items of dress. In, Vontobel, Roy (ed.) Preprints ICOM-CC 13th Triennial meeting Rio de Janeiro 22-27 September 2002. ICOM-CC 13th Triennial Meeting London. UK, James & James (Science Publishers) Ltd, 741-746.
Rogerson, C. (2002) Review of stitching Textielcommissie Nederland, Jaarboek 1999. Conservation News, (80), 31.
Sherwell, T. (2002) Bodies in representation: contemporary Arab women’s art. In, Lloyd, Fran (ed.) Contemporary Arab Women’s Art: Dialogues of the Present. London, UK, I.B. Tauris, 58-70.
Sherwell, Tina (2002) Embroidering the Motherland. In, Jefferies, Janis (ed.) Reinventing Textiles: Gender & Identity. Brighton, UK, Telos Art Publishing, 117-129.
Taylor, B. (2002) Art of Today, Seoul, Korea, Yekyong Publishing Co., 213pp.
Taylor, B. (2002) Beauty from Violence. In, Patrizio, A. (ed.) 292 Essays in Visual Culture. Edinburgh, UK, Edinburgh College of Art, 28-44.
Taylor, B. (2002) Richard Davies: new work. In, Richard Davies: New Work (exhibition catalogue). Richard Davies: New Work (solo exhibition) Warsaw, Poland, Academy of Fine Arts.
Taylor, Brandon (2002) Foreigner and Fascists: Patterns of Hostility to Modern Art in Britain before and after the First World War. In, Corbett, David Peters, Holt, Ysanne and Russell, Fiona (eds.) The Geographies of Englishness: Landscape and the National Past 1880-1940. London, UK, Yale University Press, 169-198. (Studies in British Art, 10).
Taylor, Brandon (2002) Quel fatigue ... quelle barbarie!: The Visitor's Torment. In, Legacies of the Great Exhibition of 1851. Bayreuth, Germany, Prinz-Albert Gesellschaft, University of Bayreuth, 13-30.
Thrower, S. (2002) Print forecast: winter 02/03. Textile View Magazine, (58), 162-167.
Whittaker, Paul and Padovani, Clio (2002) Other Europes, Europes others. Smith College, Massachusetts, Northampton, USA.
Wyeth, P. (2002) The chemistry of Medieval dyeing. In, Medieval Dyestuffs and Dyeing: Medieval Dress and Textile Society, Courtauld Institute, London and the School of Plant Sciences, Reading, UK, 13 - 14 Jul 2002.
Wyeth, P. and Chang, L. (2002) Chemical finishes on indigo-dyed cloth: characterisation of Miao and Miao-related costume from Guizhou, China. In, North American Textile Conservation Conference, Philadelphia, USA and Winterthur, Switzerland, 2002. Philadelphia, USA, NATCC, 25-34.
Wyeth, P., MacDonald, A. and Vaughan, A. (2002) Informing the conservation process: developing protocols for the application of Raman microspectroscopy to the analysis of pigments and consolidants on painted textiles. In, Conservation Science 2002, Edinburgh, UK, 22 - 24 May 2002.
Wyeth, P. and Takami, M. (2002) Studies on a Korean painted silk banner: identification of layer structure, binding medium and pigments. In, North American Textile Conservation Conference, Philadelphia, USA and Winterhur, Switzerland, 2002. Philadelphia, USA, NATCC, 135-144.