Browse by Divisions pre August 2011

Millett, Bella (ed.) (2006) Ancrene Wisse volume 2: a corrected edition of the text in Cambridge, Corpus Christi College MS 402, with variants from other manuscripts, Oxford, UK, Oxford University Press, 528pp. (Early English Text Society Original Series, 326).

Williams, Linda Ruth and Hammond, Michael (eds.) (2006) Contemporary American Cinema, London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill, 584pp.

Appignanesi, Josh and Baum, Devorah (2006) Ex-Memoria: filming the face. Third Text, 20, (1), 85-97. (doi:10.1080/09528820500472530).

Bending, Stephen (2006) "Miserable reflections on the sorrow of my life": letters, loneliness, and gardening in the 1760s. Tulsa Studies in Women’s Literature, 25, (1), 31-47.

Bending, Stephen (2006) Mrs. Montagu's contemplative bench: Bluestocking gardens and female retirement. Huntington Library Quarterly, 69, (4), 555-580. (doi:10.1525/hlq.2006.69.4.555).

Campbell, Julie, Buning, Marius, Engelberts, Matthijs, Houppermans, Sjef, Van Hulle, Dirk and de Ruyter, Danièle (eds.) (2006) Happy days and Jung’s third Tavistock lecture: the entrapment of the female body in Beckett’s plays in relation to Jung’s third Tavistock lecture. , (15), 161-172.

Dow, G. (2006) The British reception of Madame de Genlis's writings for children: plays and tales of instruction and delight. British Journal for Eighteenth-Century Studies, 29, (3), 367-381.

Dow, Gillian (2006) ‘Je me suis permis, suivant ma coutume, quelques légers changements’: Jane Austen ‘translated’ by Isabelle du Montolieu. In, Cointre, Annie, Lautel-Ribstein, Florence and Rivara, Annie (eds.) La Traduction du discourse amoureux 1660-1830. Metz, Université de Metz, 155-169.

Hammond, Mary (2006) Reading, publishing and the formation of literary taste in England, 1880-1914, Aldershot, UK, Ashgate, 222pp. (The Nineteenth Century Series).

Hammond, Michael (2006) The Agent. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 353-354.

Hammond, Michael (2006) Alan Arkin. In, Williams, Linda Ruth (ed.) Contemporary American Cinema. London, GB, Open University/McGraw Hill, 125-127.

Hammond, Michael (2006) Back to the Future. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 272-279.

Hammond, Michael (2006) The big show: British cinema culture in the Great War (1914-1918), Exeter, University of Exeter Press, 315pp. (Exeter Studies in Film History).

Hammond, Michael (2006) Do the right thing. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw Hill, 249-256.

Hammond, Michael (2006) John Singleton. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 394-397.

Hammond, Michael (2006) New black cinema. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 389-390.

Hammond, Michael (2006) Richard Pryor live in concert. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University/McGraw-Hill, 186-198.

Hammond, Michael (2006) The road movie. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK, Open University Press/McGraw Hill, 14-20.

Hammond, Michael (2006) Tim Burton. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University/McGraw-Hill, 242-243.

Hammond, Michael (2006) Titanic. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporay American Cinema. London, GB, Open University Press/McGraw-Hill.

Hammond, Michael (2006) Tom Hanks. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill.

Hammond, Michael and Hammond, Michael (2006) Unforgiven. In, Williams, Linda Ruth (ed.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 415-420.

Hugill, Piers (2006) Love and grammar: on Caroline Bergvall’s 'Fig'. Jacket, 31

Marsh, Nicky, Middleton, Peter and Sheppard, Victoria (2006) 'Blasts of language': changes in oral poetics in Britain Since 1965. Oral Tradition, 21, (1), 44-67.

May, William (2006) Drawing in the reader: looking at books in the work of Stevie Smith. Jubilat, 12, 71-82.

McDonald, Gail (2006) American Literature and Culture, 1900-1960, Massachusetts, US, Blackwell Publishing, 243pp. (Blackwell Introductions to Literature).

McDonald, Gail (2006) 'Product placement: Literary modernism and "Crisco"'. Modernist Cultures, 2, (1), 21-30. (doi:10.3366/E204110220900015X).

Peacock, J (2006) The image of Charles I as a Roman Emperor. In, Atherton, Ian and Sanders, Julie (eds.) The 1630s: Interdisciplinary essays on culture and politics in the Caroline era. Manchester, Manchester University Press, 50-73. (Politics, Culture and Society in Early Modern Britain).

Peacock, John (2006) The Look of Van Dyck: The Self-Portrait with a Sunflower and the Vision of the Painter , Aldershot, UK, Ashgate, 320pp. (Histories of Vision).

Sloan, Barry (2006) Poetry and faith: the example of Elizabeth Jennings. Christianity and Literature, 55, (3), 393-414.

Sloan, Barry (2006) The redress of imagination: Bernard MacLaverty's Grace Notes. In, Griesinger, Emily and Eaton, Mark (eds.) The Gift of Story: Narrating Hope in a Postmodern World. Waco, USA, Baylor University Press, 303-315. (Submitted).

Sloan, Barry (2006) The Remains of Protestantism in Maurice Leitch’s Fiction. In, Kennedy-Andrews, Elmer (ed.) Irish Fiction Since the 1960's. Gerrards Cross, Colin Smythe, 247-261. (Ulster Editions & Monographs 13).

Sloan, Barry (2006) William Carleton: protestants and protestantism. In, Brand, Gordon (ed.) William Carleton: The Authentic Voice. Gerrards Cross, UK; New York, US, Colin Smyth Limited, 234-250. (Irish Literary Studies 53).

Smith, Rebecca (2006) A Bit of Earth, London, UK, Bloomsbury, 288pp.

Stafford, Nick (2006) Katherine Desouza, London, UK, Faber & Faber, 96pp. (Stage Scripts).

Wheeler, Michael (2006) The old enemies: Catholic and Protestant in nineteenth-century English culture, Cambridge, UK, Cambridge University Press, 368pp.

Williams, Linda Ruth (2006) Auterism and Auteurs. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill, 139-144.

Williams, Linda Ruth (2006) The Graduate. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill, 101-103.

Williams, Linda Ruth (2006) Jane Fonda. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill, 161-163.

Williams, Linda Ruth (2006) Jodie Foster. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill, 412-413.

Williams, Linda Ruth (2006) Neo-Noir and Erotic Thrillers. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill, 358-362.

Williams, Linda Ruth (2006) Sigourney Weaver. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill, 308-310.

Williams, Linda Ruth (2006) Taxi Driver. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill, 157-160.

Williams, Linda Ruth (2006) Toy Story. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; USA; Canada, Open University Press; McGraw-Hill, 369-372.

Williams, Linda Ruth (2006) Warren Beatty. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK; U.S.A. and Canada, Open University Press; McGraw-Hill, 97-99.

Willimason, Eila and McGavin, John J. (2006) Crossing the border: the provincial records of south-east Scotland. In, Douglas, Audrey and MacLean, Sally-Beth (eds.) REED in Review: Essays in Celebration of the First Twenty-Five Years. Toronto, CA, University of Toronto Press, 157-177. (Studies in Early English Drama).