Browse by Divisions pre August 2011
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Dow, Gillian and Brown, Hilary (eds.) (2011) Readers, writers, salonnieres: female networks in Europe, 1700-1900, Peter Lang, 283pp. (European Connections , 31).
Clery, E.J. (2011) Gender. In, Copeland, Edward and McMaster, Juliet (eds.) Cambridge Companion to Jane Austen. 2nd edition. Cambridge, GB, Cambridge University Press.
Clery, E.J. (2011) To dazzle let the Vain design: Alexander Pope’s portrait gallery and the impossibility of brilliant women. In, Eger, Elizabeth (ed.) Bluestockings Displayed: Portraiture, Performance and Patronage, 1730-1830. , Cambridge University Press. (In Press).
Cobb, Shelley (2011) Adaptation, Fidelity, and Gendered Discourses. Adaptation, 4, (1)
Cobb, Shelley (2011) 'I’m nothing like you!' Feminist generations, female stardom and postfeminist lessons in recent chick flicks. In, Women on Screen: Feminism and Femininity in Visual Culture. , Palgrave Macmillan, 31-44.
Corradini, Erika (2011) The objects of knowledge: reconstructing medieval communities through the material analysis of manuscripts. In, DaRold, Orietta, Kato, Takako, Treharne, Elaine and Swan , Mary (eds.) The Production and Use of English Manuscripts, 1060-1220. , GB, Brepols, 197-218. (New Medieval Literatures, 13).
Dow, Gillian (2011) Northanger Abbey, French fiction, and the affecting history of the Duchess of C***. Persuasions, 28, (32)
Dow, Gillian, Dow, Gillian, Astbury, Katherine and Brown, Hilary (eds.) (2011) Women readers in Europe: readers, writers, salonnieres, 1750-1900. [in special issue: Women Readers in Europe: Readers, Writers, Salonnières, 1750–1900] Women's Writing, 18, (1), 1-14. (doi:10.1080/09699082.2011.525003 ).
Glover, David (2011) Race, modernism and the question of late style in Kipling's racial narratives. In, Platt, Len (ed.) Modernism and Race. Cambridge, UK, Cambridge University Press, 97-115.
Hammond, E.M. (2011) The multimedia afterlives of Victorian novels: The Readers Library photoplay editions in the 1920s. Nineteenth Century Theatre and Film, 37, (2), 28-44.
Hammond, M. and Williams, M. (2011) Goodbye to all that or business as usual? History and memory of the great war in British cinema. In, Hammond, Michael and Williams, Michael (eds.) British Silent Cinema and the Great War. Basingstoke, GB, Palgrave MacMillan, 1-34.
Hammond, Mary (2011) ‘Hitchcock's The Manxman: a Victorian bestseller on the silent screen’. In, Palmer, R. Barton and Boyd, David (eds.) Hitchcock at the Source. New York, US, State University of New York.
Hammond, Michael (2011) Leonardo DiCaprio and Sean Penn: Acting authentic. In, Pomerance, Murray (ed.) Shining in Shadows: Movie Stars of the 2000s. Biggleswade, GB, Rutgers University Press. (Star Decades Series: American Culture/American Cinema). (In Press).
Hussein, Aamer (2011) The Cloud Messenger, London, GB, Telegram, 203pp.
Hussein, Aamer (2011) On a stormy afternoon. [in special issue: The Islam Issue] 8 Magazine, 29, 113-115.
Jones, Stephanie (2011) The poetic ocean in Mare Liberum. In, Ben-Dor, Oren (ed.) Law and Art: Justice, Ethics and Aesthetics. Abingdon, GB, Routledge, 188-203.
Jones, Stephanie (2011) The politics of love and history: Asian women and African men in East African literature. Research in African Literatures, 42, (3), 166-186. (In Press).
King, Ros (2011) Shakespeare: A Beginner's Guide. , One World (Beginner's Guides).
Marsh, Nicky (2011) The corporation of terror: risk and the fictions of the ‘financial war’. In, Crosthwaite, Paul (ed.) Criticism, Crisis, and Contemporary Narrative: Textual Horizons in an Age of Global Risk. , Routledge, 145-161. (Routledge Studies in Contemporary Literature).
Marsh, Nicola (2011) Agonal states: Maggie O'Sullivan and a feminist politics of visual poetics. In, Emery, Chris (ed.) The Salt Companion to Maggie O'Sullivan. Cromer, GB, Salt Publishing, 76-93.
Marsh, Nicola (2011) Desire and disease in the speculative economy: a critique of the language of crisis. Journal of Cultural Economy, 4, (3), 301-315.
May, William (2011) The visual aesthetic in Lynette Roberts, Stevie Smith, and Liz Lochhead. In, Dowson, Jane (ed.) The Cambridge Companion to Twentieth-Century British and Irish Women's Poetry. Cambridge, GB, Cambridge University Press.
McGavin, John J. (2011) To see or not to see: ideology and spectatorship. Theta IX, Théâtre Tudor, IX, 3-16.
Middleton, Peter (2011) Fictions of global crisis. In, James, David (ed.) Legacies of Modernism: Historicising Postwar and Contemporary Fiction. Cambridge, GB, Cambridge University Press.
Middleton, Peter (2011) An interview with Charles Olson and a time traveller. In, Schad, John and Tearle, Oliver (eds.) Crrritic! Sighs, Cries, Lies, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism. , Sussex Academic Press. (Submitted).
Williams, Linda Ruth (2011) Brangelina: celebrity, credibility and the composite uberstar. In, Shining in the Shadows: Movie Stars of the 2000s. , Rutgers University Press. (In Press).
Williams, Linda Ruth (2011) Walking the line with the fille fatale. In, Pomerance, Murray and Palmer, R. Barton (eds.) A Little Solitaire: John Frankenheimer and American Film. Chapel Hill, US, Rutgers University Press.