Browse by Divisions pre August 2011

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Number of items: 18.

Ayrey, Craig and Everist, Mark (eds.) (1996) Analytical strategies and musical interpretation, Cambridge, UK, Cambridge University Press, 336pp.

Brooks, Jeanice (1996) Bertrand, Boni, Ronsard and the process of revision. In, Bonniffet, Pierre and Bouquet-Boyer, Marie-Thérese (eds.) Claude le Jeune et son temps en France et dans les Etats de Savoie (1530-1600). Colloque International de Chambéry Bern, CH, Peter Lang, 137-152.

Brooks, Jeanice (1996) Italy, the ancient world, and the French musical inheritance in the sixteenth century: Arcadelt and Clereau in the service of the Guises. Journal of the Royal Musical Association, 121, (1), 147-190. (doi:10.1093/jrma/121.2.147).

Brooks, Jeanice (1996) Music by Jean Castro in the Parisian Library of Justinien Pense. Revue Belge de Musicologie, 50, 25-34.

Brooks, Jeanice (1996) Noble et grande servante de la musique: telling the story of Nadia Boulanger's conducting career. Journal of Musicology, 14, (1), 92-116. (doi:10.1525/jm.1996.14.1.03a00050).

Cowell, Henry (1996) New Musical Resources (with contributions by David Nicholls), Cambridge, UK, Cambridge University Press, 195pp.

Drabkin, William (1996) An interpretation of musical dreams: towards a theory of the Mozart piano concerto cadenza. In, Sadie, Stanley (ed.) Wolgang Amadeus Mozart: Essays on His Life and His Music. Oxford, UK, Clarendon Press, 161-177.

Drabkin, William (1996) Relationships between Corelli and the classical chamber music tradition. In, la Via, Stefano (ed.) Studi corelliani V: Atti del Quinto Congresso Internazionale. Studi Corelliani V: Congresso Internazionale Florence, Italy, Olschki, 119-141. (Quaderni della Rivista italiana di musicologia 33).

Drabkin, William (1996) Schenker, the consonant passing note, and the first-movement theme of Beethoven's sonata op.26. Music Analysis, 15, (2/3), 149-189.

Everist, Mark (1996) Meyerbeer’s Il crociato in Egitto: mélodrame, opera, orientalism. Cambridge Opera Journal, 8, (3), 215-250. (doi:10.1017/S0954586700004730).

Everist, Mark (1996) The polyphonic rondeau c1300: repertory and context. Early Music History, 15, 59-96. (doi:10.1017/S0261127900001522).

Everist, Mark (1996) Review: James H. Johnson, 'Listening in Paris: a cultural history', Studies in the history of society in culture 21 (Berkeley, Los Angeles and London: University of California Press, 1995). Journal of the Royal Musical Association, 121, (2), 258-267. (doi:10.1093/jrma/121.2.258).

Izzo, Francesco (1996) Feste, congiure e delitti in alcune opere serie di Gaetano Donizetti [Festivals, conspiracies and crimes in some serious operas of Gaetano Donizetti]. In, Csobádi, Peter and Gruber, Gernot (eds.) "Und Jedermann Erwartet sich ein Fest": Fest, Theater, Festspiele: Gesammelte Vorträge des Salzburger Symposions 1995 (Wort und Musik). Kongreßbericht Salzburg Anif-Salzburg, Austria, Verlag Ursula Müller-Speiser, 343-348.

Mirka, Danuta (1996) Colors of a mystic fire: light and sound in Scriabin's Prometheus. American Journal of Semiotics, 13, (1-4), 227-248.

Mirka, Danuta (1996) Some semiotic problems of Penderecki's sonoristic style. In, Tarasti, Eero (ed.) Musical Semiotics in Growth. Bloomington, USA, Indiana University Press, 73-82.

Mirka, Danuta (1996) Sonorystyczny strukturalizm Krzysztofa Pendereckiego. In, Droba, Krzysztof, Malecka, Teresa and Szwajgier, Krzysztof (eds.) Muzyka Polska 1945-1995: Materiały Sesji Naukowej 6-10 Grudnia 1995 w 20-Lecie Zakładu Analizy i Interpretacji Muzyki. Muzyka polska 1945-1995 Kraków, PL, Akademia Muzyczna w Krakowie, 235-247.

Nicholls, David (1996) Henry Cowell's New musical resources. In, Cowell, Henry (ed.) New Musical Resources. Cambridge, GB, Cambridge University Press, 153-174.

Nicholls, David (1996) Transethnicism and the American experimental tradition. Musical Quarterly, 80, (4), 569-594. (doi:10.1093/mq/80.4.569).

This list was generated on Wed Feb 3 01:58:35 2016 GMT.