Browse by Divisions pre August 2011

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Number of items: 12.

Cook, Nicholas and Everist, Mark (eds.) (1999) Rethinking music, Oxford, GB, Oxford University Press, 588pp.

Brooks, Jeanice (1999) Catherine de Médicis, nouvelle artémise: women's laments and the virtue of grief. Early Music, 27, (3), 419-435. (doi:10.1093/earlyj/XXVII.3.419).

Brooks, Jeanice (1999) Professionalismus und öffentliche karriere bei frauen: metaphern über Nadja Boulanger als dirigentin. In, Kaden, Christian and Kalisch, Volker (eds.) Professionalismus in der Musik. Essen, DE, Blaue Eule, 252-260. (Musik-Kultur, 5).

Drabkin, William (1999) A reader's guide to Haydn's early string quartets, Westport, USA, Greenwood Press

Everist, Mark (1999) Reception theories, canonic discourses, and musical value. In, Everist, Mark and Cook, Nicholas (eds.) Rethinking Music. Oxford, UK, Oxford University Press, 378-402.

Mirka, Danuta (1999) Musical style: a system and and a game. In, 7th International Congress of the International Association for Semiotic Studies / Association Internationale de Sémiotique (IASS/AIS), Dresden, Germany, 06 - 11 Oct 1999. Dresden, Germany, Dresden University Press.

Mirka, Danuta (1999) Young Penderecki and fuzzy sets. In, Zannos, Iannis (ed.) Music and signs: semiotic and cognitive studies in music. Berlin, Germany, ARCO Art and Science, 503-514. (Systematica Musicologica 2).

Nicholls, David (1999) Defining American music. ISAM Newsletter [Newsletter: Institute for Studies in American Music], XXVIII, (2), 12-14.

Nicholls, David (1999) [Hugh Wood's teaching at Cambridge in the late seventies]. In, Goehrfest: January-March 1999 Commemorative Programme. Cambridge, GB, Cambridge University Press, 21-24.

Nicholls, David (1999) Reaching beyond the West: Asian resonances in American radicalism. American Music, 17, (2), 125-128.

Polfreman, Richard (1999) A task analysis of music composition and its application to the development of Modalyser. Organised Sound, 4, (1), 31-43.

Stras, Laurie (1999) Recording Tarquinia: imitation, parody and reportage in Marc’Antonio Ingegneri's ‘Hor che 'l ciel e la terra e 'l vento tace’. Early Music, 27, (3), 358-378. (doi:10.1093/earlyj/XXVII.3.358).

This list was generated on Wed Jul 23 01:58:07 2014 BST.