Browse by Divisions pre August 2011

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Number of items: 35.

Bent, Ian and Drabkin, William (eds.) (2004) Der Tonwille Pamphlets in Witness of the Immutable Laws of Music, offered to a New Generation of Youth by Heinrich Schenker. Volume 1: Issues 1-5 (1921-1923). Heinrich Schenker, New York, US, Oxford University Press, 252pp.

Norris, David Owen, Juritz, David, Spooner, Joseph and Dutton, Epoch (2004) Dyson. Chamber works. Dutton CDLX 7137 2004.

Norris, David Owen, Norris, David Owen, Bott, Catherine and Hyperion, Records (2004) London pride: a celebration of London in song Catherine Bott, soprano. Hyperion CDA67457 2004.

Aspden, Suzanne (2004) Desiring Handel: biography and the strategies of possession. Music and Letters, 85, 62-82. (doi:10.1093/ml/85.1.62).

Brooks, Jeanice (2004) Chant. In, Desan, Philippe (ed.) Dictionnaire de Michel de Montaigne. Paris, FR, Honore Champion Editeur.

Brooks, Jeanice (2004) Musique. In, Desan, Philippe (ed.) Dictionnaire de Michel de Montaigne. Paris, FR, Honore Champion Editeur.

Brooks, Jeanice (2004) Review. Christelle Cazaux's La Musique a la Cour de Francois I. Music & Letters, 85, (4), 625-629. (doi:10.1093/ml/85.4.625).

Brooks, Jeanice (2004) Ritterroman und höfisches lied. Die weibliche stimme im französischen salon des späten 16 jahrhunderts. In, Schwindt, Nicola (ed.) Frauen und Musik im Europa des 16. Jahrhunderts: Infrastrukturen, Aktivitäten, Motivationen. Kassel, DE, Bärenreiter, 91-114. (Troja: Trossinger Jahrbuch für Renaissancemusik, 4).

Drabkin, William (2004) The introduction to Beethoven’s “Kreutzer” sonata: a historical perspective. In, Lockwood, Lewis and Kroll, Mark (eds.) The Beethoven Violin Sonatas: History, Criticism, Performance. Urbana, US, University of Illinois Press, 83-109.

Drabkin, William (2004) La musica da camera da Haydn alla fine del'ottocento. In, Nattiez, Jean-Jacques (ed.) Storia della musica europea. Turin, Italy, Einaudi, 698-712.

Drabkin, William (2004) On Beethoven's cello and piano textures. In, Brandenburg, Sieghard, Maaß, Ingeborg and Osthoff, Wolfgang (eds.) Beethovens Werke für Klavier und Violoncello. Beethovens Werke für Klavier und Violoncello: Bericht über die Internationale Fachkonferenz Bonn, DE, Beethoven-Haus, 125-144. (Series IV Schriften zur Beethoven-Forschung, 15).

Everist, Mark (2004) 'Der Lieblingswunsch meines Lebens’: contexts and continuity in Meyerbeer’s opéras comiques’. In, Jacobshagen, Arnold and Pospíšil, Milan (eds.) Meyerbeer und die Opéra Comique. Laaber, Germany, Laaber, 123-151. (Thurnauer Schriften zum Musiktheater 20).

Everist, Mark (2004) Le fonti della musica polifonica ca. 1170-1330 [The sources of polyphonic music ca. 1170-1330]. In, Fiore, Carlo and Aversano, Luca (eds.) Il Libro di Musica: per una Storia Materiale delle Fonti Musicali in Europa. Palermo, Italy, L'Epos, 43-64. (De charta 7).

Everist, Mark (2004) Pauline Viardot-Garcia. In, Briscoe, James R. (ed.) New Historical Anthology of Music by Women. Bloomington, USA, Indiana University Press, 188-197.

Everist, Mark (2004) Review. Jacques Offenbach and the Paris of his Time. By Siegfried Kracauer. Trans. by Gwenda David and Eric Mosbacher. pp. 418 (Zone Books, New York, 2002, £23.50. ISBN 1-890951-30-7.). Music & Letters, 85, (1), 85-88. (doi:10.1093/ml/85.1.109).

Everist, Mark (2004) Review. Rudolf Flotzinger, Leoninus Musicus und der Magnus Liber Organi (Kassel, Bärenreiter, 2003). Musicologica Austriaca, 23, 186-189.

Everist, Mark (2004) Struttura sociale e contesti artistici nell’opera francese (1806-64). In, Nattiez, Jean-Jacques (ed.) L’enciclopedia della musica Einaudi [4 vols]. Turin, Einaudi, 956-975.

Everist, Mark (2004) Theatres of litigation: stage music at the Théâtre de la Renaissance, 1838–1840. Cambridge Opera Journal, 16, (2), 133-161. (doi:10.1017/S095458670400182X).

Head, Matthew (2004) Cultural meaning for women composers: Charlotte (“Minna”) Brandes and the Beautiful Dead in the German Enlightenment. Journal of the American Musicological Society, 57, (2), 231-284. (doi:10.1525/jams.2004.57.2.231).

Hill, Sarah (2004) Ending it all: Genesis and revelation. In, SIMS 2004: Symposium of the International Musicological Society, Melbourne, Australia, 11 - 16 Jul 2004. Melbourne, Australia, International Musicological Society.

Irvine, Thomas (2004) Book review. Daniel Leech-Wilkinson, 'The modern invention of medieval music: scholarship, ideology and performance'. Current Musicology, 77, 147-157.

Irvine, Thomas (2004) Reviews: recordings: Divas of Mozart's day: operatic arias by Domenico Cimarosa (1749–1801), Vicente Martin y Soler (1754–1806), Wolfgang Amadeus Mozart (1756–1791), Vincenzo Righini (1756–1812), Antonio Salieri (1750–1825), Stephen Storace (1762–1796): Patrice Michaels (soprano), Peter van de Graaff (bass-baritone) / Classical Arts Orchestra / Stephen Alltop (conductor and fortepiano) Cedrille CDR 90000 064, 2002; one disc, 1'16". Eighteenth-Century Music, 1, (1), 116-118. (doi:10.1017/S1478570604330071).

Izzo, Francesco (2004) Comedy between two revolutions: Opera Buffa and the Risorgimento, 1831-1848. Journal of Musicology, 28, (1), 127-174. (doi:10.1525/jm.2004.21.1.127).

Izzo, Francesco (2004) Donizetti's Don Pasquale and the conventions of mid-nineteenth-century opera buffa. Studi musicali, 33, (2), 387-431.

Mirka, Danuta (2004) Górecki's Musica geometrica. Musical Quarterly, 87, (2), 305-332. (doi:10.1093/musqtl/gdh013).

Mirka, Danuta (2004) Górecki’s Musica geometrica. The Musical Quarterly, 87, (2), 305-332. (doi:10.1093/musqtl/gdh013).

Mirka, Danuta (2004) Review. Justin London. Hearing in Time: Psychological Aspects of Musical Meter. Oxford University Press, 2004: x+195 pp. ($39.95 cloth). Journal of Music Theory, 48, (2), 325-336. (doi:10.1215/00222909-48-2-325).

Mirka, Danuta (2004) Tonal function and metrical accent revisited. In, 13th International Congress of the German Musicological Society, Weimar, Germany, 16 - 21 Sep 2004.

Nicholls, David (2004) Brave new worlds: experimentalism between the wars. In, Cook, Nicholas and Pople, Anthony (eds.) The Cambridge History of Twentieth-Century Music. Cambridge, GB, Cambridge University Press, 210-227. (The Cambridge History of Music). (doi:10.2277/0521662567).

Nicholls, David (2004) Virtual Opera, or Opera between the Ears. Journal of the Royal Music Association, 129, (1), 100-142. (doi:10.1093/jrma/129.1.100).

Norris, David Owen (2004) Debussy Etudes. BBC Radio 3 Building a Library

Scheding, Florian (2004) Si può chiedere troppo alla musica? Patria Indipendente, 53, (1), 33-34.

Stras, Laurie (2004) Review. Iain Fenlon, Music and Civic Culture in Late Renaissance Italy. Oxford and New York: Oxford University Press, 2002. ix + 265 pp. index. illus. bibl. n.p. ISBN: 0-19-816444-0. Renaissance Quarterly, 57, (2), 704-705.

Stras, Laurie (2004) Review: Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575–1700. By Colleen Reardon. pp. x + 289. (Oxford University Press, New York, 2001, £50. ISBN 0-19-513295-5.). Music and Letters, 85, (2), 269-270. (doi:10.1093/ml/85.2.269).

Wood, A.C. (2004) Music. In, Kessler, Edward and Wenborn, Neil (eds.) A Dictionary of Jewish-Christian Relations. Cambridge, UK, Cambridge University Press.

This list was generated on Wed Sep 17 01:52:47 2014 BST.