Browse by Divisions pre August 2011
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Gordon, Michael, Weeks, James, Morley, Andrew, Padel, Ruth and New London Chamber Choir (2010) Allele.
Blair-Oliphant, Richard, Fisher, Andrew and Fisher, Andrew (2010) BBC General Election Theme.
Fisher, Andrew (2010) BBC Lifeline Documentary (Haiti).
Norris, David Owen and Silverthorne, Paul (2010) Beethoven by arrangement. Toccata.
Fisher, Andrew and Friel, Ian (2010) Billy Bow.
Gordon, Michael, Chapman, Jane and Polfreman, Richard (2010) Eclipsis.
Norris, David Owen, Norris, David Owen and Bridcut, John (2010) Elgar: the man behind the mask. TV programme BBC4.
Blair-Oliphant, Richard and Fisher, Andrew (2010) Engineering the Universe.
Norris, David Owen and Easterbrook, Giles (2010) Giles Easterbrook. Complete chamber music. Prima Facie.
Norris, David Owen and Norris, David Owen (2010) A history of private life. Amanda Vickery. BBC Radio 4 Series.
Gordon, Michael, Miller, Janey and Burgess, Joby (2010) Imaginary Lands.
Blair-Oliphant, Richard and Fisher, Andrew (2010) Last days of the dinosaurs.
Rice, Stephen and The Brabant Ensemble (2010) Pierre Moulu: Missa Missus est Gabriel Angelus; Missa Alma Redemptoris Mater.
Bretherton, David, Smith, Daniel Alexander, Schraefel, M.C. and Lambert, Joe (2010) Findings and outcomes of the musicSpace project. Supporting the Digital Humanities, Vienna, Austria, 19 - 20 Oct 2010.
Bretherton, David, Smith, Daniel Alexander, schraefel, mc, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2010) The "musicSpace" Project: orchestrating musicological metadata. International Association of Music Libraries Congress IAML, Moscow, RU, 27 Jun - 02 Jul 2010.
Brooks, Jeanice (2010) Collecting past and present: music history and musical performance at Dumbarton Oaks. In, Carder, James N. and Nelson, Robert (eds.) A Home of the Humanities: the Collecting and Patronage of Mildred and Robert Woods Bliss. Cambridge, US, Harvard University Press, 74-91.
Brooks, Jeanice (2010) Musical monuments for the country house: music, collection and display at Tatton Park. [in special issue: Nigel Fortune] Music & Letters, 91, (4), 513-535. (doi:10.1093/ml/gcq088).
Brooks, Jeanice (2010) New links between them: modernist historiographies and the concerts of Nadia Boulanger. In, Oja, Carol, Schreffler, Anne, Meyer, Felix and Rathert, Wolfgang (eds.) Crosscurrents: American and European Music in Interaction, 1900-2000. Basel, CH, Pendragon Press and Paul Sacher Stiftung. (In Press).
Everist, Mark (2010) François-Auguste Gevaert: between théâtre lyrique and opéra comique. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 64, 5-37.
Everist, Mark (2010) Grand opéra–petit opéra: Parisian opera and ballet from the Restoration to the Second Empire. 19th-Century Music, 33, (3), Spring Issue, 195-231. (doi:10.1525/ncm.2010.33.3.195).
Everist, Mark (2010) Partners in rhyme: Alphonse Royer, Gustave Vaëz, and foreign opera in Paris during the July Monarchy. In, Marvin, Roberta Montemorra and Poriss, Hilary (eds.) Fashions and Legacies of Nineteenth-Century Italian Opera. Cambridge, GB, Cambridge University Press, 30-52.
Gilbert, Shirli (2010) La música en el holocausto. Una manera de confrontar la vida en los ghetos y en los campos nazis , Buenos Aires, AR, Eterna Cadencia Editora
Gilbert, Shirli (2010) "We Long for a Home": songs and survival among Jewish displaced persons. In, Patt, Avinoam J. and Berkowitz, Michael (eds.) "We Are Here": New Approaches to Jewish Displaced Persons in Postwar Germany. , Wayne State University Press, 289-307.
Irvine, Thomas (2010) Hindemith's disciple in London: Walter Leigh on modern music, 1932-40. In, Riley, Matthew (ed.) British Music and Modernism, 1895-1960. Farnham, GB, Ashgate, 197-220.
Izzo, Francesco (2010) Comic sights: stage directions in Luigi Ricci's autograph scores. In, Marvin, Roberta Montemorra and Poriss, Hilary (eds.) Fashions and Legacies of Nineteenth-Century Italian Opera. Cambridge, GB, Cambridge University Press, 176-195.
Mirka, Danuta (2010) Punctuation and sense in late-eighteenth-century music. Journal of Music Theory, 54, (2), Autumn Issue, 235-282. (doi:10.1215/00222909-1214930).
Nicholls, David (2010) Cage and the Ultra-Modernists. American Music, 28, (4), 492-500.
Norris, David Owen (2010) Character as form: Elgar's Falstaff. In, Rushton, Julian (ed.) Let Beauty Awake. London, England, Elgar Editions, 32-42.
Norris, David Owen (2010) Debussy's Suite Bergamasque. BBC Radio 3 Building a Library
Norris, David Owen, Langridge, Philip, Langridge, Jennifer and Norris, David Owen (2010) Priez pour paix. War songs. Prelude.
Piekut, Benjamin (2010) New thing? Gender and sexuality in the jazz composers guild. American Quarterly, 62, (1), 25-48. (doi:10.1353/aq.0.0123).
Piekut, Benjamin (2010) There must be some relatIon beTween mushrOoms and trains: Alvin Curran’s Boletus Edulis—Musica Pendolare. In, Stanyek, Jason and Gopinath, Sumanth (eds.) The Oxford Handbook of Mobile Music and Sound Studies. Oxford, GB, Oxford University Press. (In Press).
Pinnock, Andrew (2010) Can too many know too much? The ethics of education in music entrepreneurship. In, Beckman, Gary (ed.) Disciplining the Arts: Teaching Entrepreneurship in Context. Lanham, United States, Rowman & Littlefield Education, 43-49.
Pinnock, Andrew (2010) A double vision of Albion: allegorical re-alignments in the Dryden-Purcell semi-opera 'King Arthur'. [in special issue: Interrogating King Arthur] Restoration: Studies in English Literary Culture, 34, (1-2), Spring Issue, 55-81.
Polfreman, Richard (2010) FrameWorks 3D: adding fluidity to computer-based notation. In, Off the Staves. Writing Music Before and After Conventional Notation, Bangor, GB, 26 - 27 Mar 2010.
Scheding, Florian (2010) Book review. Albrecht Dümling: Hanns Eisler. Eisler Mitteilungen, 50, (2), 37-38.
Scheding, Florian (2010) Ideological battles in exile and beyond: avant-garde music and anti-semitism in the Free German League of culture. In, Annual Conference of the American Musicological Society, Indianapolis, US,
Scheding, Florian (2010) Musical displacement and musicology’s construction of the post-war avant-garde. In, 20th Century Music and Politics, Bristol, GB,
Scheding, Florian (2010) "The splinter in your eye": uncomfortable legacies and German exile studies. In, Scheding, Florian and Levi, Erik (eds.) Music and Displacement: Diasporas, Mobilities and Dislocations in Europe and Beyond. Lanham, USA, Scarecrow Press, 119-134. (Europea: Ethnomusicologies and Modernities, 10).
Scheding, Florian and Levi, Erik (2010) Introduction. In, Scheding, Florian and Levi, Erik (eds.) Music and Displacement: Diasporas, Mobilities and Dislocations in Europe and Beyond. , Scarecrow Press, 1-11. (Europea: Ethnomusicologies and Modernities, 10).
Scheding, Florian. and Bohlman, Andrea F. (2010) Eisler on the move: situating mobility in the reisesonate. In, International Conference: Hanns Eisler, London, GB, 19 - 20 Apr 2010.
Smith, Daniel Alexander, Bretherton, David, Lambert, Joe and Schraefel, M.C. (2010) The MusicNet composer URI project. In, UK e-Science All Hands Meeting 2010, Cardiff, GB, 13 - 16 Sep 2010.
Smith, Daniel Alexander, Lambert, Joe, schraefel, mc and Bretherton, David (2010) QWIC: performance heuristics for large scale exploratory user interfaces. In, Proceedings of the 23nd Annual ACM Symposium on User Interface Software and Technology. 23nd Annual ACM Symposium on User Interface Software and Technology (UIST '10) New York, US, Association for Computing Machinery. (doi:10.1145/1866218.1866266).
Sofianos, S., Ariyaeeinia, A. and Polfreman, R. (2010) Towards effective singing voice extraction from stereophonic recordings. In, 2010 IEEE International Conference on Acoustics Speech and Signal Processing (ICASSP). IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) , IEEE, 233-236. (doi:10.1109/ICASSP.2010.5496004).
Sofianos, Stratis, Ariyaeeinia, Aladdin and Polfreman, Richard (2010) Singing Voice Separation Based On Non-vocal Independent Component Subtraction and Amplitude Discrimination. In, Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10). 13th IInternational Conference on Digital Audio Effects (DAFx-10) Graz, AT, Institute of Electronic Music and Acoustics, DAFX-1.
Stras, Laurie (2010) Considering the performance of Alessandro Grandi's Motetti a cinque voci (1614). In, Bonsante, Annamaria and Pasquandrea, Roberto Matteo (eds.) Celesti Sirene: Musica e monachesimo dal Medioevo all’Ottocento. Foggia, IT, Claudio Grenzi Editore, 73-94.
Stras, Laurie (2010) She's so fine, or why girl singers (still) matter. In, Stras, Laurie (ed.) She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Aldershot, GB, Ashgate , 1-29. (Ashgate Popular and Folk Music). (In Press).
Stras, Laurie (2010) Voice of the beehive: vocal technique at the turn of the 1960s. In, Stras, Laurie (ed.) She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Aldershot, GB, Ashgate Publishing, 33-55. (Ashgate Popular and Folk Music). (In Press).
schraefel, mc, Bretherton, David, Smith, Daniel Alexander and Lambert, Joe (2010) MusicSpace: improving access to musicological data. In, 2010 Microsoft Research eScience Workshop, Berkeley, US, 11 - 13 Oct 2010. 4pp.