Browse by Divisions pre August 2011

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Number of items: 34.

Norris, David Owen, Wilde, Mark, Wakeford, Lucy, UNSPECIFIED and Naxos (2011) Britten in Scotland.

Pitt, Amanda, Lofthouse, John and Norris, David Owen (2011) Entertaining Miss Austen: newly discovered music from Jane Austen's family collection.

Rice, Stephen and The Brabant Ensemble (2011) Jacobus Clemens non Papa (c1510/15-1555/6) Requiem & Penitential Motets.

Kenny, Elizabeth (2011) John Blow: Venus and Adonis.

Drabkin, William (ed.) (2011) Ludwig van Beethoven: A sketchbook from the year 1821 (Artaria 197)., Bonn, Beethoven-Haus

Rice, Stephen and The Brabant Ensemble (2011) Orlande de Lassus (1530/32-1594): Prophetiae Sibyllarum & Missa Amor ecco colei.

Norris, David Owen, Norris, David Owen, Bridcut, John and HRH The Prince of Wales, Charles (2011) The Prince and the Composer. TV programme BBC4.

Norris, David Owen and Quilter, Roger (2011) Roger Quilter: Complete piano works.

Stras, Laurie (ed.) (2011) She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music, Aldershot, GB, Ashgate, 284pp. (Ashgate Popular and Folk Music Series).

Bretherton, David, Smith, Daniel Alexander, Lambert, Joe and schraefel, mc (2011) MusicNet: aligning musicology's metadata. In, Music Linked Data Workshop, London, GB,

Bretherton, David T. (2011) The shadow of midnight in Schubert's 'Gondelfahrer' settings. Music and Letters, 92, (1), 1-42. (doi:10.1093/ml/gcq087).

Brooks, Jeanice (2011) All you need is love: music, romance and adolescent recreation in sixteenth-century France. In, Nelson, Karen and Leonard, Amy (eds.) Masculinities, Childhood, Violence: Attending to Early Modern Women—and Men. Proceedings of the 2006 Symposium. Newark, US, University of Delaware Press, 169-194.

Brooks, Jeanice (2011) Singing the courtly body: the Chanson lascive and the performance of obscenity. In, Peurex, Guillaume, Roberts, Hugh and Wajeman, Lise (eds.) Obscénités Renaissantes. Genève, CH, Librairie Droz. (Travaux d'Humanisme et Renaissance, 473).

Brooks, Jeanice (2011) Tessier's travels in England and Scotland. Early Music, 39, 185-194. (doi:10.1093/em/caq108).

De Lucca, Valeria (2011) L’Alcasta and the emergence of collective patronage in mid-seventeenth-century Rome. Journal of Musicology, 28, (2), Spring Issue, 195-230. (doi:10.1525/jm.2011.28.2.195).

De Lucca, Valeria (2011) The Power of the Prima Donna: Giulia Masotti’s Repertory of Choice. Journal of Seventeenth-Century Music, 17 (In Press).

De Lucca, Valeria (2011) Strategies of women patrons of music and theatre in Rome: Maria Mancini Colonna, Queen Christina of Sweden, and women of their circles. Renaissance Studies, 25, (3), 374-392. (doi:10.1111/j.1477-4658.2010.00676.x).

Drabkin, William (2011) The analysis of operatic music. In, Greenwald, Helen (ed.) The Oxford Handbook of Opera. Oxford, GB, Oxford University Press. (Submitted).

Drabkin, William (2011) Beethoven's unborn children. In, May, Jürgen (ed.) Beiträge zu Biographie und Schaffensprozess bei Beethoven. Bonn, Germany, Beethoven-Haus Bonn / Carus, 35-50. (Schriften des Beethoven-Hauses Bonn, 21).

Drabkin, William (2011) Heinrich Schenker and Moriz violin. In, Beer, Axel, Gruber, Gernot and Schneider, Hans (eds.) Festschrift Hellmut Federhofer zum 100. Geburtstag. Tutzing, DE, Hans Schneider . (Mainzer Studien zur Musikwissenschaft, 45).

Drabkin, William (2011) Heinrich Schenker und die Symphonien Anton Bruckners. In, Hust, Christoph (ed.) Johannes Brahms und Anton Bruckner im Spiegel der Musiktheorie. Gottingen, Germany, Hainholz , 45-55.

Fisher, Andrew (2011) Attack the Block.

Gilbert, Shirli (2011) Music in the Nazi Ghettos and Camps. In, Friedman, Jonathan C. (ed.) The Routledge History of the Holocaust. London, GB, Routledge, 436-451.

Irvine, Thomas (2011) Musical performance, natural law and interpretation. In, Ben-Dor, Oren (ed.) Art and Law: Ethics, Justics and Aesthetics. Oxford, GB, Routledge-Cavandish, 231-244.

Izzo, Francesco (2011) Censorship. In, The Oxford Handbook of Opera. New York, US, Oxford University Press. (Submitted).

Izzo, Francesco (2011) Of texts and documents: the Italian version's of Ferdinand Hérold's Zampa. Pre-print (Submitted).

Izzo, Francesco (2011) Risorgimento uncensored: the Italian unification and the politics of opera. Pre-print (Submitted).

Kenny, Elizabeth (2011) Revealing their hand: lute tablatures in early seventeenth century England. Renaissance Studies (doi:10.1111/j.1477-4658.2011.00792.x). (In Press).

Nicholls, David (2011) 'All made of classical tunes': towards a taxonomy of rock's art music borrowings. In, Oja, Carol, Schreffler, Anne, Meyer, Felix and Rathert, Wolfgang (eds.) Crosscurrents: American and European Music in Interaction, 1900-2000. Basel, CH, Pendragon Press and Paul Sacher Stiftung. (In Press).

Nicholls, David (2011) 'The Unanswered Question of her Son's Biography': new thoughts on Mollie Ives. Journal of the Society for American Music, 5, (1), 95-111. (In Press).

Norris, David Owen (2011) Liszt Années de pélerinage: Italie. BBC Radio 3 Building a Library

Piekut, Benjamin (2011) Experimentalism Otherwise: the New York Avant-Garde and its Limits, United States, US, University of California Press, 280pp.

Pinnock, Andrew (2011) Theatre culture. In, Herissone, Rebecca (ed.) The Ashgate Research Companion to Henry Purcell. London, GB, Ashgate. (In Press).

Scheding, Florian (2011) Which Displacement? Tracing Exile in the Postwar Compositions of István Anhalt and Mátyás Seiber. In, Sallis, Friedemann, Elliott, Robin and DeLong, Kenneth (eds.) Centre and Periphery, Roots and Exile: Interpreting the Music of István Anhalt, György Kurtág, and Sándor Veress. Waterloo, CA, Wilfrid Laurier University Press, 111-128.

This list was generated on Wed Nov 19 01:56:59 2014 GMT.