Items where Subject is "M Music and Books on Music > M Music"

Almeida, Patrícia Manuela Fernandes Sucena (2003) Commentary and portfolio. University of Southampton, School of Humanities, Doctoral Thesis, 505pp.

Almeida, Patrícia Manuela Fernandes Sucena (2003) Commentary and portfolio [Solitudo, Argumentum, Recordatio, Illuminatio, Transfiguratio, Ludus Aeternus, Mens Sana in Corpore Sano, Monstrum Horrendum]. University of Southampton, School of Humanities, Doctoral Thesis, 505pp.

Arostegui, Jose Luis, Stake, Robert and Simons, Helen (2004) Music education for the 21st century: epistemology and ontology as bases for student aesthetic education. Education Policy Analysis Archives, 12, (54), 1-14.

Aspden, Suzanne (2001) Ariadne's Clew: politics, allegory, and opera in London (1734). The Musical Quarterly, 85, (4), 735-770. (doi:10.1093/mq/85.4.735)

Aspden, Suzanne (2002) Fam'd Handel breathing, tho' transformed to stone: the composer as monument. Journal of the American Musicological Society, 55, (1), 39-90.

Aspden, Suzanne (2004) Desiring Handel: biography and the strategies of possession. Music and Letters, 85, 62-82. (doi:10.1093/ml/85.1.62)

Baker, Catherine (2007) The concept of turbofolk in Croatia: inclusion/exclusion in the construction of national musical identity. In, Baker, Catherine, Gerry, Christopher J., Madaj, Barbara, Mellish, Liz and Nahodilová, Jana (eds.) Nation in Formation: Inclusion and Exclusion in Central & Eastern Europe. London, UK, UCL School of Slavonic and East European Studies Publications, 139-158. (Studies in Russia and Eastern Europe 1).

Baker, Catherine (2008) Wild dances and dying wolves: simulation, essentialization, and national identity at the Eurovision Song Contest. Popular Communication, 6, (3), 173-189. (doi:10.1080/15405700802198113)

Baker, Catherine (2008) When Seve met Bregović: folklore, turbofolk and the boundaries of Croatian musical identity. Nationalities Papers, 36, (4), 741-764. (doi:10.1080/00905990802230514)

Baker, Catherine (2010) 'Death to fascism isn't in the catechism': legacies of socialism in Croatian popular music after the fall of Yugoslavia. Narodna umjetnost, 47, (1), 163-183.

Baker, Catherine (2010) 'It's all the same, only he's not here'?: popular music and political change in post-Tuđman Croatia. Europe-Asia Studies, 62, (10), 1741-1759. (doi:10.1080/09668136.2010.522428)

Barrett, Frederick S., Grimm, Kevin J. and Robins, Richard W. (2010) Music-evoked nostalgia: affect, memory, and personality. Emotion, 10, (3), 390-403. (doi:10.1037/a0019006)

Barrett, Frederick S., Grimm, Kevin J., Robins, Richard W., Wildschut, Tim, Sedikides, Constantine and Janata, Petr (2010) Music-evoked nostalgia: Affect, memory, and personality. Emotion, 10, (3), 390-403. (doi:10.1037/a0019006) (PMID:20515227)

Blumensath, Thomas (2006) Bayesian modelling of music: algorithmic advances and experimental studies of shift-invariant sparse coding. University of London, Department of Electronic Engineering, Doctoral Thesis, 211pp.

Bretherton, David (2006) Brahms as the analysts see him. The Musical Times, 147, (1987), 92-98.

Bretherton, David, Schraefel, Monica mc, Everist, Mark, Brooks, Jeanice, Polfreman, Richard, Smith, Daniel Alexander and Lambert, Joe (2008) An introduction to musicSpace. In, Introduction to e-Research in Arts and Humanities, Reading, UK, 10 Dec 2008.

Bretherton, David, Schraefel, Monica mc, Smith, Daniel Alexander, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) musicSpace: improving access to musicology's data sources. In, eScience for Musicology, Edinburgh, UK, 01 - 02 Jul 2009.

Bretherton, David, Schraefel, Monica mc, Smith, Daniel Alexander, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) The 'musicSpace' project. In, IAML (UK & Ireland) Academic Music Librarians' Seminar, Birmingham, UK, 21 May 2009.

Bretherton, David, Smith, D.A., schraefel, mc, Polfreman, Richard, Everist, Mark, Brooks, L. Jeanice and Lambert, Joe (2009) Integrating musicology's heterogeneous data sources for better exploration. In, Proceedings of the 10th International Society for Music Information Retrieval Conference. Kobe, Japan, International Society for Music Information Retrieval, 27-32.

Bretherton, David, Smith, Daniel Alexander, Lambert, Joe and schraefel, mc (2011) MusicNet: aligning musicology's metadata. In, Music Linked Data Workshop, London, GB,

Bretherton, David, Smith, Daniel Alexander, Schraefel, Monica mc, Everist, Mark, Brooks, Jeanice, Polfreman, Richard and Lambert, Joe (2009) Discovery and exploration using musicSpace. At Unlocking Audio 2: Connecting with Listeners, London, UK, 16 - 17 Mar 2009.

Bretherton, David, Smith, Daniel Alexander, Schraefel, Monica mc, Everist, Mark, Brooks, Jeanice, Polfreman, Richard and Lambert, Joe (2009) musicSpace: integrating musicology's heterogeneous data sources. In, InterFace 2009: 1st International Symposium for Humanities and Technology, Southampton, UK, 09 - 10 Jul 2009.

Bretherton, David, Smith, Daniel Alexander, schraefel, mc, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2010) The "musicSpace" Project: orchestrating musicological metadata. International Association of Music Libraries Congress IAML, Moscow, RU, 27 Jun - 02 Jul 2010.

Bretherton, David, Smith, Daniel Alexander, schraefel (PI), mc, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) Orchestrating musical (meta)data to better address the real-world search queries of musicologists. At 5th IEEE International Conference on e-Science, Oxford, UK, 09 - 11 Dec 2009.

Bretherton, David T. (2011) The shadow of midnight in Schubert's "Gondelfahrer" settings. Music and Letters, 92, (1), 1-42. (doi:10.1093/ml/gcq087)

Brockmeier, Steffi Johanna, Grasmeder, Mary, Passow, SSusanna, Mawmann, Deborah, Vischer, Mattheus, Jappel, Alexandra., Baumgartner, Wolfgang, Stark, Thomas, Muller, Joachim, Brill, S., Steffens, Thomas, Strutz, Jurgan, Keifer, Jan, Baumann, Uwe and Arnold, Wolfgang (2007) Comparison of musical activiti es of cochlear implant users with different speech-coding strategies. Ear and Hearing, 28, (2 supplement), 49S-51S.

Brooks, Jeanice (2001) The art of civil conversation: courtly neoplatonism and the dialogue air. In, Brooks, Jeanice, Ford, P. and Jondorf, G. (eds.) Poetry and Music in the French Renaissance: Proceedings of the Sixth Cambridge French Renaissance Colloquium. Poetry and Music in the French Renaissance Cambridge, GB, Cambridge French Colloquia, 159-184.

Brooks, Jeanice (2003) O quelle armonye: dialogue singing in late renaissance France. Early Music History, 22, 1-65. (doi:10.1017/S0261127903003012)

Brooks, Jeanice (2006) L’art et la manière: ornementation et notation dans l’air de cour à la fin de la Renaissance. In, Durosoir, Georgie (ed.) Poésie, Musique et Société: L'air de cour en France au XVIIe siècle. Liège, BE, Mardaga; Centre de Musique Baroque de Versailles, 169-179.

Brooks, Jeanice (2011) Tessier's travels in England and Scotland. Early Music, 39, 185-194. (doi:10.1093/em/caq108)

Brooks, Jeanice. (2009) Les collections féminines d'albums de partitions dans l'Angleterre du début du XIXe siècle. In, Ballman, C. and Dufour, V. (eds.) ‘La la la Maistre Henri’: Mélanges de musicologie offerts à Henri Vanhulst. Turnhout, BE, Brepols, 351-365.

Cain, T. (2007) Mentoring trainee music teachers: beyond apprenticeship or reflection. British Journal of Music Education, 24, (3), 281-294. (doi:10.1017/S0265051707007589)

Cain, T. (2008) How do Secondary school music teachers undertake action research? In, International Society for Music Education World Conference., Bologna, Italy, 21 - 25 Jul 2008.

Cain, T. (2010) Music teachers' action research. In, Alle registers open: nieuwe ontiwikkelingen in onderzoek naar musiekeducatie. , Holland, Cultuurnetwerk, 54-75. (Cultuur + Educatie, 28).

Cain, T. and Fletcher, M. (2006) Researching trainee teachers' learning: a musical experiment. In, Peklaj, C. (ed.) Teorija in Praksa v Izobrazevanju Uciteljev [Theory and practice in teacher education]. Ljubljana, Slovenia, Univerza v Ljuljani, 91-94.

Cain, Tim (2006) The National Curriculum for Music. In, Philpott, Christopher and Spruce, Gary (eds.) Learning to Teach Music in the Secondary School: a Companion to School Experience, 2nd edition. Abingdon, UK, Routledge, 42-54. (Learning to Teach in the Secondary School).

Cain, Tim (2008) The characteristics of action research in music education. British Journal of Music Education, 25, (3), 283-313. (doi:10.1017/S0265051708008115)

Cain, Timothy (2006) Mentoring trainee music teachers. University of Southampton, School of Education, Doctoral Thesis, 370pp.

Coles, A.M., Harris, Lisa and Davis, R. (2004) Is the party over? Innovation and music on the web. Journal of Information, Communication and Ethics in Society, 2, (1), 21-29.

Cowell, Henry (1996) New Musical Resources (with contributions by David Nicholls), Cambridge, UK, Cambridge University Press, 195pp.

Davies, P.O.A.L., Pinho, J. and English, E.J. (2006) Some acoustic characteristics of the tin whistle. In, Institute of Acoustics Spring Conference 2006: Futures in Acoustics: Today's Research - Tomorrow's Careers, Southampton, UK, 03 - 04 Apr 2006. , 597-608.

De Lucca, Valeria (2001) Una silloge strumentale per Francesco II d'Este: analisi iconologica e considerazioni sullo stile. Rivista Italiana di Musicologia, 36, 3-23.

De Lucca, Valeria (2009) Pallade al valor, venere al volto: music, theatricality, and performance in Marie Mancini Colonna's Patronage. In, Shifrin, Susan (ed.) The Wandering Life I Led: Essays on Hortense Mancini, Duchess Mazarin and Early Modern Women's Border Crossings. Newcastle upon Tyne, UK, Cambridge Scholars Publishing, 113-156.

De Lucca, Valeria (2011) Patronage. In, Greenwald, Helen (ed.) The Oxford Handbook of Opera. Oxford, GB, Oxford University Press. (In Press)

De Lucca, Valeria (2011) The power of the prima donna: Giulia Masotti and the circulation of Giovanni Filippo Apolloni’s and Antonio Cesti’s Operas during the 1660s and 1670s. Journal of Seventeenth-Century Music (In Press)

De Lucca, Valeria (2011) Dressed to impress: The costumes for Antonio Cesti’s Orontea in Rome (1661). Early Music (In Press)

De Lucca, Valeria (2011) L’Alcasta and the Emergence of Collective Patronage in Mid-Seventeenth-Century Rome. Journal of Musicology, 28, (2), 195-230.

De Lucca, Valeria (2012) Opera e mecenatismo tra Roma e Venezia nella seconda metà del Seicento. In, Goulet , Anne-Madeleine and Giron-Panel, Caroline (eds.) La Musica a Roma nel Seicento. Rome, IT, École française de Rome. (In Press)

De Lucca, Valeria, Santucci, Valentina and University of Tor Vergata (2003) Le tre messe di Tullio Cima: prime considerazioni. In, Carboni, Fabio, De Lucca, Valeria and Agostino, Ziino (eds.) Tullio Cima, Domenico Massenzio e la Musica del Loro Tempo. , L'Istituto di Bibliografia Musicale.

Deeming, Helen (2006) Observations on the habits of twelfth- and thirteenth-century music scribes. Scriptorium, 60, (1), 38-59.

Deeming, Helen (2007) The sources and origin of the “Agincourt Carol”. Early Music, 35, (1), 23-38. (doi:10.1093/em/cal119)

Donnelly, K.J. (1998) Chapter 9. The classical film score forever? Batman, Batman Returns and post-classical film music. In, Neale, Steve and Smith, Murray (eds.) Contemporary Hollywood Cinema. London, GB, New York City, US, Routledge, 142-155.

Donnelly, K.J. (2001) Pop music in British cinema, London, GB, British Film Institute, 274pp.

Donnelly, K.J. (2007) British film music and film musicals, Basingstoke, UK, Palgrave, 232pp.

Donnelly, Kevin (2001) The Hidden Heritage of Film Music: History and Scholarship. In, Donnelly, Kevin (ed.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum, 1-15.

Donnelly, Kevin (2001) Performance and the Composite Film Score. In, Donnelly, Kevin (ed.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum, 152-166.

Drabkin, William (1991) Beethoven: Missa Solemnis, Cambridge, UK, Cambridge University Press, 132pp. (Cambridge Music Handbooks)

Drabkin, William (2002) Heinrich Schenker. In, Christensen, Thomas (ed.) The Cambridge History of Western Music Theory. Cambridge, GB, Cambridge University Press, 812-843. (doi:10.2277/0521623715)

Drabkin, William (2005) Schenker’s ‘Decline’: an introduction. Music Analysis, 24, (1-2), 3-31. (doi:10.1111/j.1468-2249.2005.00216.x)

Drabkin, William (2008) Schubert, Schenker and the art of setting German poetry. Eighteenth-Century Music, 5, (2), 209-236. (doi:10.1017/S1478570608001498)

Drabkin, William (2010) Hans Weisse in correspondence with Schenker and his circle. Journal of Schenkerian Studies, 4, 69-87. (In Press)

Drabkin, William (2011) The analysis of operatic music. In, Greenwald, Helen (ed.) The Oxford Handbook of Opera. , Oxford University Press. (Submitted)

Drabkin, William (2011) Beethoven's unborn children. In, May, Jürgen (ed.) Biographie und Schaffensprozess: Beethoven-Studien zum Gedächtnis Rainer Cadenbach. Bonn, Germany, Beethoven-Haus. (In Press)

Drabkin, William (2011) Heinrich Schenker and Moriz Violin. In, Beer, Axel, Gruber, Gernot and Schneider, Hans (eds.) Festschrift zum 100. Geburtstag von Hellmut Federhofer. Tutzing, DE, Hans Schneider. (Submitted)

Drabkin, William and Bent, Ian (2013) The empire strikes back: some unpublished replies to Schenker’s critics. Music Analysis, 32 (Submitted)

Dravins, Christina, van Besouw, R.M., Hansen, K.F. and Kuske, S. (2010) Exploring and enjoying non-speech sounds through a cochlear implant: the therapy of music. At 11th International Conference on Cochlear Implants and Other Implantable Auditory Technologies, Stockholm, SE, 30 Jun - 03 Jul 2010.

Everist, Mark (1984) A reconstructed source for the thirteenth-century conductus. In, Dittmer, Luther (ed.) Gordon Athol Anderson (1921-1981): in Memoriam von Seinen Studenten, Freunden und Kollegen. Teil 1, Bent - Gillingham. Henryville, USA; Ottawa, Canada; Binningen, Switzerland, Institute of Medieval Music, 97-118.

Everist, Mark (1993) 'Madame Dorothea Wendling is arcicontentissima': singers and voices in Mozart's Idomeneo. In, Rushton, Julian (ed.) W.A. Mozart: Idomeneo. Cambridge, GB, Cambridge University Press, 48-61. (Cambridge Opera Handbooks).

Everist, Mark (1994) A new source for the polyphonic conductus: MS 117* in Sidney Sussex College, Cambridge. Plainsong and Medieval Music, 3, (2), 149-168.

Everist, Mark (1994) French motets in the thirteenth century: music, poetry and genre, Cambridge, UK, Cambridge University Press, 216pp.

Everist, Mark (2000) Review. Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance. Ed. by Dolores Pesce. pp. xi + 380. (Oxford University Press, New York & Oxford, 1997, £60. ISBN 0-19-509709-2.). Music & Letters, 81, (2), 283-284. (doi:10.1093/ml/81.2.283)

Everist, Mark (2002) Music drama at the Paris Odéon, 1824-1828, Berkeley, USA, Universiy of California Press, 348pp.

Everist, Mark (2004) Theatres of litigation: stage music at the Théâtre de la Renaissance, 1838–1840. Cambridge Opera Journal, 16, (2), 133-161. (doi:10.1017/S095458670400182X)

Everist, Mark (2004) Pauline Viardot-Garcia. In, Briscoe, James R. (ed.) New Historical Anthology of Music by Women. Bloomington, USA, Indiana University Press, 188-197.

Everist, Mark (2004) Le fonti della musica polifonica ca. 1170-1330 [The sources of polyphonic music ca. 1170-1330]. In, Fiore, Carlo and Aversano, Luca (eds.) Il Libro di Musica: per una Storia Materiale delle Fonti Musicali in Europa. Palermo, Italy, L'Epos, 43-64. (De charta 7).

Everist, Mark (2005) Giacomo Meyerbeer and music drama in nineteenth-century Paris, Aldershot, Ashgate, 460pp. (Variorum Collected Studies Series, CS805)

Everist, Mark (2005) The horse, the clerk and the lyric: the musicography of the thirteenth and fourteenth centuries. Journal of the Royal Musical Association, 130, (1), 136-153. (doi:10.1093/jrma/fki007b)

Everist, Mark (2005) "Tutti i francesi erano diventati matti". Bellini and the Duet for Two Basses. In, Everist, Mark (ed.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate, 281-307. (Variorum Collected Studies Series CS805).

Everist, Mark (2005) Donizetti and Wagner: opéra de genre at the Théâtre de la Renaissance. In, Everist, Mark (ed.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate, 309-341. (Variorum Collected Studies Series CS805).

Everist, Mark (2009) A new source for the Polyphony of the Ars subtilior. Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 22069. In, Plumley, Y and Stone, A (eds.) A Late Medieval Songbook and its Context: New Perspectives on Codex (Bibliothéque du Château de Chantilly, Ms.564). Tours, FR, Brepols, 287-303.

Everist, Mark (2009) Rossini at the Paris opéra, 1843-1847: Translation, arrangement, pasticcio. In, Librettoübersetzung: Interkulturalität im Europäischen Musiktheater. Hildesheim, DE, Olms, 131-163. (Musikwisenschaftliche Publikationen, 32).

Everist, Mark (2010) Mozart's ghosts: reception and renown, 1791 to the present, Oxford, UK, Oxford University Press (In Press)

Everist, Mark (2010) Grand Opéra – Petit Opéra: Parisian Opera and Ballet from the Restoration to the Second Empire. 19th-Century Music, 33, (3), 195-231. (In Press)

Everist, Mark (2010) François-Auguste Gevaert: between théâtre lyrique and opéra comique. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 64, 5-37.

Everist, Mark (2010) Partners in rhyme: Alphonse Royer, Gustave Vaëz, and foreign opera in Paris during the July Monarchy. In, Marvin, Roberta Montemorra and Poriss, Hilary (eds.) Fashions and Legacies of Nineteenth-Century Italian Opera. Cambridge, GB, Cambridge University Press, 30-52.

Felstead, Alan, Bishop, Dan, Fuller, Alison, Jewson, Nick, Lee, Tracey and Unwin, Lorna (2006) Moving to the music: learning processes, training and productive systems - the case of exercise to music instruction. Cardiff, Wales, Cardiff School of Social Sciences, 43pp. (Learning as Work Research Paper,(6))

Fisher, Andrew (2011) Attack the Block.

Fisher, Andrew M.S. (2003) Composition folio: musicals vols. I-IV. University of Southampton, School of Humanities, Doctoral Thesis, 1788pp.

Gilbert, Shirli (2004) Songs confront the past: music in KZ Sachsenhausen. Contemporary European History, 13, (3), 281-304. (doi:10.1017/S0960777304001730)

Gilbert, Shirli (2004) Songs confront the past: music in KZ Sachsenhausen, 1936-1945. Contemporary European History, 13, (3), 281-304. (doi:10.1017/S0960777304001730)

Gilbert, Shirli (2005) Music as historical source: social history and musical texts. International Review of the Aesthetics and Sociology of Music, 36, (1), 117-134.

Gilbert, Shirli (2005) Music in the Holocaust: confronting life in the Nazi ghettos and camps, Oxford, UK; New York, USA, Oxford University Press, 256pp. (Oxford Historical Monographs)

Gilbert, Shirli (2011) Music in the Nazi Ghettos and Camps. In, Friedman, Jonathan C. (ed.) The Routledge History of the Holocaust. London, GB, Routledge, 436-451.

Gilbert, Shirli (2011) Songs of the Holocaust. In, Rosen, Alan (ed.) Holocaust Literature: a Critical Introduction. Cambridge, GB, Cambridge University Press. (In Press)

Grasmeder, M.L. (2002) Identification of different music instruments by nucleus cochlear implant users. In, Abstracts of the 7th International Cochlear Implant Conference. 7th International Cochlear Implant Conference , 7th International Cochlear Implant Conference.

Gregor, Neil (2011) Beethoven, Bayreuth and the origins of the Federal Republic of Germany. English Historical Review (In Press)

Hadden, Nancy (2005) In search of the sound of a fiffara. In, Lasocki, David (ed.) Musicque de Joye: Proceedings of the International Symposium on the Renaissance Flute and Recorder Consort, Utrecht 2003. International Symposium on the Renaissance Flute and Recorder Consort Utrecht, The Netherlands, STIMU, 187-202.

Hadden, Nancy (2005) From Swiss flutes to consorts: the flute in Germany CA. 1480-1530. Basler Jahrbuch für Historische Musikpraxis: Band XXVIX 2005: Musikinstrumente und instrumentale Praxis um 1500, 29, 125-143.

Harris, N. and Fahy, F.J. (2009) A comparative study of the hammered bridge response and the bowed string response of a violin. Journal of the Violin Society of America, 22, (1), 211-223.

Hill, Sarah (2003) All directions were forward from there: The Grateful Dead, San Francisco, and the memory of the 60's. In, 39th RMA Annual Conference 2003: Music Historiography, Cardiff, Wales, 12 - 14 Sep 2003. Cardiff, Wales, Royal Musical Association.

Hill, Sarah (2003) From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. In, Practising Popular Music: 12th Biennial ASPM Conference 2003.

Hill, Sarah (2004) Ending it all: Genesis and revelation. In, SIMS 2004: Symposium of the International Musicological Society, Melbourne, Australia, 11 - 16 Jul 2004. Melbourne, Australia, International Musicological Society.

Hughes, Edward Dudley (2003) Portfolio of compositions. University of Southampton, School of Humanities, Doctoral Thesis, 259pp.

Humphries, Carl (2006) Musical expression and performance. University of Southampton, School of Humanities, Doctoral Thesis, 213pp.

Inacio, Octávio José Patrício Fernandes Inácio (2008) A modal method for the simulation of nonlinear dynamical systems with application to bowed musical intruments. University of Southampton, Institute of Sound and Vibration Research, Doctoral Thesis, 256pp.

Inácio, O., Antunes, J. and Wright, M.C.M. (2008) Computational modelling of string-body interaction for the violin family and simulation wolf notes. Journal of Sound and Vibration, 310, (1-2), 260-286. (doi:10.1016/j.jsv.2007.07.079)

Inácio, Octávio, Henrique, Luis and Antunes, José (2006) The dynamics of Tibetan singing bowls. Acta Acustica united with Acustica, 92, (4), 637-653.

Irvine, Thomas (2003) Mozarts KV 475: Fantasie als Utopie. Acta Mozartiana, 50, 37-49.

Irvine, Thomas (2004) Reviews: recordings: Divas of Mozart's day: operatic arias by Domenico Cimarosa (1749–1801), Vicente Martin y Soler (1754–1806), Wolfgang Amadeus Mozart (1756–1791), Vincenzo Righini (1756–1812), Antonio Salieri (1750–1825), Stephen Storace (1762–1796): Patrice Michaels (soprano), Peter van de Graaff (bass-baritone) / Classical Arts Orchestra / Stephen Alltop (conductor and fortepiano) Cedrille CDR 90000 064, 2002; one disc, 1'16". Eighteenth-Century Music, 1, (1), 116-118. (doi:10.1017/S1478570604330071)

Irvine, Thomas (2006) The foundations of Mozart Scholarship. (In special Mozart Issue edited by Karen Hiles). Current Musicology, 81, 7-52.

Irvine, Thomas (2010) Hindemith's disciple in London: Walter Leigh on modern music, 1932-40. In, Riley, Matthew (ed.) British Music and Modernism, 1895-1960. Farnham, GB, Ashgate, 197-220.

Izzo, Francesco (1993) Michele Carafa e le nozze di Lammermoor: un oscuro precedente della Lucia [Michele Carafa and the weddings of Lammermoor: an obscure precedent of Lucia]. In, Izzo, Francesco, Streicher, Johannes and Meloncelli, Raoul (eds.) Ottocento e Oltre: Scritti in Onore di Raoul Meloncelli (Itinerari Musicali) [Nineteenth Century and Beyond: Writings in Honor of Raoul Meloncelli]. Rome, Italy, Editoriale Pantheon, 161-193.

Izzo, Francesco (1995) Rachmaninoff in Italy: criticism, influence, performance. Studies in Music from the University of Western Ontario, 15, 75-86.

Izzo, Francesco (1995) Exoticism, colonialism and oppression in Italian early Romantic opera [Esotismo, il colonialismo e l'oppressione in italiano all'inizio opera romantica]. In, Kühnel, Jürgen and Müller, Ulrich (eds.) Weine, Weine du Armes Volk: Das verführte und betrogene Volk auf der Bühne: Gesammelte Vorträge des Salzburger Symposions 1994 (Wort und Musik). Das Verführte und Betrogene Volk auf der Bühne, Kongreßbericht Salzburg Anif-Salzburg, Austria, Verlag Ursula Müller-Speiser, 317-326.

Izzo, Francesco (1996) Feste, congiure e delitti in alcune opere serie di Gaetano Donizetti [Festivals, conspiracies and crimes in some serious operas of Gaetano Donizetti]. In, Csobádi, Peter and Gruber, Gernot (eds.) "Und Jedermann Erwartet sich ein Fest": Fest, Theater, Festspiele: Gesammelte Vorträge des Salzburger Symposions 1995 (Wort und Musik). Kongreßbericht Salzburg Anif-Salzburg, Austria, Verlag Ursula Müller-Speiser, 343-348.

Izzo, Francesco (1998) Singing fidelio: some questions of vocal writing and performance practice [Singing fidelio: einige fragen schriftlich von vokal-und aufführungspraxis]. In, Csobádi, Peter and Gruber, Gernot (eds.) Fidelio/Leonore: Annäherungen an ein Zentrales Werk des Musiktheaters: Vorträge und Materialien des Salzburger Symposions 1996 (Wort und Musik). Kongreßbericht Salzburg Anif-Salzburg, Austria, Verlag Ursula Müller-Speiser.

Izzo, Francesco (2003) Verdi's "Un giorno di regno": two newly discovered movements and some questions of genre. Acta Musicologica, 73, (2), 165-188.

Izzo, Francesco (2003) I cantanti e la recezione de Verdi nell’Ottocento: trattati e corrispondenza. In, della Seta, Fabrizio, Roberta Montemorra, Marvin and Marco, Marica (eds.) Verdi 2001: Proceedings of the International Conference, Parma, New York, New Haven, 24 January - 1 February 2001. Verdi 2001: Proceedings of the International Conference Florence, Italy, Olschki, 173-187. (Historiae Musicae Cultores - Biblioteca, 1 94).

Izzo, Francesco (2004) Comedy between two revolutions: Opera Buffa and the Risorgimento, 1831-1848. Journal of Musicology, 28, (1), 127-174. (doi:10.1525/jm.2004.21.1.127)

Izzo, Francesco (2004) Donizetti's Don Pasquale and the conventions of mid-nineteenth-century opera buffa. Studi musicali, 33, (2), 387-431.

Izzo, Francesco (2009) Beaumarchais (and Da Ponte) Romanticized: Luigi Ricci’s Le nozze di Figaro. In, Colas, Damien and Di Profio, Alessandro (eds.) D’une scène à l’autre: L’opéra italien en Europe, v. 2: La musique à l'épreuve du théâtre. Wavre, BE, Éditions Mardaga, 203-218.

Izzo, Francesco (2011) Divas and sonnets: poetry for female singers in Teatri arti e letteratura. In, The Arts of the Prima Donna in the Long Nineteenth Century. Oxford, GB, Oxford University Press. (In Press)

Izzo, Francesco (2011) Censorship. In, The Oxford Handbook of Opera. Oxford, UK, Oxford University Press. (Submitted)

Kiwan, Nadia and Meinhof, Ulrike H. (2011) Introduction. Music and migration: a transnational approach. Music and Arts in Action, 3, (3) (In Press)

Kiwan, Nadia and Meinhof, Ulrike Hanna (2011) Cultural Globalisation and Music: African Artists in Transnational Networks, Basingstoke, GB, Palgrave Macmillan, 272pp.

Lavery, Jane Elizabeth (2009) Angie Martínez: a chameleon artist. Journal of Iberian and Latin American Studies, 15, (2 & 3), 153-166. (doi:10.1080/14701840903471557)

Lefferts, Peter M., Bent, Margaret, Bowers, Roger, Everist, Mark and Wahey, Andrew (1982) New sources of English thirteenth- and fourteenth-century polyphony. Early Music History, 2, 306-321. (doi:10.1017/S0261127900002138)

Leighton, Timothy G. and Petculescu, Andi (2009) The sound of music and voices in space part 2: modelling and simulation. Acoustics Today, 5, (3), 27-29. (doi:10.1121/1.3238123)

Leighton, Timothy G. and Petculescu, Andi (2009) The sound of music and voices in space part 1: theory. Acoustics Today, 5, (3), 17-26. (doi:10.1121/1.3238122)

Llewellyn, Elizabeth (2010) Crossover: boundaries, hybridity, and the problem of opposing cultures. University of Southampton, School of Humanities, Doctoral Thesis, 206pp.

M.L., Grasmeder and M.E., Lutman (2006) The identification of musical instruments through Nucleus cochlear implants. Cochlear Implants International, 7, (3), 148-158. (doi:10.1002/cii.308)

May , William (2010) The Siren Alps: text-setting and gender. [in special issue: Setting Agendas] Contemporary Music Review, 29, (2), 201-213. (doi:10.1080/07494467.2010.534930)

McGavin, J.J. (2001) Secular music in the burgh of Haddington, 1530-1640. In, Kisby, Fiona (ed.) Music and Musicians in Renaissance Cities. Cambridge, UK, Cambridge University Press, 45-56.

Meinhof, Ulrike H., Kiwan, Nadia (ed.) (2011) Editorial. Music and migration. Music and Arts in Action, 3, (3) (In Press)

Mirka, Danuta (1993) Teozofia, muzyka i swiatlo: o funkcji swiatla w poemacie symfonicznym Prometeusz Aleksandra Skriabina. Zeszyt Naukowy, 4, 71-90.

Mirka, Danuta (1995) Atitikimo ciurlionio simfonineje poemoje jura [Die Idee der Correspondances in der symphonischen Dichtung Das Meer von M. K. Ciurlionis]. Kulturos Barai, 8-9, 63-66.

Mirka, Danuta (1996) Sonorystyczny strukturalizm Krzysztofa Pendereckiego. In, Droba, Krzysztof, Malecka, Teresa and Szwajgier, Krzysztof (eds.) Muzyka Polska 1945-1995: Materiały Sesji Naukowej 6-10 Grudnia 1995 w 20-Lecie Zakładu Analizy i Interpretacji Muzyki. Muzyka polska 1945-1995 Kraków, PL, Akademia Muzyczna w Krakowie, 235-247.

Mirka, Danuta (1996) Some semiotic problems of Penderecki's sonoristic style. In, Tarasti, Eero (ed.) Musical Semiotics in Growth. Bloomington, USA, Indiana University Press, 73-82.

Mirka, Danuta (1997) Idea korespondencii w poemacie symfonicznym Morze Mikalojusa Konstantinasa Ciurlionisa. In, Droba, Krzysztof (ed.) W Kręgu Muzyki Litewskiej [Within the Circle of Lithuanian Music]. Kraków, PL, Akademia Muzyczna, 13-27.

Mirka, Danuta (1997) Postscriptum: Piekno Dodekatoniki. In, Droba, Krzystof (ed.) W Kręgu Muzyki Litewskiej [Within the Circle of Lithuanian Music]. Cracow, Poland, Akademia Muzyczna, 161-165.

Mirka, Danuta (1998) Przeciac wezel gordyjski: system kolorystyczny Krzysztofa Pendereckiego. Dysonanse, 3, 2-11.

Mirka, Danuta (2000) Species, theories, styles. In, Tarasti, Eero (ed.) Summer 2000 Nordic-Baltic Summer Institute. Part III: Hommage à Thomas A. Sebeok, 80 years - from Fennougrian Studies to Biosemiotics. Summer 2000 Nordic-Baltic Summer Institute Imatra, Finland, International Semiotics Institute, 92-104.

Mirka, Danuta (2000) Dodekatonikos grozis. In, Gaidamaviciute, Ruta (ed.) Osvaldas Balakauskas: Muzika ir Mintys. Vilnius, Lithuania, Baltos Lankos, 202-206.

Mirka, Danuta (2000) Co kazdy kompozytor wiedziec powinien: fizjologia i ekologia sluchacza w zarysie. Ruch Muzyczny, 44, (14-15), 10-18.

Mirka, Danuta (2001) To cut the Gordian Knot: the timbre system of Krzysztof Penderecki. Journal of Music Theory, 45, (2), 435-456. (doi:10.2307/3653444)

Mirka, Danuta (2001) Czy istnieje muzyczna Ekphrasis? [S. Bruhn Musical Ekphrasis. Composers responding to poetry and painting; Musical Ekphrasis in Rilkes Marien-Leben]. Ruch Muzyczny, 15, (35), 21-22.

Mirka, Danuta (2002) The passion according to Penderecki. In, Bruhn, Siglind (ed.) Voicing the Ineffable: Musical Representations of Religious Experience. Hillsdale, US, Pendragon, 189-230. (Interplay: Music in Interdisciplinary Dialogue 3).

Mirka, Danuta (2004) Górecki’s Musica geometrica. The Musical Quarterly, 87, (2), 305-332. (doi:10.1093/musqtl/gdh013)

Mirka, Danuta (2004) Review. Justin London. Hearing in Time: Psychological Aspects of Musical Meter. Oxford University Press, 2004: x+195 pp. ($39.95 cloth). Journal of Music Theory, 48, (2), 325-336. (doi:10.1215/00222909-48-2-325)

Mirka, Danuta (2005) The cadence of Mozart's cadenzas. Journal of Musicology, 22, (2), 292-325. (doi:10.1525/jm.2005.22.2.292)

Mirka, Danuta (2008) Metre, phrase structure and manipulations of musical beginnings. In, Mirka, Danuta and Agawu, Kofi (eds.) Communication in Eighteenth-Century Music. Cambridge, GB, Cambridge University Press, 83-111.

Mirka, Danuta (2009) Metric manipulations in Haydn and Mozart: chamber music for strings, 1787-1791, New York, US, Oxford University Press, 348pp. (Oxford Studies in Music Theory)

Mirka, Danuta (2011) Punctuation and sense in late-eighteenth-century music. Journal of Music Theory, 54, (2), 235-282. (In Press)

Newell, Philip and Holland, Keith (2006) Loudspeakers: for music recording and reproduction, Oxford, UK, Focal Press, 416pp.

Nicholls, David (1990) American Experimental Music, 1890-1940, Cambridge, UK, Cambridge University Press, 252pp.

Nicholls, David (1993) Getting rid of the glue: the music of the New York school. Journal of American Studies, 27, (3), 335-353. (doi:10.1017/S0021875800032060)

Nicholls, David (1994) Henry Cowell: a call for restitution. Newsletter: Institute for Studies in American Music, XXIV, (1), 1-2.

Nicholls, David (1996) Transethnicism and the American experimental tradition. Musical Quarterly, 80, (4), 569-594. (doi:10.1093/mq/80.4.569)

Nicholls, David (1996) Henry Cowell's New musical resources. In, Cowell, Henry (ed.) New Musical Resources. Cambridge, GB, Cambridge University Press, 153-174.

Nicholls, David (1999) Defining American music. ISAM Newsletter [Newsletter: Institute for Studies in American Music], XXVIII, (2), 12-14.

Nicholls, David (2002) Towards infinity: Cage in the 1950s and 1960s. In, Nicholls, David (ed.) The Cambridge Companion to John Cage. Cambridge, GB, Cambridge University Press, 100-108.

Nicholls, David (2002) EC=JC2: John Cage as exemplary creator. Frankfurt Journal of Musicology, 5, (S), 76-85.

Nicholls, David (2007) John Cage, Champaign, USA, University of Illinois Press, 160pp.

Nicholls, David (2007) Narrative Theory as an Analytical Tool in the Study of Popular Music Texts. Music and Letters, 88, (2), 297-315. (doi:10.1093/ml/gcm006)

Nicholls, David (2008) H.W.H., Cowell, and new music. Newsletter: Institute for Studies in American Music, XXXVII, (2), 11-14.

Nicholls, David (2010) Cage and the Ultra-Modernists. American Music, 28, (4), 492-500.

Nicholls, David (2011) 'All made of classical tunes': towards a taxonomy of rock's art music borrowings. In, Oja, Carol, Schreffler, Anne, Meyer, Felix and Rathert, Wolfgang (eds.) Crosscurrents: American and European Music in Interaction, 1900-2000. Basel, CH, Pendragon Press and Paul Sacher Stiftung. (In Press)

Nicholls, David (2011) 'The Unanswered Question of her Son's Biography': new thoughts on Mollie Ives. Journal of the Society for American Music, 5, (1), 95-111. (In Press)

Nicholls, David (2012) Each...is at the center': Thoughts on a Cagean view of [music] history. Contemporary Music Review (Submitted)

Norris, David Owen (2000) Schumann first piano Sonata. BBC Radio 3 Building a Library

Norris, David Owen (2000) De Falla Nights in the Gardens of Spain. BBC Radio 3 Building a Library

Norris, David Owen (2001) Ibert Divertissement. BBC Radio 3 Building a Library

Norris, David Owen (2001) Poulenc Concert champêtre. BBC Radio 3 Building a Library

Norris, David Owen (2002) Chopin Nocturnes. BBC Radio 3 Building a Library

Norris, David Owen (2003) Rachmaninoff Rhapsody on a theme of Paganini. BBC Radio 3 Building a Library

Norris, David Owen (2003) Chopin B minor Sonata. BBC Radio 3 Building a Library

Norris, David Owen (2003) Franck Variations Symphoniques. BBC Radio 3 Building a Library

Norris, David Owen (2004) Debussy Etudes. BBC Radio 3 Building a Library

Norris, David Owen (2005) Schoenberg Pierrot lunaire. BBC Radio 3 Building a Library

Norris, David Owen (2006) Elgar in the South. BBC Radio 3 Building a Library

Norris, David Owen (2007) Elgar first symphony. BBC Radio 3 Building a Library

Norris, David Owen (2007) Elgar's pianistic iconoclasm.

Norris, David Owen (2008) Sawn in half: Mendelssohn and the divided pedal.

Norris, David Owen (2008) Haydn C major Sonata. BBC Radio 3 Building a Library

Norris, David Owen (2009) Brahms: Six pieces for piano, Op 118. BBC Radio 3 Building a Library

Norris, David Owen (2010) Character as form: Elgar's Falstaff. In, Rushton, Julian (ed.) Let Beauty Awake. London, England, Elgar Editions, 32-42.

Norris, David Owen (2010) Debussy's Suite Bergamasque. BBC Radio 3 Building a Library

Norris, David Owen (2011) Liszt Années de pélerinage: Italie. BBC Radio 3 Building a Library

Paget, Laurie (1992) The madrigals of Marc'Antonio Ingegneri. Musiek & Wetenschap, 2, (2), 1-28.

Paget, Laurie (1994) Review of music. Domenico Maria Ferrabosco (1513-1574): Opera omnia, ed. Richard Charteris. 'Corpus mensurabilis musicae', cii. ([American Institute of Musicology], Hanssler-Verlag, Neuhausen, 1992.). Music and Letters, 75, (2), 316-317. (doi:10.1093/ml/75.2.316)

Paget, Laurie (1995) Reviews of music. Ingegneri, Marc'Antonio, Opera omnia, I/v: Sacrae cantiones senis vocibus decantandae, ed. Daniele Sabaino. (Libreria Musicale Italiana, Lucca, 1994, L.50,000. ISBN 88-7096-123-0.) Ingegneri, Marc'Antonio, Opera omnia, II/iii: il terzo libra dei madrigali a cinque voci, ed. Marco Mangani. (Libreria Musicale Italiana, Lucca, 1994, L.50,000. ISBN 88-7096-056-0.). Music and Letters, 76, (4), 648-651. (doi:10.1093/ml/76.4.648)

Paget, Laurie (1995) Canzonettas and madrgials. Early Music, 23, (4), 709-711. (doi:10.1093/earlyj/XXIII.4.709)

Piekut, Benjamin (2009) ‘Demolish Serious Culture!’: Henry Flynt and Workers World Party. In, Adlington, Robert (ed.) Sound Commitments: Avant-garde Music and The Sixties. United Kingdom of Great Britain and Northern Ireland, GB, United States, US, Oxford University Press, 37-55.

Piekut, Benjamin (2009) Race, community, and conflict in the jazz composers guild. Jazz Perspectives, 3, (3), 191-231. (doi:10.1080/17494060903454529)

Piekut, Benjamin (2010) There must be some relatIon beTween mushrOoms and trains: Alvin Curran’s Boletus Edulis—Musica Pendolare. In, Stanyek, Jason and Gopinath, Sumanth (eds.) The Oxford Handbook of Mobile Music and Sound Studies. Oxford, GB, Oxford University Press. (In Press)

Piekut, Benjamin (2010) New thing? Gender and sexuality in the jazz composers guild. American Quarterly, 62, (1), 25-48. (doi:10.1353/aq.0.0123)

Piekut, Benjamin (2011) Experimentalism Otherwise: the New York Avant-Garde and its Limits, United States, US, University of California Press, 280pp.

Piekut, Benjamin and Stanyek, Jason (2010) Deadness: technologies of the intermundane. TDR: The Drama Review, 54, (1), 14-38. (doi:10.1162/dram.2010.54.1.14)

Pinnock, Andrew (1989) A wider role for the flat trumpet. The Galpin Society Journal, 42, 105-111.

Pinnock, Andrew (1990) Play into opera: Purcell's The Indian Queen. Early Music, XVIII, (1), 3-21. (doi:10.1093/earlyj/XVIII.1.3)

Pinnock, Andrew (1995) King Arthur expos'd: a lesson in anatomy. In, Price, Curtis (ed.) Purcell Studies. Cambridge, GB, Cambridge University Press, 317pp.

Pinnock, Andrew (1995) Fairest Isle™: land of the scholar-kings. Early Music, XXIII, (4), 651-666. (doi:10.1093/earlyj/XXIII.4.651)

Pinnock, Andrew (1995) The Purcell phenomenon. In, Burden, Michael (ed.) The Purcell Companion. London, UK, Faber and Faber, 504pp.

Pinnock, Andrew (1998) Book IV in plain brown wrappers. In, Burden, Michael (ed.) A Woman Scorn'd: Responses to the Dido Myth. London, UK, Faber and Faber, 290pp.

Pinnock, Andrew (2000) `From Roy Bowers': coming to Purcell the bibliographical way. In, Burden, Michael (ed.) Henry Purcell's Operas: the Complete Texts. Oxford, UK, Clarendon Press, 552pp.

Pinnock, Andrew (2001) Flat trumpet. In, Sadie, Stanley and Tyrrell, John (eds.) New Grove Dictionary of Music and Musicians (2nd revised edition). UK, Macmillan, p.928.

Pinnock, Andrew (2001) Dryden. In, Die Musik in Geschichte und Gegenwart. Germany, Barenreiter & Metzler, 1456-1458.

Pinnock, Andrew (2009) Book review. The scope and purpose of cultural economics: a view and some suggestions from the policy fringe. Cultural Trends, 18, (4), 353-366. (doi:10.1080/09548960903268204)

Pinnock, Andrew (2010) Can too many know too much? The ethics of education in music entrepreneurship. In, Beckman, Gary (ed.) Disciplining the Arts: Teaching Entrepreneurship in Context. Lanham, United States, Rowman & Littlefield Education, 43-49.

Pinnock, Andrew and Wood, Bruce (1992) "Unscarr'd by turning times"?: the dating of Purcell's Dido and Aeneas. Early Music, 20, (3), 373-390. (doi:10.1093/earlyj/XX.3.373)

Polfreman, Richard (1999) A task analysis of music composition and its application to the development of Modalyser. Organised Sound, 4, (1), 31-43.

Polfreman, Richard (2001) FrameWorks - a structural composition tool. In, Music without walls? Music without instruments? Proceedings of the International Conference. Music without walls? Music without instruments? Leicester, UK, De Montfort University.

Polfreman, Richard (2001) Supporting creative composition: the FrameWorks approach. In, Les Actes des 8e Journées d Informatique Musicale. 8e Journées d Informatique Musicale Bourges, France, Institut international de Musique Electroacoustique Bourges, 99-111.

Polfreman, Richard (2002) MfOM: a library for building and controlling physical model instruments in OpenMusic. In, Proceedings of the 2002 International Computer Music Conference. 2002 International Computer Music Conference San Francisco, USA, International Computer Music Association, 436-439.

Polfreman, Richard (2009) FrameWorks 3D: composition in the third dimension. In, Dannenberg, Roger B. and Ries, Kristi D. (eds.) Proceedings of the 9th International Conference New Interfaces for Musical Expression. NIME (New Interfaces for Musical Expression) 2009 Pittsburgh, USA, Carnegie Mellon University, 226-229.

Polfreman, Richard (2009) FrameWorks 3D. In, eScience for Musicology, Edinburgh, UK, 01 - 02 Jul 2009.

Polfreman, Richard (2009) Role-reversal: Max/MSP as an audio engine for Java. In, Proceedings of the 2009 International Computer Music Conference. ICMC 09 San Francisco, USA, International Computer Music Association, 435-438.

Polfreman, Richard, Dearden, Ian and Sheppard, David (2005) Re-wired: reworking 20th century live electronics for today. In, Proceedings of the 2005 International Computer Music Conference (ICMC0. San Francisco, US, International Computer Music Association.

Polfreman, Richard and Loomes, Martin (2001) A TKS framework for understanding music composition processes and its application in interactive system design. In, Proceedings of the AISB01 Symposium on Creativity in Arts and Sciences. AISB'01 Convention Brighton, UK, SSAISB, 75-83.

Polfreman, Richard, Loomes, Martin and Wright, Robert (2003) Physically inspired interactive music machines: making contemporary composition accessible? In, Third IEEE International Conference on Advanced Learning Technologies (ICALT'03). Washington, US, IEEE Computer Society, 224-228. (doi:10.1109/ICALT.2003.1215061)

Polfreman, Richard, Sheppard, David and Dearden, Ian (2006) Time to re-wire? Problems and strategies for the maintenance of live electronics. Organised Sound, 11, (3), 229-242. (doi:10.1017/S1355771806001543)

Polfreman, Richard, Spevak, C. and Loomes, M. (2001) Towards detection of perceptually similar sounds: investigating self-organizing maps. In, Proceedings of the AISB'01 Symposium on Creativity in Arts and Sciences. AISB'01 symposium on Artificial Intelligence and Creativity in Arts and Science Brighton, UK, The Society for the Study of Artificial Intelligence and Simulation of Behaviour (SSAISB), 45-50.

Pugmire, David (2006) The secular reception of religious music. Philosophy, 81, (1), 65-79. (doi:10.1017/S0031819106000040)

Reiter, Andrea, Lüdke, Martin and Schmidt, Delf (eds.) (1989) Thomas Bernhards ‘musikalisches Kompositionsprinzip’. Rowohlt Literaturmagazin, 23, 149-168.

Reiter, Andrea (1990) Thomas Bernhard’s ‘Musical Prose’. In, Williams, Arthur, Parkes, Stuart and Smith, Roland (eds.) Literature on the Threshold: the German Novel in the 1980's. Colloquium on "The German Novel in the 1980's" New York, USA, Berg, 187-207.

Rice, Stephen (2006) Crecquillon: Missa mort m'a prive, chansons & motets (CD recording).

Rice, Stephen (2007) Pierre de Manchicourt: Missa Cuidez vous que Dieu & motets.

Rice, Stephen (2009) Aspects of counterpoint theory in the Tractado de Canto Mensurable (1535) of Matheo de Aranda. In, Filocamo, G. and Bloxam, M.J. (eds.) Uno Gentile et Subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn. Turnhout, BE, Brepols. (Epitome musical).

Rice, Stephen (2009) Reverse accentuation. In, The Motet around 1500: On the Relationship of Imitation and Text Treatment. First International Conference on Minimalist Music Turnhout, Belgium, Brepols, 117-134. (In Press)

The Brabant Ensemble (Perfomer) Rice, Stephen (2011) Jacobus Clemens non Papa (c1510/15-1555/6) Requiem & Penitential Motets.

The Brabant Ensemble (Perfomer) Rice, Stephen (2011) Orlande de Lassus (1530/32-1594) Prophetiae Sibyllarum & Missa Amor ecco colei.

The Brabant Ensemble (Perfomer) Rice, Stephen (2012) Jean Mouton: Missa tu es Petrus, motets.

Ridley, A.M. (2003) Against musical ontology. Journal of Philosophy, 100, (4), 203-220.

Ridley, Aaron (2004) The Philosophy of Music: Theme and Variations, Edinburgh, UK, Edinburgh University Press, 192pp.

Ruwet, Nicolas and Everist, Mark (1987) Methods of analysis in musicology. Music Analysis, 6, (1/2), 3-36.

Saint-Cricq, Gaël (2009) Formes types dans le motet du XIIIe siècle: étude d’un processus répétitif. University of Southampton, School of Humanities, Doctoral Thesis, 502pp.

Scheding, Florian (2006) Mátyás Seiber. In, Heister, Hanns-Werner and Sparrer, Walter Wolfgang (eds.) Komponisten der Gegenwart. Munich, Edition Text + Kritik.

Scheding, Florian (2006) Seiber. In, Finscher, Ludwig (ed.) Die Musik in Geschichte und Gegenwart. Kassel, DE, Bärenreiter, 528-531. (Personenteil 15).

Scheding, Florian (2009) István Anhalt. In, Petersen, Peter and Maurer Zenck, Claudia (eds.) Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit. Hamburg, DE, Universität Hamburg.

Scheding, Florian (2010) "The splinter in your eye": uncomfortable legacies and German exile studies. In, Scheding, Florian and Levi, Erik (eds.) Music and Displacement: Diasporas, Mobilities and Dislocations in Europe and Beyond. Lanham, USA, Scarecrow Press, 119-134. (Europea: Ethnomusicologies and Modernities, 10).

Scheding, Florian (2010) Problematic tendencies: émigré composers in London, 1933–1945. In, Levi, Erik (ed.) The Impact of Nazism on Musical Development in the 20th Century. Wien, AT, Böhlau. (In Press)

Scheding, Florian (2010) Musical displacement and musicology’s construction of the post-war avant-garde. In, 20th Century Music and Politics, Bristol, GB,

Scheding, Florian (2010) Ideological battles in exile and beyond: avant-garde music and anti-semitism in the Free German League of culture. In, Annual Conference of the American Musicological Society, Indianapolis, US,

Scheding, Florian (2011) Which Displacement? Tracing Exile in the Postwar Compositions of István Anhalt and Mátyás Seiber. In, Sallis, Friedemann, Elliott, Robin and DeLong, Kenneth (eds.) Centre and Periphery, Roots and Exile: Interpreting the Music of István Anhalt, György Kurtág, and Sándor Veress. Waterloo, CA, Wilfrid Laurier University Press, 111-128.

Scheding, Florian and Levi, Erik (2010) Introduction. In, Scheding, Florian and Levi, Erik (eds.) Music and Displacement: Diasporas, Mobilities and Dislocations in Europe and Beyond. , Scarecrow Press, 1-11. (Europea: Ethnomusicologies and Modernities, 10).

Scheding, Florian. and Bohlman, Andrea F. (2010) Eisler on the move: situating mobility in the reisesonate. In, International Conference: Hanns Eisler, London, GB, 19 - 20 Apr 2010.

Schenker, Heinrich, Drabkin, William (ed.) (2005) The decline of the art of composition: a technical-critical study. Music Analysis, 24, (1-2), 33-129. (doi:10.1111/j.1468-2249.2005.00217.x)

Schenker, Heinrich, Drabkin, William (ed.) (2005) Über den Niedergang der Kompositionskunst: eine Technisch-Kritische Untersuchung. Music Analysis, 24, (1-2), 131-232. (doi:10.1111/j.1468-2249.2005.00218.x)

Schneider, Peter, Sluming, Vanessa, Roberts, Neil, Scherg, Michael, Goebel, Rainer, Specht, Hans J., Dosch, H. Günter, Bleeck, Stefan, Stippich, Christoph and Rupp, André (2005) Structural and functional asymmetry of lateral Heschl's gyrus reflects pitch perception preference. Nature Neuroscience, 8, (9), 1241-7. (doi:10.1038/nn1530)

Schraefel, M.C., Bretherton, David, Smith, Daniel Alexander and Lambert, Joe (2010) MusicSpace: Improving access to musicological data. In, Microsoft eScience Workshop, Berkeley, US,

Smith, Daniel Alexander, Bretherton, David, Lambert, Joe and Schraefel, M.C. (2010) The MusicNet composer URI project. In, UK e-Science All Hands Meeting 2010, Cardiff, GB, 13 - 16 Sep 2010.

Smith, Daniel Alexander, Bretherton, David, Schraefel, M.C., Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) Using pivots to explore heterogeneous collections: A case study in musicology. In, UK e-Science All Hands Meeting 2009, Oxford, GB, 07 - 09 Dec 2009.

Sofianos, S., Ariyaeeinia, A. and Polfreman, R. (2010) Towards effective singing voice extraction from stereophonic recordings. In, 2010 IEEE International Conference on Acoustics Speech and Signal Processing (ICASSP). IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP) , IEEE, 233-236. (doi:10.1109/ICASSP.2010.5496004)

Sofianos, Stratis, Ariyaeeinia, Aladdin and Polfreman, Richard (2010) Singing Voice Separation Based On Non-vocal Independent Component Subtraction and Amplitude Discrimination. In, Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10). 13th IInternational Conference on Digital Audio Effects (DAFx-10) Graz, AT, Institute of Electronic Music and Acoustics, DAFX-1.

Spain, Martin and Polfreman, Richard (2001) Interpolator: a two-dimensional graphical interpolation system for the simultaneous control of digital signal processing parameters. In, Landy, Leigh (ed.) Music without Walls? Music without Instruments? Proceedings of the International Conference. Music without Walls? Music Without Instruments? Leicester, UK, De Montfort University.

Spevak, Christian and Polfreman, Richard (2001) Distance measures for sound similarity based on auditory representations and dynamic time warping. In, VII International Symposium on Systematic and Comparative Musicology III International Conference on Cognitive Musicology, Jyväskylä, Finland, 2001. Jyväskylä, Finland, University of Jyväskylä.

Spevak, Christian and Polfreman, Richard (2001) Sound spotting: an approach to content-based sound retrieval. In, Landy, Leigh (ed.) Music without Walls? Music without Instruments? Proceedings of the International Conference. Music without Walls? Music without Instruments? Leicester, UK, De Montfort University.

Stras, Laurie (2000) "Onde havrà ‘l mond’esempio et vera historia”: musical echoes of Henri III’s progress through Italy. Act Musicologica, 72, (2), 7-41.

Stras, Laurie (2001) Review. Monteverdi and Ingegneri. Intorno a Monteverdi, ed Maria Caraci Vela and Rodobaldo Tibaldi (Lucca Librena Musicale Itahana, 1999), Lit 80,000/€4i 32. Marc'Antonio Ingegneri e la musica a Cremona nel secondo Cinquecento, ed Antonio Delfino and Maria Teresa Rosa-Barezzani (Lucca Librena Musicale Itahana, 1995), Lit 120,000/€6i 97. Marc'Antonio Ingegneri, Opera omnia, II/il: il secondo libra de' madngali a quattro voci, ed Maria Teresa Rosa-Barezzani and Mila De Santis (Lucca Librena Musicale Itahana, 1999), Lit 50,000/€25.82. Early Music, XXIX, (4), 647-648. (doi:10.1093/earlyj/XXIX.4.647)

Stras, Laurie (2001) Marc'Antonio Ingegneri. In, Sadie, Stanley and Tyrrell, John (eds.) The New Grove Dictionary of Music and Musicians (2nd revised edition). UK, Macmillan.

Stras, Laurie (2002) Review, Alfonso Fontanelli: complete madrigals (A-R Editions, 1999) ed. Anthony Newcomb; Madrigali segreti per le dame di Ferrara (SPES, 2000), ed. Elio Durante and Anna Martellotti. Music and Letters, 83, (4), 665-667. (doi:10.1093/ml/83.4.665)

Stras, Laurie (2002) Music review. The works of Orologio: Alessandro Orologio, Opera omnia (Udine: Pizzicato Edizioni Musicali). i: Canzonette a tre voci, ed. Franco Colussi (1999); ii: Canzonette a tre voci intavolate per sonar di liuto, ed. Franco Colussi (1993); iii: nprimo libro de' madrigali a cinque voci, ed. Alessandra Andreotti (1996); iv.Il secondo libro de' madrigali a cinque voci (1993); v: LI secondo libro de' madrigali a quatro, a cinque, & a sei voci, ed. Franco Colussi and Francesco Luisi (1999); vi: Cantica Sion in terra aliena a mysticis Israelites octo vocibus concinenda, ed. Franco Colussi (2001); vii: Intradae quinque etsex vocibus liber primus, ed. Gioachino Perisan (1995); viii: Composizioni sacre e profane dafonti diverse, ed. Franco Colussi (2001). Early Music, XXX, (3), 475-476. (doi:10.1093/em/XXX.3.475)

Stras, Laurie (2004) Review: Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575–1700. By Colleen Reardon. pp. x + 289. (Oxford University Press, New York, 2001, £50. ISBN 0-19-513295-5.). Music and Letters, 85, (2), 269-270. (doi:10.1093/ml/85.2.269)

Stras, Laurie (2004) Review. Iain Fenlon, Music and Civic Culture in Late Renaissance Italy. Oxford and New York: Oxford University Press, 2002. ix + 265 pp. index. illus. bibl. n.p. ISBN: 0-19-816444-0. Renaissance Quarterly, 57, (2), 704-705.

Stras, Laurie (2009) Sing a song of difference: Connie Boswell and a discourse of disability in jazz. Popular Music, 28, (3) (In Press)

Stras, Laurie and Wood, Abigail (2003) Bridging Musicology and Ethnomusicology: a review of Music and Gender. [Music and Gender. Pirkko Moisala and Beverley Diamond, eds. University of Illinois Press. 376 pgs. Hardback ISBN 0-252-02544-X; Softbound ISBN 0-252-06865-3]. G.E.M.S. (Gender, Education, Music, and Society), 2

Tickle, Louise (2011) The sound of escapism: why do people love festivals - is it the music? The beer? Or a place to forget your rubbish job? The Guardian, 18 Jul 2011, p.9.

Wang, Yueyue (2009) Fair use and file sharing in research and education. University of Southampton, School of Law, Doctoral Thesis, 302pp.

Wiskin, Anthony E., Wootton, Stephen A., Culliford, David J., Afzal, Nadeem A., Jackson, Alan A. and Beattie, Robert M. (2009) Impact of disease activity on resting energy expenditure in children with inflammatory bowel disease. Clinical Nutrition, 28, (6), 652-656. (doi:10.1016/j.clnu.2009.05.007)

Wood, A.C. (2004) Music. In, Kessler, Edward and Wenborn, Neil (eds.) A Dictionary of Jewish-Christian Relations. Cambridge, UK, Cambridge University Press.

Wood, Abigail (2002) Commemoration and creativity: remembering the Holocaust in today's Yiddish song. European Judaism, 35, (2)

Wright, M.C.M. (2003) Book review. Measured Tones: The Interplay of Physics and Music by Ian Johnston, Institute of Physics Publishing, Bristol and Philadelphia, 2002, xiv+406pp, price £24.99, ISBN 0-7503-0762-5. Journal of Sound and Vibration, 264, (5), 1209-1210. (doi:10.1016/S0022-460X(03)00391-2)

van Besouw, R.M., Brereton, J. and Howard, D.M. (2007) Defining the limits of tuning for tones with and without vibrato. In, 19th International Congress on Acoustics (ICA 2007), Madrid, Spain, 02 - 07 Sep 2007. (Submitted)

van Besouw, R.M. and Grasmeder, M.L. (2011) From TEMPO+ to OPUS 2: what can music tests tell us about processor upgrades? Cochlear Implants International, 12, (S2), S40-S43. (doi:10.1179/146701011X13074645127513)

van Besouw, R.M. and Howard, D.M. (2009) Effects of carrier and phase on the pitch of long-duration vibrato tones. Musicae Scientiae, 13, (1), 139-161.

van Besouw, Rachel M., Brereton, Jude S. and Howard, David M. (2008) Range of tuning for tones with and without vibrato. Music Perception, 26, (2), 145-155. (doi:10.1525/mp.2008.26.2.145)

van Besouw, Rachel M., Grasmeder, Mary L., Hamilton, Mary E. and Baumann, Sarah E. (2011) Music activities and responses of young cochlear implant recipients. International Journal of Audiology, 50, 340-348. (doi:10.3109/14992027.2010.550066)

van Besouw, Rachel M. and Howard, David M. (2006) Effect of carrier on the pitch of long duration vibrato tones. 9th International Conference on Music Perception and Cognition, Bologna, Italy, 22 - 26 Aug 2006. Society for Music Perception & Cognition, 851-859.

van Besouw, Rachel M., Howard, David M. and Ternström, Sten (2005) Towards an understanding of speech and song perception. Logopedics Phoniatics Vocology, 30, (3 & 4), 129-135. (doi:10.1080/14015430500262160)

Everist, Mark (ed.) (1985) Five Anglo-Norman motets, Newton Abbott, UK, Antico Edition, 11pp.

Everist, Mark (ed.) (1992) Music before 1600, Oxford, GB, Blackwell, 256pp. (Models of Musical Analysis)

Izzo, Francesco and Streicher, Johannes (eds.) (1993) Ottocentro e oltre: scritti in onore di Raoul Meloncelli, Rome, Italy, Pantheon, 608pp.

Ayrey, Craig and Everist, Mark (eds.) (1996) Analytical strategies and musical interpretation, Cambridge, UK, Cambridge University Press, 336pp.

Carafa, Michele, Streffi, Aristide and Izzo, Francesco (eds.) (1997) Calipso: scena lirica per soprano e pianoforte, Bologna, Italy, Ut Orpheus Edizioni, 26pp.

Nicholls, David (ed.) (1997) The whole world of music: a Henry Cowell symposium, New York, USA, Routledge, 260pp. (Contemporary Music Studies)

Nicholls, David (ed.) (1998) The Cambridge history of American music, Cambridge, UK, Cambridge University Press, 653pp. (The Cambridge History of Music)

Cook, Nicholas and Everist, Mark (eds.) (1999) Rethinking music, Oxford, GB, Oxford University Press, 588pp.

Norris, David Owen, Bates, Jennifer, Partridge, Ian and Peel, Ruth (Perfomers) (Writer of accompanying material) (2000) Schubert Songs by Kosegarten and Goethe (Dogstar DS001) Ian Partridge, Jennifer Bates, Ruth Peel 2000.

Everist, Mark (ed.) (2001) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de l'office, Monaco, Éditions de l'Oiseau-Lyre, 332pp. (Magnus liber organi, 2)

Everist, Mark (ed.) (2001) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de la messe, I, Monaco, Editions de l'Oiseau-Lyre, 258pp. (Magnus liber organi, 3)

Donnelly, Kevin (ed.) (2001) Film music: critical approaches, Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum, 224pp.

Everist, Mark (ed.) (2002) Les organa dupla, Florence, Biblioteca Medicea-Laurenziana, pluteus 29.1: les organa de la messe, II, Monaco, Editions de l'Oiseau-Lyre, 251pp. (Magnus liber organi, 4)

Nicholls, David (ed.) (2002) The Cambridge companion to John Cage, Cambridge, UK, Cambridge University Press, 304pp. (Cambridge companions to music)

Norris, David Owen, Rigby, Jean and Savidge, Peter (Perfomers) (2002) Bantock songs, Savidge, Rigby CDLX7121 2002.

Izzo, Francesco (ed.) (2003) Sei romanze per voce E pianoforte [6 romances for voice and piano] Luigi Luzzi (1828-1876): Ave Maria; Lia!; La tradita; La derelitta; L’orfana; Carmelita, Bologna, Italy, Ut Orpheus Edizioni, 30pp.

Norris, David Owen (Perfomer), Norris, David Owen (Arranger) (Writer of accompanying material) (2003) Elgar complete piano music Elgar Editions EE002 2003.

Norris, David Owen, Huggett, Monica, Benjamin, Emilia and Crouch, Joseph (Perfomers) (Writer of accompanying material) (2003) The World’s First Piano Concertos , Sonnerie. Avie AV0014 2003.

Carboni, Fabio, de Lucca, Valeria and Agostino, Ziino (eds.) (2003) Tullio Cima, Domenico Massenzio e la musica del loro tempo. atti del convegno internazionale, L'Istituto di Bibliografia Musicale, 463pp. (Colloquia / Istituto di bibliografia musicale, 2)

Norris, David Owen (Perfomer) Langridge, Philip (Singer) (2004) Britten’s children.

(2005) Preludes and suites.

Norris, David Owen (Perfomer), Walker, Robert (Arranger), Lloyd Jones, David (Conductor) (Writer of accompanying material) (2005) Sir Edward Elgar Piano Concerto Lloyd-Jones, BBCCO DuttonCDLX 7148 2005.

Norris, David Owen (Perfomer), Norris, David Owen (Arranger) (2005) Elgar and the lost piano concerto. TV programme BBC1.

(2005) Quilter: folk-song arrangements/part-songs for women's voices(complete)Pitt, Thomas, Langridge, Wilson-Johnson Naxos 8.557495 2005.

(2006) Jazzed Tales.

(2007) Superstorm.

(2007) Mr Bean's holiday.

London Sinfonietta (Perfomer) (2007) UAE National Anthem.

(2007) A Mighty Heart.

Norris, David Owen (Perfomer) Yates, Martin (Conductor) (2007) Richard Arnell Piano Concerto Yates, RSNO Dutton CDLX 7184 2007.

Norris, David Owen (Perfomer) Horovitz, Joseph (Conductor) (2007) Jazz Concerto (Dutton CDLX 7188) Horovitz Royal Ballet Sinfonia 2007.

Norris, David Owen (Perfomer) Pitt, Amanda, Wilde, Mark and Savidge, Peter (Singers) (Writer of accompanying material) (2007) Elgar Songs & Piano Music Pitt, Wilde, Savidge, AvieAV2129 2007.

Bayley, Sally and May, William (eds.) (2007) From self to shelf: the artist under construction, Newcastle, UK, Cambridge Scholars Press, 250pp.

Norris, David Owen and Langridge, Philip (Perfomers) (2007) Songs from the Pleasure Gardens Langridge SIGCD 101 2007.

(2007) Nicolas Gombert: "Tribulatio et angustia" - four- and five- part motets.

Michael, Robin and Watkins, Huw (Perfomers) (2008) Roseland for cello and piano.

CoMA (Perfomer) (2008) The forest of desires for voices and instruments.

(2008) Journal of a contract killer.

(2008) Spice Girls' world tour.

Norris, David Owen, Wilson-Johnson, David and Pitt, Amanda (Perfomers) (2008) Three Song Cycles by Trevor Hold: Pitt, Wilson-Johnson Dutton CDLX 7213 2008.

BBC Concert Orchestra, and Norris, David Owen (Perfomers) (2008) The Young Idea: rhapsody for piano & orchestra.

Norris, David Owen (Perfomer) (2008) The Passions of Vaughan Williams. TV programme BBC4.

Mirka, Danuta and Agawu, Kofi (eds.) (2008) Communication in eighteenth-century music, Cambridge, UK, Cambridge University Press, 360pp.

(2008) Wild Child.

Rice, Stephen (Conductor) (2008) Cristobal de morales: magnificat, motets, & lamentations.

Fauser, Annegret and Everist, Mark (eds.) (2009) Music, theater and cultural transfer: Paris 1830-1914, Chicago, USA, Chicago University Press, 456pp. (In Press)

Norris, D.O. (Perfomer) (2009) David Owen Norris plays Elgar Vol 2: Transcriptions.EECD009 2009.

(2009) BBC lifeline documentary (Somalia).

Fisher, Andrew (Arranger), Fisher, Andrew (Conductor) (2009) Rocket Men.

(2009) Into the storm.

(2009) Glorious 39.

Gilchrist, James, Tynan, Ailish and Norris, David Owen (Perfomers) (2009) Songs of Muriel Herbert. Gilchrist, Tynan LinnCKD335 2009.

The Brabant Ensemble, (Perfomer) Rice, Stephen (Conductor) (2009) Music from the Chirk Castle partbooks.

(2009) Den ekfrastiske allianseringen.

Fisher, Andrew (Conductor) (2009) Moonshot.

Stras, Laurie (Perfomer) (2009) Sacred hearts + secret music.

(2009) Apples and Oranges.

The Brabant Ensemble, (Perfomer) Rice, Stephen (Conductor) (2009) Phinot: Missa si bona suscepimus, lamentations, magnificat, motets.

Frowde, Rufus (Perfomer) Williams, Lucy (Singer) (2009) The Night Dances.

(2010) BBC Lifeline Documentary (Haiti).

(2010) Engineering the Universe.

(2010) Last days of the dinosaurs.

Fisher, Andrew (Arranger) (2010) BBC General Election Theme.

(2010) Billy Bow.

Norris, David Owen (Perfomer) Silverthorne, Paul (Instrumentalist) (2010) Beethoven by arrangement. Toccata.

Norris, David Owen (Perfomer), Norris, David Owen (Arranger) (2010) A history of private life. Amanda Vickery. BBC Radio 4 Series.

Norris, David Owen (Perfomer) (2010) Elgar: the man behind the mask. TV programme BBC4.

The Brabant Ensemble, (Perfomer) (2010) Pierre Moulu: Missa Missus est Gabriel Angelus; Missa Alma Redemptoris Mater.

Norris, David Owen (Perfomer) (2011) The Prince and the Composer. TV programme BBC4.

Kenny, Elizabeth (Perfomer) (2011) John Blow: Venus and Adonis.

Drabkin, William (ed.) (2011) Beethoven, Ludwig van, 1770-1827. A sketchbook from the year 1821 (Artaria 197). Sketches for the Agnus Dei and other movements of the Missa Solemnis, the Piano Sonatas Op.110 and Op.111, and the Canon WoO 182. Vol. I: facsimile; Vol. II: transcription and commentary, Bonn, DE, Beethoven-Haus

Norris, David Owen and Wakeford, Lucy (Perfomers) Wilde, Mark (Singer) (2011) Britten in Scotland.

Norris, David Owen (Perfomer) Pitt, Amanda and Lofthouse, John (Singers) (2011) Entertaining Miss Austen. Amanda Pitt, soprano, and John Lofthouse, baritone.

Drabkin, William (ed.) (2014) Ludwig van Beethoven: a sketchbook from the year 1822(Artaria 201): sketches for the Piano Sonata Op. 111, the Agnus Dei and other movements of the Missa Solemnis, the Ninth Symphony, and other works, Bonn, DE, Beethoven-Haus (Submitted)