Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 315.

Martin Pastor, Fernando (2009) Composition portfolio and music analysis. University of Southampton, School of Humanities, Doctoral Thesis , 132pp.

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Almeida, Patrícia Manuela Fernandes Sucena (2003) Commentary and portfolio. University of Southampton, School of Humanities, Doctoral Thesis , 505pp.

Almeida, Patrícia Manuela Fernandes Sucena (2003) Commentary and portfolio [Solitudo, Argumentum, Recordatio, Illuminatio, Transfiguratio, Ludus Aeternus, Mens Sana in Corpore Sano, Monstrum Horrendum]. University of Southampton, School of Humanities, Doctoral Thesis , 505pp.

Arostegui, Jose Luis, Stake, Robert and Simons, Helen (2004) Music education for the 21st century: epistemology and ontology as bases for student aesthetic education. Education Policy Analysis Archives, 12, (54), 1-14.

Aspden, Suzanne (2001) Ariadne's Clew: politics, allegory, and opera in London (1734). The Musical Quarterly, 85, (4), 735-770. (doi:10.1093/mq/85.4.735).

Aspden, Suzanne (2004) Desiring Handel: biography and the strategies of possession. Music and Letters, 85, 62-82. (doi:10.1093/ml/85.1.62).

Aspden, Suzanne (2002) Fam'd Handel breathing, tho' transformed to stone: the composer as monument. Journal of the American Musicological Society, 55, (1), 39-90.

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Baker, Catherine (2007) The concept of turbofolk in Croatia: inclusion/exclusion in the construction of national musical identity. In, Baker, Catherine, Gerry, Christopher J., Madaj, Barbara, Mellish, Liz and Nahodilová, Jana (eds.) Nation in Formation: Inclusion and Exclusion in Central & Eastern Europe. London, UK, UCL School of Slavonic and East European Studies Publications, 139-158. (Studies in Russia and Eastern Europe 1).

Baker, Catherine (2010) 'Death to fascism isn't in the catechism': legacies of socialism in Croatian popular music after the fall of Yugoslavia. Narodna Umjetnost, 47, (1), 163-183.

Baker, Catherine (2010) 'It's all the same, only he's not here'?: popular music and political change in post-Tuđman Croatia. Europe-Asia Studies, 62, (10), 1741-1759. (doi:10.1080/09668136.2010.522428).

Baker, Catherine (2008) When Seve met Bregović: folklore, turbofolk and the boundaries of Croatian musical identity. Nationalities Papers, 36, (4), 741-764. (doi:10.1080/00905990802230514).

Baker, Catherine (2008) Wild dances and dying wolves: simulation, essentialization, and national identity at the Eurovision Song Contest. Popular Communication, 6, (3), 173-189. (doi:10.1080/15405700802198113).

Barrett, Frederick S., Grimm, Kevin J. and Robins, Richard W. (2010) Music-evoked nostalgia: affect, memory, and personality. Emotion, 10, (3), 390-403. (doi:10.1037/a0019006 ).

Barrett, Frederick S., Grimm, Kevin J., Robins, Richard W., Wildschut, Tim, Sedikides, Constantine and Janata, Petr (2010) Music-evoked nostalgia: Affect, memory, and personality. Emotion, 10, (3), 390-403. (doi:10.1037/a0019006). (PMID:20515227).

Bektas, T. (2005) Relationships between prosodic and musical meters in the beste form of classical Turkish music. Asian Music, 36, (1), 1-26. (doi:10.1353/amu.2005.0003 ).

Bishop, Ryan (2011) The force of noise, or touching music: the tele-haptics of Stockhausen's "Helicopter String Quartet". [in special issue: Plus d’un toucher: Touching Worlds] Substance, 40, (3), 25-40. (doi:10.1353/sub.2011.0034).

Blumensath, Thomas (2006) Bayesian modelling of music: algorithmic advances and experimental studies of shift-invariant sparse coding. University of London, Department of Electronic Engineering, Doctoral Thesis , 211pp.

Bretherton, David (2012) Book review. Byron Almén, A Theory of Musical Narrative. Music Analysis, 31, (3), 414-421. (doi:10.1111/musa.12006).

Bretherton, David (2006) Brahms as the analysts see him. The Musical Times, 147, (1987), 92-98.

Bretherton, David, Schraefel, Monica mc, Everist, Mark, Brooks, Jeanice, Polfreman, Richard, Smith, Daniel Alexander and Lambert, Joe (2008) An introduction to musicSpace. In, Introduction to e-Research in Arts and Humanities, Reading, UK, 10 Dec 2008.

Bretherton, David, Schraefel, Monica mc, Smith, Daniel Alexander, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) The 'musicSpace' project. In, IAML (UK & Ireland) Academic Music Librarians' Seminar, Birmingham, UK, 21 May 2009.

Bretherton, David, Schraefel, Monica mc, Smith, Daniel Alexander, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) musicSpace: improving access to musicology's data sources. In, eScience for Musicology, Edinburgh, UK, 01 - 02 Jul 2009.

Bretherton, David, Smith, D.A., schraefel, mc, Polfreman, Richard, Everist, Mark, Brooks, L. Jeanice and Lambert, Joe (2009) Integrating musicology's heterogeneous data sources for better exploration. In, Proceedings of the 10th International Society for Music Information Retrieval Conference. Kobe, Japan, International Society for Music Information Retrieval, 27-32.

Bretherton, David, Smith, Daniel Alexander, Lambert, Joe and schraefel, mc (2011) MusicNet: aligning musicology's metadata. In, Music Linked Data Workshop, London, GB,

Bretherton, David, Smith, Daniel Alexander, Schraefel, Monica mc, Everist, Mark, Brooks, Jeanice, Polfreman, Richard and Lambert, Joe (2009) Discovery and exploration using musicSpace. At Unlocking Audio 2: Connecting with Listeners, London, UK, 16 - 17 Mar 2009.

Bretherton, David, Smith, Daniel Alexander, Schraefel, Monica mc, Everist, Mark, Brooks, Jeanice, Polfreman, Richard and Lambert, Joe (2009) musicSpace: integrating musicology's heterogeneous data sources. In, InterFace 2009: 1st International Symposium for Humanities and Technology, Southampton, UK, 09 - 10 Jul 2009.

Bretherton, David, Smith, Daniel Alexander, schraefel, mc, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2010) The "musicSpace" Project: orchestrating musicological metadata. International Association of Music Libraries Congress IAML, Moscow, RU, 27 Jun - 02 Jul 2010.

Bretherton, David, Smith, Daniel Alexander, schraefel (PI), mc, Polfreman, Richard, Everist, Mark, Brooks, Jeanice and Lambert, Joe (2009) Orchestrating musical (meta)data to better address the real-world search queries of musicologists. At 5th IEEE International Conference on e-Science, Oxford, UK, 09 - 11 Dec 2009.

Bretherton, David T. (2011) The shadow of midnight in Schubert's 'Gondelfahrer' settings. Music and Letters, 92, (1), 1-42. (doi:10.1093/ml/gcq087).

Brockmeier, Steffi Johanna, Grasmeder, Mary, Passow, SSusanna, Mawmann, Deborah, Vischer, Mattheus, Jappel, Alexandra., Baumgartner, Wolfgang, Stark, Thomas, Muller, Joachim, Brill, S., Steffens, Thomas, Strutz, Jurgan, Keifer, Jan, Baumann, Uwe and Arnold, Wolfgang (2007) Comparison of musical activiti es of cochlear implant users with different speech-coding strategies. Ear and Hearing, 28, (2 supplement), 49S-51S.

Brooks, Jeanice (2001) The art of civil conversation: courtly neoplatonism and the dialogue air. In, Brooks, Jeanice, Ford, P. and Jondorf, G. (eds.) Poetry and Music in the French Renaissance: Proceedings of the Sixth Cambridge French Renaissance Colloquium. Poetry and Music in the French Renaissance Cambridge, GB, Cambridge French Colloquia, 159-184.

Brooks, Jeanice (2006) L’art et la manière: ornementation et notation dans l’air de cour à la fin de la Renaissance. In, Durosoir, Georgie (ed.) Poésie, Musique et Société: L'air de cour en France au XVIIe siècle. Liège, BE, Mardaga; Centre de Musique Baroque de Versailles, 169-179.

Brooks, Jeanice (2003) O quelle armonye: dialogue singing in late renaissance France. Early Music History, 22, 1-65. (doi:10.1017/S0261127903003012).

Brooks, Jeanice (2011) Tessier's travels in England and Scotland. Early Music, 39, 185-194. (doi:10.1093/em/caq108).

Brooks, Jeanice. (2009) Les collections féminines d'albums de partitions dans l'Angleterre du début du XIXe siècle. In, Ballman, C. and Dufour, V. (eds.) ‘La la la Maistre Henri’: Mélanges de musicologie offerts à Henri Vanhulst. Turnhout, BE, Brepols, 351-365.

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Cain, T. (2008) How do Secondary school music teachers undertake action research? In, International Society for Music Education World Conference., Bologna, Italy, 21 - 25 Jul 2008.

Cain, T. (2007) Mentoring trainee music teachers: beyond apprenticeship or reflection. British Journal of Music Education, 24, (3), 281-294. (doi:10.1017/S0265051707007589).

Cain, T. (2010) Music teachers' action research. In, Alle registers open: nieuwe ontiwikkelingen in onderzoek naar musiekeducatie. , Holland, Cultuurnetwerk, 54-75. (Cultuur + Educatie, 28).

Cain, T. and Fletcher, M. (2006) Researching trainee teachers' learning: a musical experiment. In, Peklaj, C. (ed.) Teorija in Praksa v Izobrazevanju Uciteljev [Theory and practice in teacher education]. Ljubljana, Slovenia, Univerza v Ljuljani, 91-94.

Cain, Tim (2008) The characteristics of action research in music education. British Journal of Music Education, 25, (3), 283-313. (doi:10.1017/S0265051708008115).

Cain, Tim (2006) The National Curriculum for Music. In, Philpott, Christopher and Spruce, Gary (eds.) Learning to Teach Music in the Secondary School: a Companion to School Experience, 2nd edition. Abingdon, UK, Routledge, 42-54. (Learning to Teach in the Secondary School).

Cain, Timothy (2006) Mentoring trainee music teachers. University of Southampton, School of Education, Doctoral Thesis , 370pp.

Cannam, Chris, Sandler, Mark, Jewell, Michael O., Rhodes, Christophe and d'Inverno, Mark (2010) Linked data and you: bringing music research software into the Semantic Web. [in special issue: Music Informatics and the OMRAS2 Project] Journal of New Music Research, 39, (4), 313-325. (doi:10.1080/09298215.2010.522715).

Cave, Penelope (2013) Piano lessons in the English country house, 1785-1845. University of Southampton, Faculty of Humanities, Doctoral Thesis , 392pp.

Coles, A.M., Harris, Lisa and Davis, R. (2004) Is the party over? Innovation and music on the web. Journal of Information, Communication and Ethics in Society, 2, (1), 21-29.

Costanza, Enrico, Giaccone, Matteo, Küng, Olivier, Shelley, Simon and Huang, Jeffrey (2010) Ubicomp to the masses: a large-scale study of two tangible interfaces for download. In, Ubicomp '10. Proceedings of the 12th ACM International Conference on Ubiquitous Computing, Copenhagen, DK, 26 - 29 Sep 2010. , 173-182. (doi:10.1145/1864349.1864388).

Cowell, Henry (1996) New Musical Resources (with contributions by David Nicholls), Cambridge, UK, Cambridge University Press, 195pp.

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Davies, P.O.A.L., Pinho, J. and English, E.J. (2006) Some acoustic characteristics of the tin whistle. In, Institute of Acoustics Spring Conference 2006: Futures in Acoustics: Today's Research - Tomorrow's Careers, Southampton, UK, 03 - 04 Apr 2006. , 597-608.

De Lucca, Valeria (2013) Dressed to impress: the costumes for Antonio Cesti’s Orontea in Rome (1661). Early Music, 41, (3), 461-475. (doi:10.1093/em/cat077).

De Lucca, Valeria (2011) L’Alcasta and the emergence of collective patronage in mid-seventeenth-century Rome. Journal of Musicology, 28, (2), Spring Issue, 195-230. (doi:10.1525/jm.2011.28.2.195).

De Lucca, Valeria (2012) Opera e mecenatismo tra Roma e Venezia nella seconda metà del Seicento. In, Goulet , Anne-Madeleine and Giron-Panel, Caroline (eds.) La Musica a Roma nel Seicento. Rome, IT, École française de Rome. (In Press).

De Lucca, Valeria (2012) Patronage. In, Greenwald, Helen (ed.) The Oxford Handbook of Opera. Oxford, GB, Oxford University Press. (In Press).

De Lucca, Valeria (2011) The Power of the Prima Donna: Giulia Masotti’s Repertory of Choice. Journal of Seventeenth-Century Music, 17 (In Press).

De Lucca, Valeria (2011) Strategies of women patrons of music and theatre in Rome: Maria Mancini Colonna, Queen Christina of Sweden, and women of their circles. Renaissance Studies, 25, (3), 374-392. (doi:10.1111/j.1477-4658.2010.00676.x).

De Lucca, Valeria (2001) Una silloge strumentale per Francesco II d'Este: analisi iconologica e considerazioni sullo stile. Rivista Italiana di Musicologia, 36, 3-23.

De Lucca, Valeria, Santucci, Valentina and University of Tor Vergata (2003) Le tre messe di Tullio Cima: prime considerazioni. In, Carboni, Fabio, De Lucca, Valeria and Agostino, Ziino (eds.) Tullio Cima, Domenico Massenzio e la Musica del Loro Tempo. , L'Istituto di Bibliografia Musicale.

Deeming, Helen (2006) Observations on the habits of twelfth- and thirteenth-century music scribes. Scriptorium, 60, (1), 38-59.

Deeming, Helen (2007) The sources and origin of the “Agincourt Carol”. Early Music, 35, (1), 23-38. (doi:10.1093/em/cal119).

Donnelly, K.J. (2007) British film music and film musicals, Basingstoke, UK, Palgrave, 232pp.

Donnelly, K.J. (1998) Chapter 9. The classical film score forever? Batman, Batman Returns and post-classical film music. In, Neale, Steve and Smith, Murray (eds.) Contemporary Hollywood Cinema. London, GB, New York City, US, Routledge, 142-155.

Donnelly, K.J. (2011) Europe cannibalizes the Western: ravenous. In, Kalinak, Kathryn (ed.) Music in the Western: Notes from the frontier. New York, USA, London, UK, Routledge, 148-164. (Routledge Music and Screen Media Series).

Donnelly, K.J. (2008) I know where I’m going!: hearing Germanic music in the Scottish Isles. In, Bergfelder, Tim and Cargnelli, Christian (eds.) Destination London: German-Speaking Émigrés and British Cinema, 1925-1950. Oxford, GB, Berghahn Books, 220-229. (Film Europa, 6).

Donnelly, K.J. (2001) Pop music in British cinema, London, GB, British Film Institute, 274pp.

Donnelly, K.J. (2012) Television's Musical Imagination: Space 1999. In, Donnelly, K.J. and Hayward, Philip (eds.) Music in Science Fiction Television. London, GB, New York City, US, Routledge. (Routledge Music and Screen Media Series).

Donnelly, K.J. and Hayward, Philip (2012) Preface. In, Donnelly, K.J. and Hayward, Philip (eds.) Music in Science Fiction Television: Tuned to the Future. London, GB, New York City, US, Routledge. (Routledge Music and Screen Media Series).

Donnelly, Kevin (2001) The Hidden Heritage of Film Music: History and Scholarship. In, Donnelly, Kevin (ed.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum, 1-15.

Donnelly, Kevin (2001) Performance and the Composite Film Score. In, Donnelly, Kevin (ed.) Film Music: Critical Approaches. Edinburgh, UK; New York, USA, Edinburgh University Press; Continuum, 152-166.

Drabkin, William (2011) The analysis of operatic music. In, Greenwald, Helen (ed.) The Oxford Handbook of Opera. Oxford, GB, Oxford University Press. (Submitted).

Drabkin, William (2011) Beethoven's unborn children. In, May, Jürgen (ed.) Beiträge zu Biographie und Schaffensprozess bei Beethoven. Bonn, Germany, Beethoven-Haus Bonn / Carus, 35-50. (Schriften des Beethoven-Hauses Bonn, 21).

Drabkin, William (1991) Beethoven: Missa Solemnis, Cambridge, UK, Cambridge University Press, 132pp. (Cambridge Music Handbooks).

Drabkin, William (2010) Hans Weisse in correspondence with Schenker and his circle. Journal of Schenkerian Studies, 4, 69-87.

Drabkin, William (2002) Heinrich Schenker. In, Christensen, Thomas (ed.) The Cambridge History of Western Music Theory. Cambridge, GB, Cambridge University Press, 812-843. (doi:10.2277/0521623715).

Drabkin, William (2011) Heinrich Schenker and Moriz violin. In, Beer, Axel, Gruber, Gernot and Schneider, Hans (eds.) Festschrift Hellmut Federhofer zum 100. Geburtstag. Tutzing, DE, Hans Schneider . (Mainzer Studien zur Musikwissenschaft, 45).

Drabkin, William (2005) Schenker’s ‘Decline’: an introduction. Music Analysis, 24, (1-2), 3-31. (doi:10.1111/j.1468-2249.2005.00216.x).

Drabkin, William (2008) Schubert, Schenker and the art of setting German poetry. Eighteenth-Century Music, 5, (2), 209-236. (doi:10.1017/S1478570608001498).

Drabkin, William and Bent, Ian (2013) The empire strikes back: some unpublished replies to Schenker’s critics. Music Analysis, 32 (Submitted).

Dravins, Christina, van Besouw, R.M., Hansen, K.F. and Kuske, S. (2010) Exploring and enjoying non-speech sounds through a cochlear implant: the therapy of music. At 11th International Conference on Cochlear Implants and Other Implantable Auditory Technologies, Stockholm, SE, 30 Jun - 03 Jul 2010.

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Everist, Mark (2005) Donizetti and Wagner: opéra de genre at the Théâtre de la Renaissance. In, Everist, Mark (ed.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate, 309-341. (Variorum Collected Studies Series CS805).

Everist, Mark (2010) François-Auguste Gevaert: between théâtre lyrique and opéra comique. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 64, 5-37.

Everist, Mark (1994) French motets in the thirteenth century: music, poetry and genre, Cambridge, UK, Cambridge University Press, 216pp.

Everist, Mark (2005) Giacomo Meyerbeer and music drama in nineteenth-century Paris, Aldershot, Ashgate, 460pp. (Variorum Collected Studies Series, CS805).

Everist, Mark (2010) Grand opéra–petit opéra: Parisian opera and ballet from the Restoration to the Second Empire. 19th-Century Music, 33, (3), Spring Issue, 195-231. (doi:10.1525/ncm.2010.33.3.195).

Everist, Mark (2005) The horse, the clerk and the lyric: the musicography of the thirteenth and fourteenth centuries. Journal of the Royal Musical Association, 130, (1), 136-153. (doi:10.1093/jrma/fki007b).

Everist, Mark (2004) Le fonti della musica polifonica ca. 1170-1330 [The sources of polyphonic music ca. 1170-1330]. In, Fiore, Carlo and Aversano, Luca (eds.) Il Libro di Musica: per una Storia Materiale delle Fonti Musicali in Europa. Palermo, Italy, L'Epos, 43-64. (De charta 7).

Everist, Mark (1993) 'Madame Dorothea Wendling is arcicontentissima': singers and voices in Mozart's Idomeneo. In, Rushton, Julian (ed.) W.A. Mozart: Idomeneo. Cambridge, GB, Cambridge University Press, 48-61. (Cambridge Opera Handbooks).

Everist, Mark (2002) Music drama at the Paris Odéon, 1824-1828, Berkeley, USA, Universiy of California Press, 348pp.

Everist, Mark (1994) A new source for the polyphonic conductus: MS 117* in Sidney Sussex College, Cambridge. Plainsong and Medieval Music, 3, (2), 149-168.

Everist, Mark (2009) A new source for the Polyphony of the Ars subtilior. Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 22069. In, Plumley, Y and Stone, A (eds.) A Late Medieval Songbook and its Context: New Perspectives on Codex (Bibliothéque du Château de Chantilly, Ms.564). Tours, FR, Brepols, 287-303.

Everist, Mark (2010) Partners in rhyme: Alphonse Royer, Gustave Vaëz, and foreign opera in Paris during the July Monarchy. In, Marvin, Roberta Montemorra and Poriss, Hilary (eds.) Fashions and Legacies of Nineteenth-Century Italian Opera. Cambridge, GB, Cambridge University Press, 30-52.

Everist, Mark (2004) Pauline Viardot-Garcia. In, Briscoe, James R. (ed.) New Historical Anthology of Music by Women. Bloomington, USA, Indiana University Press, 188-197.

Everist, Mark (1984) A reconstructed source for the thirteenth-century conductus. In, Dittmer, Luther (ed.) Gordon Athol Anderson (1921-1981): in Memoriam von Seinen Studenten, Freunden und Kollegen. Teil 1, Bent - Gillingham. Henryville, USA; Ottawa, Canada; Binningen, Switzerland, Institute of Medieval Music, 97-118.

Everist, Mark (2000) Review. Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance. Ed. by Dolores Pesce. pp. xi + 380. (Oxford University Press, New York & Oxford, 1997, £60. ISBN 0-19-509709-2.). Music & Letters, 81, (2), 283-284. (doi:10.1093/ml/81.2.283).

Everist, Mark (2009) Rossini at the Paris opéra, 1843-1847: Translation, arrangement, pasticcio. In, Librettoübersetzung: Interkulturalität im Europäischen Musiktheater. Hildesheim, DE, Olms, 131-163. (Musikwisenschaftliche Publikationen, 32).

Everist, Mark (2004) Theatres of litigation: stage music at the Théâtre de la Renaissance, 1838–1840. Cambridge Opera Journal, 16, (2), 133-161. (doi:10.1017/S095458670400182X).

Everist, Mark (2005) "Tutti i francesi erano diventati matti". Bellini and the Duet for Two Basses. In, Everist, Mark (ed.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate, 281-307. (Variorum Collected Studies Series CS805).

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Felstead, Alan, Bishop, Dan, Fuller, Alison, Jewson, Nick, Lee, Tracey and Unwin, Lorna (2006) Moving to the music: learning processes, training and productive systems - the case of exercise to music instruction. Cardiff, Wales, Cardiff School of Social Sciences, 43pp. (Learning as Work Research Paper, (6) ).

Fisher, Andrew (2011) Attack the Block.

Fisher, Andrew M.S. (2003) Composition folio: musicals vols. I-IV. University of Southampton, School of Humanities, Doctoral Thesis , 1788pp.

Fuhr, Jenny (2010) Experiencing rhythm: contemporary Malagasy music and identity. University of Southampton, Faculty of Humanities, Doctoral Thesis , 261pp.

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Gibert, Marie-Pierre and Meinhof, Ulrike Hanna (2009) Inspiration triangulaire: musique, tourisme et développement à Madagascar. Cahiers D'études Africaines, 1-2, (193-194), 227-256.

Gibson, Darrell and Polfreman, Richard (2011) An architecture for creating hosting plug - ins for use in digitial audio workstations. In, Proceedings of the International Computer Music Conference 2011. International Computer Music Conference , International Computer Music Conference, 507-510.

Gilbert, Shirli (2005) Music as historical source: social history and musical texts. International Review of the Aesthetics and Sociology of Music, 36, (1), 117-134.

Gilbert, Shirli (2005) Music in the Holocaust: confronting life in the Nazi ghettos and camps, Oxford, UK; New York, USA, Oxford University Press, 256pp. (Oxford Historical Monographs).

Gilbert, Shirli (2011) Music in the Nazi Ghettos and Camps. In, Friedman, Jonathan C. (ed.) The Routledge History of the Holocaust. London, GB, Routledge, 436-451.

Gilbert, Shirli (2004) Songs confront the past: music in KZ Sachsenhausen, 1936-1945. Contemporary European History, 13, (3), 281-304. (doi:10.1017/S0960777304001730).

Gilbert, Shirli (2011) Songs of the Holocaust. In, Rosen, Alan (ed.) Holocaust Literature: a Critical Introduction. Cambridge, GB, Cambridge University Press. (In Press).

Glick Schiller, Nina and Meinhof, Ulrike H. (2011) Singing a new Song? Transnational migration, methodological nationalism and cosmopolitan perspectives. [in special issue: Music and Migration] Music and Arts in Action, 3, (3), 21-39.

Grasmeder, M.L. (2002) Identification of different music instruments by nucleus cochlear implant users. In, Abstracts of the 7th International Cochlear Implant Conference. 7th International Cochlear Implant Conference , 7th International Cochlear Implant Conference.

Gregor, Neil (2011) Beethoven, Bayreuth and the origins of the Federal Republic of Germany. English Historical Review, 126, (521), 835-877. (doi:10.1093/ehr/cer200 ).

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Hadden, Nancy (2005) From Swiss flutes to consorts: the flute in Germany CA. 1480-1530. Basler Jahrbuch für Historische Musikpraxis: Band XXVIX 2005: Musikinstrumente und instrumentale Praxis um 1500, 29, 125-143.

Hadden, Nancy (2005) In search of the sound of a fiffara. In, Lasocki, David (ed.) Musicque de Joye: Proceedings of the International Symposium on the Renaissance Flute and Recorder Consort, Utrecht 2003. International Symposium on the Renaissance Flute and Recorder Consort Utrecht, The Netherlands, STIMU, 187-202.

Harris, N. and Fahy, F.J. (2009) A comparative study of the hammered bridge response and the bowed string response of a violin. Journal of the Violin Society of America, 22, (1), 211-223.

Hill, Sarah (2003) All directions were forward from there: The Grateful Dead, San Francisco, and the memory of the 60's. In, 39th RMA Annual Conference 2003: Music Historiography, Cardiff, Wales, 12 - 14 Sep 2003. Cardiff, Wales, Royal Musical Association.

Hill, Sarah (2004) Ending it all: Genesis and revelation. In, SIMS 2004: Symposium of the International Musicological Society, Melbourne, Australia, 11 - 16 Jul 2004. Melbourne, Australia, International Musicological Society.

Hill, Sarah (2003) From the new Jerusalem to the secret world: Peter Gabriel and the shifting self. In, Practising Popular Music: 12th Biennial ASPM Conference 2003.

Hughes, Edward Dudley (2003) Portfolio of compositions. University of Southampton, School of Humanities, Doctoral Thesis , 259pp.

Humphries, Carl (2006) Musical expression and performance. University of Southampton, School of Humanities, Doctoral Thesis , 213pp.

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Inacio, Octávio José Patrício Fernandes Inácio (2008) A modal method for the simulation of nonlinear dynamical systems with application to bowed musical intruments. University of Southampton, Institute of Sound and Vibration Research, Doctoral Thesis , 256pp.

Inácio, O., Antunes, J. and Wright, M.C.M. (2008) Computational modelling of string-body interaction for the violin family and simulation wolf notes. Journal of Sound and Vibration, 310, (1-2), 260-286. (doi:10.1016/j.jsv.2007.07.079).

Inácio, Octávio, Henrique, Luis and Antunes, José (2006) The dynamics of Tibetan singing bowls. Acta Acustica united with Acustica, 92, (4), 637-653.

Irvine, Thomas (2012) Das Bürgertum schafft sich ab. Zur Gründung der Philharmonic Society in London, 1813. In, Lütteken, Laurenz (ed.) Zwischen Tempel und Verein. Musik und Bürgertum im 19. Jahrhundert. Kassel, DE, Bärenreiter. (In Press).

Irvine, Thomas (2006) The foundations of Mozart Scholarship. (In special Mozart Issue edited by Karen Hiles). Current Musicology, 81, 7-52.

Irvine, Thomas (2010) Hindemith's disciple in London: Walter Leigh on modern music, 1932-40. In, Riley, Matthew (ed.) British Music and Modernism, 1895-1960. Farnham, GB, Ashgate, 197-220.

Irvine, Thomas (2003) Mozarts KV 475: Fantasie als Utopie. Acta Mozartiana, 50, 37-49.

Irvine, Thomas (2013) Normality and emplotment: Walter Leigh’s 'Midsummer Night’s Dream' in the Third Reich and Britain. Music & Letters, 94, (2), 295-323. (doi:10.1093/ml/gct048).

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