Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

Aldred, Danny. (2009) Divisions of joy and comedy. In, Kessels, Eric., Herms, Ralf., Graves, Paul. and Polan, Jason. (eds.) Very funny! Rosebud No. 7. , UK, Verlag für moderne Kunst Nürnberg, 358-369.

Appignanesi, Josh and Baum, Devorah (2006) Ex-Memoria: filming the face. Third Text, 20, (1), 85-97. (doi:10.1080/09528820500472530)

Arnold, Dana (2004) Art history: a very short introduction, Oxford, UK, Oxford University Press

Barber, C.L. (2004) The art of alliance. At talk at the Hove Museum and Art Gallery, Hove, Sussex, UK, 06 May 2004. (Submitted)

Berge, Kjetil (2006) A Bailar.

Bergfelder, Tim (2004) Popular genres and cultural legitimacy: Fassbinder's Lola and the legacy of 1950s West German cinema. Screen, 45, (1), 21-39.

Bould, P. A and Mitchell, B, Mitchell Bould (2005) Site works, Winchester, The Winchester Gallery

Bould, Patricia and Mitchell, Belinda (2004) Site works. Winchester Gallery, Winchester, UK. Hampshire County Council, Winchester, UK. School of Architecture, Portsmouth University, Portsmouth, UK.

Bould, Patricia and Mitchell, Belinda (2004) Drawing in the built form. Osborne School, Winchester, UK.

Bould, Patricia, Mitchell, Belinda and Harper, Colin (2005) Drawing spaces. Hartley Library, Southampton, UK.

Bould, T., Knox-Williams, C. and Oldridge, K. (2010) Drawing out (Melbourne) Concrete geometries: spatial form in social and aesthetic processes (London). In, , Melbourne, AU, London, GB, 07 - 09 Apr 2010. 13pp.

Bould, T., Oldridge, K and Knox-Williams, C (2009) Between place, performance and score: drawing on the archive. In, Harland, E.J. (ed.) Winchester School of Art Research Anthology. Winchester, GB, The Winchester Gallery Press, 14-21.

Bould, Trish and Oldridge, Kathy (2008) Thinking as drawing. In, Memory and Touch: an exploration of textural communication, University of the Ceative Arts Epsom, UK, 10pp.

Brooks, M.M. (2004) English Embroideries of the Sixteenth and Seventeenth centuries in the collection of the Ashmolean Museum, Oxford, UK, Ashmolean Museum in conjunction with Jonathan Horne Publications, 96pp.

Cameron, Allen and Cubitt, Sean (2009) Chapter 7. Infernal affairs and the ethics of complex narrative. In, Buckland, Warren (ed.) Puzzle Films: Complex Narratives in Contemporary World Cinema. London, GB, Wiley-Blackwell, 151-166. (doi:10.1002/9781444305708.ch7)

Conlin, Jonathan (2006) Vauxhall revisited: the afterlife of a London Pleasure Garden, 1770-1859. Journal of British Studies, 45, (4), 718-743. (doi:10.1086/505955)

Conlin, Jonathan (2009) A civilisation for America: the art museum, public broadcasting and cultural segregation, 1968-1974. In, Back to Civilisation: Kenneth Clark's television landmark at 40, Washington, US, 17 - 18 Oct 2009.

Cook, Pam (2002) I know where I'm going!, London, UK, British Film Institute, 80pp. (BFI Film Classics)

Cook, Pam (2005) Screening the past: memory and nostalgia in cinema, Abingdon, UK, Routledge, 264pp.

Cook, Pam (2007) An American in Paris (1951). In, Merck, Mandy (ed.) America First: Naming the Nation in US Film. Abingdon, UK, Routledge, 105-122.

Cook, Pam (2007) Authorship and cinema. In, Cook, Pam (ed.) The Cinema Book 3rd Edition. London, UK, British Film Institute, 385-483.

Cook, Pam (2008) Whatever happened to BFI Publishing? Cinema Journal, 47, (4), 140-147.

Cook, Pam (2009) On memorialising Gainsborough Studios. Journal of British Cinema and Television, 6, (2), 249-255. (doi:10.3366/E1743452109000910)

Cook, Pam (2010) Transnational utopias: Baz Luhrmann and Australian cinema. Transnational Cinemas, 1, (1), 23-36. (doi:10.1386/trac.1.1.23/1)

Cook, Pam (2010) Sofia Coppola. In, Tasker, Yvonne (ed.) Fifty Contemporary Film Directors. Abingdon, GB, Routledge, 126-133. (Routledge Key Guides).

Cubitt, S. (2011) The latent image. The International Journal of The Image, 1, (2), 27-38.

Cubitt, Sean (2008) Codecs and capability. In, Lovink, Geert and Niederer, Sabine (eds.) Video Vortex Reader: Responses to YouTube. Amsterdam, NL, Institute of Network Cultures, 45-52. (INC Readers, 5).

Cubitt, Sean (2008) Realising Middle-earth: Production design and film technology. In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings. Manchester, GB, Manchester University Press, 185-191.

Cubitt, Sean (2008) Observations on the history and uses of animation occasioned by the exhibition Eyes Lies and Illusions selected from works in the Werner Nekes collection. Animation: An interdisciplinary journal, 3, (1), 49-65. (doi:10.1177/1746847708088735)

Cubitt, Sean (2008) For a history of black. Scan: Journal of Media Arts Culture, 5, (1)

Cubitt, Sean (2009) The supernatural in neo-Baroque Hollywood. In, Buckland, Warren (ed.) Film Theory & Contemporary Hollywood Movies. Abingdon, GB, Routledge, 47-65. (American Film Institute Film Readers).

Cubitt, Sean (2010) Making space. Senses of Cinema, 57

Cubitt, Sean and King, Barry (2008) Dossier: corporations, lawyers, small domestic economies, technology, and profits. In, Margolis, Harrier, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings,. Manchester, GB, Manchester University Press.

D'Souza, Robert (2007) Resist India. Changshu Museum, Changshu, China.

Daniel, M., The Video Art Foundation (2003) The man with the movie camera. In, 25 hrs. Spain, The Video Art Foundation, 36-51.

Daniel, M. (2003) Emptiness, technology and the aesthetics of contemporary art. Artist, 232-235.

Deebi, Aissa, Iwasaki, Hitomi, Strauss, David, Finkelpearl, Tom and Francis, Luis H. (2004) Queens International 2004. Queens International, Queens Museum of Art, New York, USA.

Dimitrakaki, A. (2004) Gothic Public Art and the Failures of Democracy: Reflections on 'House', Interpretation and the 'Political Unconscious'. In, Townsend, C. (ed.) The Art of Rachel Whiteread. London, UK, Thames and Hudson, 107-127.

Dimitrakaki, Angela and Tsiantis, M.S. (2002) Terminators, monkeys and mass culture: The carnival of time in science fiction films. Time & Society, 11, (2/3), 209-231.

Dirix, Emmanuelle (2010) “We would like to offer our sincere apologies” Or the commodification of Non-Western religious iconography by Western fashion designers. In, Devout/Divine - Fashion vs. Religion. Hasselt, BE, . (In Press)

Dirix, Emmanuelle, Bownes, David, Green, Oliver, Black, Jonathan, Powers, Alan and Lewis, Bex (2008) Fashioning the tube. In, London Transport Posters: a Century of Art and Design. Surrey, County of, GB, Lund Humphries, 130-145.

Dirix, Emmanuelle and Pieters, Bruno (2011) The rule of fashion- the stories of the little black dress. In, Futiel Textiel. Antwerp, BE, Houtekiet.

Donnelly, K.J. (1998) Chapter 9. The classical film score forever? Batman, Batman Returns and post-classical film music. In, Neale, Steve and Smith, Murray (eds.) Contemporary Hollywood Cinema. London, GB, New York City, US, Routledge, 142-155.

Donnelly, K.J. (2001) Pop music in British cinema, London, GB, British Film Institute, 274pp.

Donnelly, K.J. (2005) 'Troubles tourism': the terrorism theme park on and off screen. In, Crouch, David, Jackson, Rhona and Thompson, Felix (eds.) The Media and the Tourist Imagination: Coverging Cultures. London, UK; New York, US, Routledge, 92-104. (Contemporary Geographies of Leisure, Tourism and Mobility).

Donnelly, K.J. (2006) Angel of the air: Popol Vuh’s music for Werner Herzog’s films. In, Mera, Miguel and Burnand, David (eds.) European Film Music. Aldershot, GB, Ashgate, 116-130.

Donnelly, K.J. (2010) Occult aesthetics: synchronization in sound cinema, Oxford, UK, New York, USA, Oxford University Press (In Press)

Donnelly, K.J. (2011) Ravenous and the British/European take on American music and history. In, Kalinak, Kathryn (ed.) Music in the Western. New York, USA, London, UK, Routledge. (In Press)

Donnelly, K.J. (2011) Paratexts of the audio-visual. In, Gorbman, Claudia, Richardson, John and Vernallis, Carol (eds.) The Oxford Handbook of New Audiovisual Aesthetics. Oxford, UK, New York, USA, Oxford University Press. (In Press)

Dronsfield, J.L. (2002) Abstraction given time. In, Helen Robertson (catalogue). Helen Robertson (solo exhibition) Dudelange, Luxembourg, Galerie Nei Liicht, 2-5.

Dronsfield, J.L. (2004) An ethical turn in contemporary art? The Finnish Art Review, 1, (1), 108-109.

Dronsfield, J.L. (2004) The anticipation of responsibility in the work of Bill Viola. In, Townsend, C. (ed.) The Art of Bill Viola. London, UK, Thames and Hudson, 72-87.

Dunn, David (2008) Disarmament and peace movements in British and US feature films of the inter-war period. In, Johnson, Edward and Hamilton, Keith (eds.) Arms and Disarmament in Diplomacy. London, UK, Vallentine Mitchell, 129-150.

Ferry, D. (2004) Colourful England in colour. At Seminar talk given at Stellenbosch University, Stellenbosch, South Africa, 15 Mar 2004. (Submitted)

Ferry, David (2002) The window seat series. Avram Gallery, New York, USA. Crawford Municiple Art Gallery, Cork, Ireland. Amiellie Wallace Gallery, SUNY, New York, USA. ON Gallery and the Academey of Fine Arts, Poznan, Poland.

Ferry, David (2006) Aspects of our national heritage. COEX Centre, Seoul, South Korea.

Foster, Stephen (2010) Foreword. In, Caroline Bergvall: Middling English. Southampton, GB, John Hansard Gallery, 6.

Foster, Stephen and Bode, Steven (2011) Foreword. In, Anarcadia: Ruth Maclennan. , Film and Video Umbrella / John Hansard Gallery, 5.

Garside, Paul and Wyeth, Paul (2003) Identification of cellulosic fibres by FTIR spectroscopy: Thread and single fibre analysis by attenuated total reflectance. Studies in Conservation, 48, (4), 269-275.

Garside, Paul and Wyeth, Paul (2006) Identification of cellulosic fibres by FTIR spectroscopy: differentiation of flax and hemp by polarized ATR FTIR. Studies in Conservation, 51, (3), 205-211.

Gill, K. (2006) Tapestry as upholstery: the challanges of conserving tapestry-covered seat furniture. In, Lennard, F. and Hayward, M. (eds.) Tapestry conservation: principles and practice. Oxford, UK, Elsevier, 113-122. (Butterworth-Heinemann Series in Conservation and Museology).

Gillett, John (2002) Loss of gravity. ArtSway, Sway, UK.

Gillett, John (2004) John Bull War and Peace. South Hill Park Trust, South Hill Park, Bracknell, UK.

Goldsmith, S. (2003) Construction - deconstruction: finding a way through making. In, Textile Vocabularies - innovation in practice, Heriot Watt University, Scotland, 29 Oct 2003. (Submitted)

Grenfell, Michael and Hardy, Cheryl (2007) Art Rules: Pierre Bourdieu and the Visual Arts, London, UK, Berg, 256pp.

Hammond, Mary (2004) Monsters and metaphors: Buffy the Vampire Slayer and TV audiences. In, Gwenllian-Jones, Sara and Pearson, Roberta E. (eds.) Cult Television. Minnesota, USA, University of Minnesota Press, 147-164.

Hammond, Michael (2006) The road movie. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK, Open University Press/McGraw Hill, 14-20.

Hammond, Michael (2006) Alan Arkin. In, Williams, Linda Ruth (ed.) Contemporary American Cinema. London, GB, Open University/McGraw Hill, 125-127.

Hammond, Michael (2006) Richard Pryor live in concert. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University/McGraw-Hill, 186-198.

Hammond, Michael (2006) Tim Burton. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University/McGraw-Hill, 242-243.

Hammond, Michael (2006) Do the right thing. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw Hill, 249-256.

Hammond, Michael (2006) Back to the Future. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 272-279.

Hammond, Michael (2006) Titanic. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporay American Cinema. London, GB, Open University Press/McGraw-Hill.

Hammond, Michael (2006) The Agent. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 353-354.

Hammond, Michael (2006) Tom Hanks. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill.

Hammond, Michael (2006) New black cinema. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 389-390.

Hammond, Michael (2006) John Singleton. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 394-397.

Hammond, Michael and Hammond, Michael (2006) Unforgiven. In, Williams, Linda Ruth (ed.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 415-420.

Hammond, Mike (2003) Laughter during wartime: the comedy and the language of trauma in British cinema regulation 1917. Screen, 44, (2), 222-228.

Harland, Elizabeth (2006) Zone 15. University of California, Turlock, USA. Winchester Gallery, Winchester, UK. Wimbledon School of Art, London, UK. University of Ulster, Belfast, UK.

Hon, Gordon and Zhang , Xiao (2007) Ruins. Shenzhen Art Museum, Shenzhen, China.

Hopkins, John (2010) Fashion Drawing, Lausanne, Switzerland, AVA Academia, 184pp. (Basics Fashion Design)

Hopkins, John (2011) Fashion Design Reader, Worthing, GB, AVA publishing, 203pp. (Required Reading Range) (In Press)

Humphrey, David, Worth, Alexi and Klaus, Chris (2009) Tilt trucks and free fliers. In, Blind Handshake. New York, US, Periscope Publishing, 320pp.

Jones, Yvonne (2010) Peeling the Body. How can art practice utilize the experience of medical events to consider the implications for the living human being of notions of the posthuman? How can this process affect an understanding of the positions of the subject / medical object within the western medical tradition and, in so doing, suggest a more empowered subject? University of Southampton, Winchester School of Art, Doctoral Thesis, 126pp.

Kelly, Michael (1983) Gorky, Aragon and socialist realism. The Crane Bag, 7, (1), 108-111.

Kelly, Michael (1983) Realism, surrealism and socialist realism. Bradford Occasional Papers, 4, 118-128.

Kelly, Michael (1984) Picasso and the Spanish Civil War. Romance Studies, 3, 60-73.

Kelly, Michael (1988) Aragon and the spirit of the popular front. Quinquereme - new studies in modern languages, 11, (1), 3-13.

Kelly, Michael (1999) Aragon et l'humanisme dans les années quarante. In, MacAnulty, Andrew (ed.) Aragon, Elsa Triolet et les cultures étrangères. Colloquium, University of Glasgow Besançon, France, Presses Unversitaires de Franche Comté, 87-98. (Série linguistique et sémiotiques 34).

Kent, Alexander J. (2005) Aesthetics: a lost cause in cartographic theory? The Cartographic Journal, 42, (2), 182-188. (doi:10.1179/000870405X61487)

Le Foll, Claire (2002) L’école artistique de Vitebsk (1897-1923). Eveil et rayonnement autour de Pen, Chagall et Malevitch, France, Republic of, FR, L'Harmattan, 280pp.

Le Foll, Claire (2010) A la recherche de l’introuvable film juif-biélorusse ? La politique des nationalités en BSSR à travers la presse yiddish et biélorusse sur le cinéma. In, Pozner, Valerie (ed.) Kinojudaica. L'image des Juifs dans le cinema de Russie et d'Union Sovietique. , Franco-Russian Center for Research in Humanities and Social Sciences in Moscow. (Submitted)

Le Foll, Claire (2012) The image of the Jews in Belorussian Soviet cinema, 1924-1936. In, Spurling, Helen and Ewence, H (eds.) Image Conscious: Jewish Visuals and Visualising Jews Through the Ages. , Vallentine Mitchell. (Submitted)

Lennard, F.J. and Dew, C. (2003) Case study: 'Preview: Hoarfrost Edition' by Robert Rauschenberg. In, Before Art Falls Apart: Achieving Consensus on Care, Protection and Value (seminar), Royal Society of Arts, UK, 28 Oct 2003. (Submitted)

Lennard, Frances (2005) The impact of artists' moral rights legislation on conservation practice in the UK and beyond. In, 14th Triennal Meeting of the International Council for Museums Conservation Committee, The Hague, Netherlands, 12 - 16 Sep 2005. London, UK, James & James6pp, 285-290.

Makhoul, Bashir and Hon, Gordon (2009) Found in conflict. In, Harris, Jonathan (ed.) Identity Theft: Cultural Colonisation and Contemporary Art. Liverpool, GB, Liverpool University Press. (Tate Liverpool Critical Forum, 10).

Makhoul, Bashir, Omer, Mordechai, Nubani, Ibrahim and Livny, Efrat (2004) Outside the camp. In, Katan, Esther (ed.) Ibrahim Nubani In-between. Israel, Tel Aviv Museum of Art, 27-34.

May, W. (2010) Stevie Smith and Authorship. Oxford, UK, Oxford University Press, 250pp. (Oxford English Monographs)

Nashashibi, L.R., McKee, Francis, Skaer, Lucy and Tripp, Sarah (2003) Humaniora. The Fruitmarket Gallery, Edinburgh, UK.

Nashashibi, L.R. and Szymczyk, Adam (2004) Over in. Kunsthalle, Basel, Switzerland.

Nashashibi, L.R. (2007) Proximity machine, London, UK, Book Works, 116pp.

Nitzan-Green, Yonat (2010) Saying It Through The Maternal Body: understanding maternal subjectivity through art practice. University of Southampton, Winchester School of Art, Doctoral Thesis, 215pp.

Padovani, C. (2004) Transitions: conversations in contemporary craft. In, launch of 'Collect' at the Victoria and Albert Museum, London, UK, 21 Feb 2004. (Submitted)

Padovani, Clio (2006) Madre (White Time).

Padovani, Clio (2006) Stack 2 (Rippling Time).

Padovani, Clio (2006) Stack One. In, Touch, Textiles, Technology: Collaboration Across Europe, London, UK, 14 Sep 2007. London, UK, Constance Howard Resource and Research Centre in Textiles, Goldsmiths, University of London100pp. (Submitted)

Peacock, J. (2005) Painting and visuality in Van Dyck's Self-Portrait with a Sunflower. In, Eck, Caroline Van and Winters, Edward (eds.) Dealing with the Visual: Art History, Aesthetics and Visual Culture. Aldershot, UK, Ashgate, 109-126. (Histories of Vision).

Perry, L.A. (2002) Making a modern museum: experience, interpretation, and the National Portrait Gallery in the new millennium. Visual Culture in Britain, 3, (2), 1-16.

Poulton, A.M. (2006) Innovative developments using traditional yarns and surface variations emphasised through movement and light. , Winchester, UK.

Poulton, A.M. (2006) Commercial warp: double and single cloth structure creating distortions in patterning. Winchester School of Art, Winchester, UK.

Poulton, A.M. (2006) Exploration of the use of traditional yarns to achieve 3 dimensional effect and transparent areas. Winchester School of Art, Winchester, UK.

Procter, Adam (2008) Opensource Content. In, Filmelab, Luton, UK,

Richardson, A.E. (2003) Triumphs of temper and beauty: portraits of Emma Hamilton. In, Women's Writing in Britain, 1660 - 1830, Winchester, UK, 15 - 17 Jul 2003. (Submitted)

Ridley, Aaron (2007) Routledge Philosophy Guidebook to Nietzsche on Art, London, UK, Routledge, 208pp. (Routledge Philosophy Guidebooks)

Rogerson, Cordelia and Garside, Paul (2006) Instrumental analysis of metal threads as an aid for interpretation and preservation of a fifteenth-century tapestry altar frontal and super frontal. In, Lennard, Frances and Hayward, Maria (eds.) Tapestry conservation: Principles and practice. Oxford, UK, Butterworth-Heinemann, 48-56.

Rogerson, Cordelia E. and Lennard, Frances J. (2005) Billowing silk and bendable binders: is flexibility the key to understanding banner behaviour? In, Janaway, Rob and Wyeth, Paul (eds.) Scientific Analysis of Ancient and Historic Textiles - Informing Preservation, Display and Interpretation. 1st annual conference of the AHRC Research Centre for Textile Conservation and Textile Studies London, UK, Archetype Publications Ltd, 12-18.

Sherwell, T. (2002) Bodies in representation: contemporary Arab women’s art. In, Lloyd, Fran (ed.) Contemporary Arab Women’s Art: Dialogues of the Present. London, UK, I.B. Tauris, 58-70.

Sherwell, Tina (2002) Embroidering the Motherland. In, Jefferies, Janis (ed.) Reinventing Textiles: Gender & Identity. Brighton, UK, Telos Art Publishing, 117-129.

Sherwell, Tina (2004) Imaging the homeland: gender and the Palestinian national discourse. In, Boer, Inge (ed.) After "Orientalism": Critical Entanglements, Productive Looks. Amsterdam, The Netherlands; New York, USA, Rodopi, 123-145. (Thamyris/Intersecting 10).

Sherwell, Tina (2006) Topographies of identity, soliloquies of place (in special issue: The Conflict and Contemporary Visual Culture in Palestine & Israel, edited by Haim Bresheeth, Haifa Hammami). Third Text, 20, (3-4), 429-443. (doi:10.1080/09528820600853969)

Sherwell, Tina, Bresheeth, Haim and Hammimi, Haifa (eds.) (2006) Topographies of identity; soliliques of place. Third Text: The Conflict of Contemporary Visual Culture in Palestine and Israel, 20, (3/4), 429-443. (doi:10.1080/09528820600853969)

Silomäki, Jari (2005) My Weather Diary My Unopened Letters, Winchester, UK, The Winchester Gallery, 84pp.

Sofaer, Joanna (2007) Materiality and identity. In, Sofaer, Joanna (ed.) Material Identities. Oxford, UK, Blackwell. (New Interventions in Art History).

Stewart, Nicholas (2012) Border book, Southampton, GB, John Hansard Gallery, 100pp. (Submitted)

Sweetman, Paul and Medley, Susie (2009) Just Anybody: Renja Leino, , UK, Fotonet with The Winchester Gallery, 40pp.

Taylor, B. (2002) Art of Today, Seoul, Korea, Yekyong Publishing Co., 213pp.

Taylor, B. (2002) Beauty from Violence. In, Patrizio, A. (ed.) 292 Essays in Visual Culture. Edinburgh, UK, Edinburgh College of Art, 28-44.

Taylor, B. (2002) Richard Davies: new work. In, Richard Davies: New Work (exhibition catalogue). Richard Davies: New Work (solo exhibition) Warsaw, Poland, Academy of Fine Arts.

Taylor, B. (2004) Contemporary art, New York, USA, Prentice Hall Inc., 256pp.

Taylor, Brandon (2002) Foreigner and Fascists: Patterns of Hostility to Modern Art in Britain before and after the First World War. In, Corbett, David Peters, Holt, Ysanne and Russell, Fiona (eds.) The Geographies of Englishness: Landscape and the National Past 1880-1940. London, UK, Yale University Press, 169-198. (Studies in British Art, 10).

Taylor, Brandon (2002) Quel fatigue ... quelle barbarie!: The Visitor's Torment. In, Legacies of the Great Exhibition of 1851. Bayreuth, Germany, Prinz-Albert Gesellschaft, University of Bayreuth, 13-30.

Taylor, Brandon (2004) Art today, London, UK; New York, USA, Laurence King; Prentice Hall, 256pp.

Taylor, Brandon (2004) Collage: The Making of Modern Art, London, UK, Thames and Hudson Ltd, 224pp.

Taylor, Brandon and Fowler, Alan (2005) Elements of Abstraction: Space, Line and Interval in Modern British Art, Southampton, UK, Southampton City Art Gallery, 88pp. (Submitted)

Wheatley, Catherine (2009) Michael Haneke's cinema: the ethic of the image, Oxford, UK, Berghahn Books, 232pp. (Film Europa, 7)

Whittaker, Paul and Padovani, Clio (2002) Other Europes, Europes others. Smith College, Massachusetts, Northampton, USA.

Wiskin, Anthony E., Wootton, Stephen A., Culliford, David J., Afzal, Nadeem A., Jackson, Alan A. and Beattie, Robert M. (2009) Impact of disease activity on resting energy expenditure in children with inflammatory bowel disease. Clinical Nutrition, 28, (6), 652-656. (doi:10.1016/j.clnu.2009.05.007)

Veness, Alex and Farquharson, Alex (2001) The Communications Department. Wilkinson Gallery, London, GB.

Foster, Stephen, Collier, Caroline and Blistene, Bernard (2001) Gina Pane - Works: 1964 - 1990. John Hansard Gallery, Southampton, GB. Arnolfini, Bristol, GB. Tate Modern, London, GB.

Foster, Stephen (2001) Roger Palmer - International Waters. John Hansard Gallery, Southampton, United Kingdom.

Arnold, D. and Bending, S. (eds.) (2002) Facts or Fragments? Visual histories in the age of mechanical reproduction. Journal of Art History, 25, (4), 421-430. (doi:10.1111/1467-8365.00338)

(2002) Land and the samling.

Foster, Stephen and Harris, Jane (2002) Once Again.

Whittaker, Paul and Stojanovic, Jelena (2003) The extraordinary ordinary. Handwerker Gallery, Ithaca, US.

Bergfelder, Tim and Street, S. (eds.) (2004) The Titanic in myth and memory: representations in visual and literary culture, London, UK, I.B. Tauris, 242pp.

Hon, Gordon (ed.) (2004) What Remains to be Seen. Art & Political Conflict: Views from Britain, Israel, Palestine and Northern Ireland, London, UK, Multi Exposure, 65pp.

Barber, C.L., Wilkinson, Sam and Holstein, Sarah von (2004) Westonbirt International Festival of the Garden 2004. Westonbirt, The National Arboretum, Tetbury, Gloucestershire, United Kingdom.

Foster, Stephen (2004) Joan Jonas - Lines in the Sand; The Shape, the Scent, the Feel of Things. John Hansard Gallery, Southampton, GB. Tate Modern, London , United Kingdom. Wilkinson Gallery, London, United Kingdom.

Harland, E.J. (2006) Machine room: a blueprint for painting. CRATE, Margate, GB. CRATE, Margate, GB.

Dawson, Ian (2006) The fridge show. The Old Truman Brewery, London , United Kingdom.

Padovani, Clio (2006) Stack 2. Diagonale, Centre des arts et fibres du Quebec , Montréal, CA.

Padovani, Clio (2006) Repairs Alterations Invisible Re-weavings. 4th International fibre Art Biennale, Suzhou Art & Design Technology Institute Gallery, Suzhou, CN.

Sofaer, Joanna (ed.) (2007) Material identities, Oxford, UK, Blackwell Publishing, 184pp. (New Interventions in Art History)

Foster, Stephen and Blackson, Rob (2007) North + South.

Foster, Stephen, Thorp, David and Ning, Sun (2007) Chinese Video Now.

Taylor, Brandon (ed.) (2007) Sculpture and Psychoanalysis, London, UK, Ashgate Press, 238pp. (Subject/Object: New Studies in Sculpture)

Gillett, John, Friend, Melanie, Downey, Karen, Durden, Mark and Hall, Alex (2007) Border Country. Belfast Exposed Photography, Belfast, UK. Winchester Gallery, Winchester, UK. University of The Arts London - Well Gallery, London, UK.

Procter, Adam (2008) Interview on directors notes - open source software for animation. ,

Procter, Adam (2008) Polvo. Filmstock Film Festival, Luton, GB.

Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) (2008) Studying the Event Film: The Lord of the Rings, Manchester, GB, Manchester University Press, 384pp.

Dirix, Emmanuelle (2008) Fashioning the tube: posters and the new consumers. In, Lecture series to accompany LTM 'The art of a poster' exhibition, London, GB, 1pp.

Gillett, John, Harland, Beth and Carnie, Andrew (2009) Unfolding.

Dawson, Ian, Mann, Fred and Zoubok, Pavel (2009) Collage, London / New York. Fred [London] Ltd, London, GB.

(2009) Everyone has a story. Islington Gazette

Harland, E.J., Fortnum, R., Richardson, F. and Ireland, H. (2009) Life's a Gas.

Harland, E.J., Minkin, L., Wells, Stephen and Morales, C. (2009) Skinner's Room.

Harland, E.J., Hulson, M., Schady, A., Curran, M., Hale, M and Deignan, m (2009) Free association.

Procter, Adam (2009) Corvus Corax. Filmstock Film Festival, Luton, GB.

Foster, Stephen, Carter, Rosalind and Hammond, Kit (2010) Ground Level: Hayward Touring Curatorial Open II. John Hansard Gallery, Southampton, GB.

Foster, Stephen and Bolivar, Juan (2010) Dawnbreakers. John Hansard Gallery, Southampton, GB.

Schady, Alexander (2010) Instructions for understanding a painting.

Dirix, Emmanuelle and Kerr, Joe (2010) Home comforts: the style of the new suburban interiors and the changing role of the housewife in the 1920s and 1930s. In, Lecture Series to Accompany LTM Suburbia Exhibition, London, GB,

Schady, Alexander (2010) Everything Must Go.

Dirix, Emmanuelle and Taylor, Lou (2010) Once upon a dress... The story of the little black dress. In, Masters of Black in Fashion and Constume: Symposium, Antwerp, BE,

Harris, Jonathan (ed.) (2010) Inside the death drive: excess and apocalypse in the world of the Chapman brothers, Liverpool, GB, Liverpool University Press, 272pp.

Harland, E.J., Derby, M., Cooke, N., Kaivano, V., Heath, C., Matthews, B, Housley, P and Unwin, P (2011) A sort of night to the mind, a kind of night for our thoughts; illusion and materiality in contemporary painting.

Harris , Jonathan and Williams, Richard (eds.) (2011) Regenerating culture and society: architecture, art and urban style within the global politics of city branding, Liverpool, GB, Liverpool University Press, 288pp.

Dirix, Emmanuelle (2011) From “Gallant little Belgium” to “Elegant little Belgium”- the creation and marketing of fashions from that flat country. In, Trans/National Clothing: Production & Consumption, Bath, GB, 01 - 04 Sep 2011. 6pp.

Dirix, Emmanuelle and Fiell, Charlotte (eds.) (2011) Fashion sourcebook 1920s, Fiell, 576pp.

Dirix, Emmanuelle and Fiell, Charlotte (eds.) (2012) Fashion sourcebook 1930s, London, GB, Fiell, 576pp. (In Press)