Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"

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Number of items at this level: 283.

Foster, Stephen (1998) Zarina Bhimji, Harald Durstmüller, Bill Jacobson, Dean McNeil, Ria Pacqué, Jim Harold: The Masque.

Veness, Alex and Farquharson, Alex (2001) The Communications Department. Wilkinson Gallery, London, GB.

Foster, Stephen, Collier, Caroline and Blistene, Bernard (2001) Gina Pane - Works: 1964 - 1990. John Hansard Gallery, Southampton, GB. Arnolfini, Bristol, GB. Tate Modern, London, GB.

Foster, Stephen (2001) Roger Palmer - International Waters. John Hansard Gallery, Southampton, United Kingdom.

Barber, Claire, King, Judith and Axford, Tanya and Hadzi-Vasileva, Elpida and Stokes, Matt and Weilder, Wolfgang (2002) Land and the samling.

Foster, Stephen and Harris, Jane (2002) Once Again.

Whittaker, Paul and Stojanovic, Jelena (2003) The extraordinary ordinary. Handwerker Gallery, Ithaca, US.

Bergfelder, Tim and Street, S. (eds.) (2004) The Titanic in myth and memory: representations in visual and literary culture, London, UK, I.B. Tauris, 242pp.

Hon, Gordon (ed.) (2004) What Remains to be Seen. Art & Political Conflict: Views from Britain, Israel, Palestine and Northern Ireland, London, UK, Multi Exposure, 65pp.

Barber, C.L., Wilkinson, Sam and Holstein, Sarah von (2004) Westonbirt International Festival of the Garden 2004. Westonbirt, The National Arboretum, Tetbury, Gloucestershire, United Kingdom.

Foster, Stephen (2004) Joan Jonas - Lines in the Sand; The Shape, the Scent, the Feel of Things. John Hansard Gallery, Southampton, GB. Tate Modern, London , United Kingdom. Wilkinson Gallery, London, United Kingdom.

Harland, E.J. (2006) Machine room: a blueprint for painting. CRATE, Margate, GB. CRATE, Margate, GB.

Dawson, Ian (2006) The fridge show. The Old Truman Brewery, London , United Kingdom.

Padovani, Clio (2006) Stack 2. Diagonale, Centre des arts et fibres du Quebec , Montréal, CA.

Padovani, Clio (2006) Repairs Alterations Invisible Re-weavings. 4th International fibre Art Biennale, Suzhou Art & Design Technology Institute Gallery, Suzhou, CN.

Sofaer, Joanna (ed.) (2007) Material identities, Oxford, UK, Blackwell Publishing, 184pp. (New Interventions in Art History).

Foster, Stephen and Blackson, Rob (2007) North + South.

Foster, Stephen, Thorp, David and Ning, Sun (2007) Chinese Video Now.

Taylor, Brandon (ed.) (2007) Sculpture and Psychoanalysis, London, UK, Ashgate Press, 238pp. (Subject/Object: New Studies in Sculpture).

Gillett, John, Friend, Melanie, Downey, Karen, Durden, Mark and Hall, Alex (2007) Border Country. Belfast Exposed Photography, Belfast, UK. Winchester Gallery, Winchester, UK. University of The Arts London - Well Gallery, London, UK.

Foster, Stephen (2008) Stuart Brisley: Crossings.

Procter, Adam (2008) Interview on directors notes - open source software for animation. ,

Harris, Jonathan (ed.) (2008) Identity theft: cultural colonization and contemporary art, Liverpool, GB, Liverpool University Press; Tate Liverpool, 272pp. (Tate Liverpool Critical Forum).

Procter, Adam (2008) Polvo. Filmstock Film Festival, Luton, GB.

Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) (2008) Studying the Event Film: The Lord of the Rings, Manchester, GB, Manchester University Press, 384pp.

Dirix, Emmanuelle (2008) Fashioning the tube: posters and the new consumers. In, Lecture series to accompany LTM 'The art of a poster' exhibition, London, GB, 1pp.

Gillett, John, Harland, Beth and Carnie, Andrew (2009) Unfolding:Phenotype and Genotype.

Dawson, Ian, Mann, Fred and Zoubok, Pavel (2009) Collage, London / New York. Fred [London] Ltd, London, GB.

(2009) Everyone has a story. Islington Gazette

Schady, Alexander (2009) Everything Must Go.

Harland, E.J., Fortnum, R., Richardson, F. and Ireland, H. (2009) Life's a Gas.

Harland, E.J., Minkin, L., Wells, Stephen and Morales, C. (2009) Skinner's Room.

Harland, E.J., Hulson, M., Schady, A., Curran, M., Hale, M and Deignan, m (2009) Free association.

Harland, E.J., Derby, M., Cooke, N., Kaivano, V., Heath, C., Matthews, B, Housley, P and Unwin, P (2009) A sort of night to the mind, a kind of night for our thoughts; illusion and materiality in contemporary painting.

Procter, Adam (2009) Corvus Corax. Filmstock Film Festival, Luton, GB.

Foster, Stephen, Carter, Rosalind and Hammond, Kit (2010) Ground Level: Hayward Touring Curatorial Open II. John Hansard Gallery, Southampton, GB.

Foster, Stephen and Bolivar, Juan (2010) Dawnbreakers. John Hansard Gallery, Southampton, GB.

Schady, Alexander (2010) Instructions for understanding a painting.

Dirix, Emmanuelle and Kerr, Joe (2010) Home comforts: the style of the new suburban interiors and the changing role of the housewife in the 1920s and 1930s. In, Lecture Series to Accompany LTM Suburbia Exhibition, London, GB,

Dirix, Emmanuelle and Taylor, Lou (2010) Once upon a dress... The story of the little black dress. In, Masters of Black in Fashion and Constume: Symposium, Antwerp, BE,

Harris, Jonathan (ed.) (2010) Inside the death drive: excess and apocalypse in the world of the Chapman brothers, Liverpool, GB, Liverpool University Press, 272pp.

Harris , Jonathan and Williams, Richard (eds.) (2011) Regenerating culture and society: architecture, art and urban style within the global politics of city branding, Liverpool, GB, Liverpool University Press, 288pp.

Armitage, John (ed.) (2011) Virilio now: current perspectives in Virilio studies, Cambridge, GB, Polity, 232pp.

Dirix, Emmanuelle (2011) From “Gallant little Belgium” to “Elegant little Belgium”- the creation and marketing of fashions from that flat country. In, Trans/National Clothing: Production & Consumption, Bath, GB, 01 - 04 Sep 2011. 6pp.

Faiers, Jonathan (2011) Looking sharp: dress, cinema and the construction of the criminal body - from Pinkie Brown to Mr Orange. 3rd International Crime, Media and Popular Culture Conference, Indiana, US, 26 - 27 Sep 2011.

Dirix, Emmanuelle and Fiell, Charlotte (eds.) (2011) Fashion sourcebook 1920s, Fiell , 576pp.

Dirix, Emmanuelle and Fiell, Charlotte (eds.) (2012) Fashion sourcebook 1930s, London, GB, Fiell , 576pp. (In Press).

D'Souza, Ed (ed.) (2012) Outside India: dialogues and documents of art and social change, London, GB, Weiden & Kennedy, 160pp.

van Rijn, Walter (2012) SymLogiDIN_Voice.

Faiers, Jonathan (2013) The ghosts of Mayfair.

Makhoul, Bashir (ed.) (2013) Palestinian video art - constellation of the moving image, Jerusalem, IL, Palestinian Art Court - al Hoash, 259pp.

Pearce, Sarah (ed.) (2013) The image and its prohibition in Jewish antiquity, Oxford, GB, Journal of Jewish Studies, 288pp. (Journal of Jewish Studies Supplement Series, 2).

Crosthwaite, Paul, Knight, Peter and Marsh, Nicky (eds.) (2014) Show me the money: the image of finance, 1700 to the present, Manchester, GB, Manchester University Press, 172pp.

Aldred, Danny. (2009) Divisions of joy and comedy. In, Kessels, Eric., Herms, Ralf., Graves, Paul. and Polan, Jason. (eds.) Very funny! Rosebud No. 7. , UK, Verlag für moderne Kunst Nürnberg, 358-369.

Appignanesi, Josh and Baum, Devorah (2006) Ex-Memoria: filming the face. Third Text, 20, (1), 85-97. (doi:10.1080/09528820500472530).

Armitage, John (2013) The face of the figureless: aesthetics, sacred humanism, and the accident of art. In, Virilio and Visual Culture. Edinburgh, GB, Edinburgh University Press, 156-179. (Critical Connections).

Arnold, Dana (2004) Art history: a very short introduction, Oxford, UK, Oxford University Press

Barber, C.L. (2004) The art of alliance. At talk at the Hove Museum and Art Gallery, Hove, Sussex, UK, 06 May 2004. (Submitted).

Beale, Nicole, Beale, Gareth, Dawson, Ian and Minkin, Louisa (2013) Making digital: Visual approaches to the digital humanities. In, EVA 2013: Electronic Visualisation and the Arts, London, GB, 29 - 31 Jul 2013. BCS, 240-247.

Beltran Lahoz, Pilar (2009) The fiction of reality: confinement and displacement, an introduction to research. University of Southampton, Winchester School of Art, Doctoral Thesis , 122pp.

Berge, Kjetil (2006) A Bailar.

Bergfelder, Tim (2004) Popular genres and cultural legitimacy: Fassbinder's Lola and the legacy of 1950s West German cinema. Screen, 45, (1), 21-39.

Bould, P. A and Mitchell, B, Mitchell Bould (2005) Site works, Winchester, The Winchester Gallery

Bould, Patricia and Mitchell, Belinda (2004) Site works. Winchester Gallery, Winchester, UK. Hampshire County Council, Winchester, UK. School of Architecture, Portsmouth University, Portsmouth, UK.

Bould, Patricia and Mitchell, Belinda (2004) Drawing in the built form. Osborne School, Winchester, UK.

Bould, Patricia, Mitchell, Belinda and Harper, Colin (2005) Drawing spaces. Hartley Library, Southampton, UK.

Bould, T., Knox-Williams, C. and Oldridge, K. (2010) Drawing out (Melbourne) Concrete geometries: spatial form in social and aesthetic processes (London). In, , Melbourne, AU, London, GB, 07 - 09 Apr 2010. 13pp.

Bould, T., Oldridge, K and Knox-Williams, C (2009) Between place, performance and score: drawing on the archive. In, Harland, E.J. (ed.) Winchester School of Art Research Anthology. Winchester, GB, The Winchester Gallery Press, 14-21.

Bould, Trish and Oldridge, Kathy (2008) Thinking as drawing. In, Memory and Touch: an exploration of textural communication , University of the Ceative Arts Epsom, UK, 10pp.

Brickell, Katherine and Garrett, Bradley L. (2013) Geography, film and exploration: women and amateur filmmaking in the Himalayas. Transactions of the Institute of British Geographers, 38, (1), 7-11. (doi:10.1111/j.1475-5661.2012.00505.x).

Brooks, M.M. (2004) English Embroideries of the Sixteenth and Seventeenth centuries in the collection of the Ashmolean Museum, Oxford, UK, Ashmolean Museum in conjunction with Jonathan Horne Publications, 96pp.

Buser, MIchael, Roe, Emma and Dinnie, Elizabeth (2014) Foodscapes: bank, bake, grow, eat, talk, share. Executive summary. Cardiff, GB, Foodscapes, 2pp.

Cameron, Allen and Cubitt, Sean (2009) Chapter 7. Infernal affairs and the ethics of complex narrative. In, Buckland, Warren (ed.) Puzzle Films: Complex Narratives in Contemporary World Cinema. London, GB, Wiley-Blackwell, 151-166. (doi:10.1002/9781444305708.ch7).

Campmas, Aude (2013) Exposition et reconnaissance de la femme-fleur dans La Curée: variations sur les tableaux vivants, mise en scène de la stérilité. In, Moran, Claire (ed.) The Art of Theatre. New York, US, Peter Lang, 165-182.

Conlin, Jonathan (2006) Vauxhall revisited: the afterlife of a London Pleasure Garden, 1770-1859. Journal of British Studies, 45, (4), 718-743. (doi:10.1086/505955).

Conlin, Jonathan (2009) A civilisation for America: the art museum, public broadcasting and cultural segregation, 1968-1974. In, Back to Civilisation: Kenneth Clark's television landmark at 40, Washington, US, 17 - 18 Oct 2009.

Cook, Pam (2002) I know where I'm going!, London, UK, British Film Institute, 80pp. (BFI Film Classics).

Cook, Pam (2005) Screening the past: memory and nostalgia in cinema, Abingdon, UK, Routledge, 264pp.

Cook, Pam (2007) An American in Paris (1951). In, Merck, Mandy (ed.) America First: Naming the Nation in US Film. Abingdon, UK, Routledge, 105-122.

Cook, Pam (2007) Authorship and cinema. In, Cook, Pam (ed.) The Cinema Book 3rd Edition. London, UK, British Film Institute, 385-483.

Cook, Pam (2008) Whatever happened to BFI Publishing? Cinema Journal, 47, (4), 140-147.

Cook, Pam (2009) On memorialising Gainsborough Studios. Journal of British Cinema and Television, 6, (2), 249-255. (doi:10.3366/E1743452109000910).

Cook, Pam (2010) Transnational utopias: Baz Luhrmann and Australian cinema. Transnational Cinemas, 1, (1), 23-36. (doi:10.1386/trac.1.1.23/1).

Cook, Pam (2010) Sofia Coppola. In, Tasker, Yvonne (ed.) Fifty Contemporary Film Directors. Abingdon, GB, Routledge, 126-133. (Routledge Key Guides).

Cook, Pam (2014) Dreaming past and future: nostalgia and postcolonial memory in Baz Luhrmann's 'Australia'. In, Stokes, Melvyn and Saleh, Zeenat (eds.) Le Cinéma Comme Vecteur de la Mémoire dans le Cinéma Anglophone: Memory in/of English-speaking Cinema. Paris, FR, Michel Houdiard, 125-137.

Cook, Pamela (2014) 'Sweetie'. Metro Magazine, 181, Winter Issue, 100-109.

Cubitt, S. (2011) The latent image. The International Journal of The Image, 1, (2), 27-38.

Cubitt, Sean (2008) Codecs and capability. In, Lovink, Geert and Niederer, Sabine (eds.) Video Vortex Reader: Responses to YouTube. Amsterdam, NL, Institute of Network Cultures, 45-52. (INC Readers, 5).

Cubitt, Sean (2008) Realising Middle-earth: Production design and film technology. In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings. Manchester, GB, Manchester University Press, 185-191.

Cubitt, Sean (2008) Observations on the history and uses of animation occasioned by the exhibition Eyes Lies and Illusions selected from works in the Werner Nekes collection. Animation: An interdisciplinary journal, 3, (1), 49-65. (doi:10.1177/1746847708088735).

Cubitt, Sean (2008) For a history of black. Scan: Journal of Media Arts Culture, 5, (1)

Cubitt, Sean (2009) The supernatural in neo-Baroque Hollywood. In, Buckland, Warren (ed.) Film Theory & Contemporary Hollywood Movies. Abingdon, GB, Routledge, 47-65. (American Film Institute Film Readers).

Cubitt, Sean (2010) The sound of sunlight. Screen, 51, (2), Summer Issue, 118-128. (doi:10.1093/screen/hjq005).

Cubitt, Sean (2010) Making space. Senses of Cinema, 57

Cubitt, Sean (2011) Current screens. In, Grau, Oliver and Veigl, Thomas (eds.) Imagery in the 21st Century. , USA, MIT Press, 21-35.

Cubitt, Sean (2011) Audiovisionaries of the Network Planet. In, Globalization and Contemporary Art. Chichester, GB, Blackwell, 225-236.

Cubitt, Sean and King, Barry (2008) Dossier: corporations, lawyers, small domestic economies, technology, and profits. In, Margolis, Harrier, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings,. Manchester, GB, Manchester University Press.

Cubitt, Sean, Palmer, Daniel and Walkling, Les (2012) Reflections on medium specificity occasioned by the symposium 'Digital Light: Technique, Technology, Creation', Melbourne, 2011. Moving Image Review & Art Journal (MIRAJ), 1, (1), 37-49. (doi:10.1386/miraj.1.1.37_1).

Cubitt, Sean and Partridge, Stephen (2012) Rewind: British artists' video of the 1970s and 1980s, John Libbey, 234pp. (In Press).

D'Souza, Robert (2007) Resist India. Changshu Museum, Changshu, China.

D'Souza, Robert (2012) I'm OK You're OK, Winchester, UK, Winchester Gallery

Daniel, M., The Video Art Foundation (2003) The man with the movie camera. In, 25 hrs. Spain, The Video Art Foundation, 36-51.

Daniel, M. (2003) Emptiness, technology and the aesthetics of contemporary art. Artist, 232-235.

Dasgupta, R.K (2012) Digital media and the internet for HIV prevention, capacity building and advocacy among gay, other men who have sex with men (MSM), and transgender (TG): Perspectives from Kolkata, India. Digital Culture and Education, 4, (1), 88-109.

Davis, August (2012) Martha Rosler's fighting legions: semiotics of the kitchen (1975/2003) - performance and the (video) document. In, Harris, Jonathan (ed.) Dead History, Live Art? Spectacle, Subjectivity and Subversion in Visual Culture since the 1960s. Chicago Ridge, US, University of Chicago Press, 209-239. (Tate Liverpool Critical Forum).

Davis, August Jordan (2013) Aesthetics and relations of debate and history. Cultural Politics an International Journal (In Press).

Deebi, Aissa, Iwasaki, Hitomi, Strauss, David, Finkelpearl, Tom and Francis, Luis H. (2004) Queens International 2004. Queens International, Queens Museum of Art, New York, USA.

Dimitrakaki, A. (2004) Gothic Public Art and the Failures of Democracy: Reflections on 'House', Interpretation and the 'Political Unconscious'. In, Townsend, C. (ed.) The Art of Rachel Whiteread. London, UK, Thames and Hudson, 107-127.

Dimitrakaki, Angela and Tsiantis, M.S. (2002) Terminators, monkeys and mass culture: The carnival of time in science fiction films. Time & Society, 11, (2/3), 209-231.

Dirix, Emmanuelle (2010) “We would like to offer our sincere apologies” Or the commodification of Non-Western religious iconography by Western fashion designers. In, Devout/Divine - Fashion vs. Religion. Hasselt, BE, . (In Press).

Dirix, Emmanuelle, Bownes, David, Green, Oliver, Black, Jonathan, Powers, Alan and Lewis, Bex (2008) Fashioning the tube. In, London Transport Posters: a Century of Art and Design. Surrey, County of, GB, Lund Humphries, 130-145.

Dirix, Emmanuelle and Pieters, Bruno (2011) The rule of fashion- the stories of the little black dress. In, Futiel Textiel. Antwerp, BE, Houtekiet .

Donnelly, K.J. (1998) Chapter 9. The classical film score forever? Batman, Batman Returns and post-classical film music. In, Neale, Steve and Smith, Murray (eds.) Contemporary Hollywood Cinema. London, GB, New York City, US, Routledge, 142-155.

Donnelly, K.J. (2001) Pop music in British cinema, London, GB, British Film Institute, 274pp.

Donnelly, K.J. (2005) 'Troubles tourism': the terrorism theme park on and off screen. In, Crouch, David, Jackson, Rhona and Thompson, Felix (eds.) The Media and the Tourist Imagination: Coverging Cultures. London, UK; New York, US, Routledge, 92-104. (Contemporary Geographies of Leisure, Tourism and Mobility).

Donnelly, K.J. (2006) Angel of the air: Popol Vuh’s music for Werner Herzog’s films. In, Mera, Miguel and Burnand, David (eds.) European Film Music. Aldershot, GB, Ashgate, 116-130.

Donnelly, K.J. (2011) Extending Visual Aesthetics: Audio Beyond Visuals. In, Gorbman, Claudia, Richardson, John and Vernallis, Carol (eds.) The Oxford Handbook of New Audiovisual Aesthetics. Oxford, UK, New York, USA, Oxford University Press. (In Press).

Dronsfield, J.L. (2002) Abstraction given time. In, Helen Robertson (catalogue). Helen Robertson (solo exhibition) Dudelange, Luxembourg, Galerie Nei Liicht, 2-5.

Dronsfield, J.L. (2004) An ethical turn in contemporary art? The Finnish Art Review, 1, (1), 108-109.

Dronsfield, J.L. (2004) The anticipation of responsibility in the work of Bill Viola. In, Townsend, C. (ed.) The Art of Bill Viola. London, UK, Thames and Hudson, 72-87.

Dunn, David (2008) Disarmament and peace movements in British and US feature films of the inter-war period. In, Johnson, Edward and Hamilton, Keith (eds.) Arms and Disarmament in Diplomacy. London, UK, Vallentine Mitchell, 129-150.

Fauzi, Mohammad Faizal Ahmad and Lewis, Paul H. (2009) Query by low-quality image. Image and Vision Computing, 27, (6), 713-724. (doi:10.1016/j.imavis.2008.07.007).

Ferry, D. (2004) Colourful England in colour. At Seminar talk given at Stellenbosch University, Stellenbosch, South Africa, 15 Mar 2004. (Submitted).

Ferry, David (2002) The window seat series. Avram Gallery, New York, USA. Crawford Municiple Art Gallery, Cork, Ireland. Amiellie Wallace Gallery, SUNY, New York, USA. ON Gallery and the Academey of Fine Arts, Poznan, Poland.

Ferry, David (2006) Aspects of our national heritage. COEX Centre, Seoul, South Korea.

Foster, Stephen (1994) Foreword. In, Wilson, Andrew (ed.) Kate Blacker. Southampton, GB, John Hansard Gallery, 3.

Foster, Stephen (1994) Introduction. In, de Ville, Nicholas and Foster, Stephen (eds.) The Artist and the Academy: Issues in Fine Art Education & the Wider Cultural Context. Southampton, GB, John Hansard Gallery, 9-21.

Foster, Stephen (1996) The presence of absence, Moby Dick. In, Foster, Stephen, Selvaggio, Rita, Tazzi, Pier Luigi and Wilson, Andrew (eds.) Moby Dick. Southampton, GB, John Hansard Gallery, 12-13.

Foster, Stephen (1996) Introduction. In, Foster, Stephen and Tawadros, Gilane (eds.) Hamad Butt: Familiars. London, GB, Institute of International Visual Arts, 10-11.

Foster, Stephen (1996) Elsewhere..., Foreword. In, Faure-Walker, Caryn and Foster, Stephen (eds.) Elsewhere... Southampton, GB, John Hansard Gallery, 3.

Foster, Stephen (1997) Haim Steinbach, Haim Steinbach's taxonomies. In, Steinbach, Haim (ed.) Haim Steinbach. Wien, AT, Museum Moderner Kunst, Stiftung Ludwig, Vienna, 18.

Foster, Stephen (1999) Lie of the Land: Earth Body and Material, Foreword. In, Carter, Paul, Scarry, Elaine and Payne, Antonia (eds.) Lie of the Land: Earth Body and Material. Southampton, GB, John Hansard Gallery, 3-4.

Foster, Stephen (2000) David Ward: Slow Time, Preface. In, Cotter, Suzanne, Foster, Stephen and Harrison, Michael (eds.) David Ward: Slow Time. Southampton, GB, John Hansard Gallery, 3.

Foster, Stephen (2001) International Waters, Foreword. In, Palmer, Roger (ed.) International Waters. Southampton, GB, John Hansard Gallery, 7.

Foster, Stephen (2004) Joan Jonas, Introduction. In, Foster, Stephen, Robert, Ayres and Jonas, Joan (eds.) Joan Jonas. Southampton, GB, John Hansard Gallery, 6-8.

Foster, Stephen (2006) Slow Life, Introduction. In, Takehisa, Yuu and Carter, Ros (eds.) Slow Life. Southampton, GB, John Hansard Gallery, 5-6.

Foster, Stephen (2006) John Latham: Time-base and the Universe, Foreword. In, Thorp, David, Latham, Noa and Foster, Stephen (eds.) John Latham: Time-base and the Universe. Southampton, GB, John Hansard Gallery, 5-6.

Foster, Stephen (2007) Chinese Video Now, Foreword. In, Thorp, David, Foster, Stephen and Ning, Sun (eds.) Chinese Video Now. Southampton, GB, John Hansard Gallery, 3.

Foster, Stephen (2008) Live Art on Camera: Performance and Photography, Foreword. In, Maude-Roxby, Alice, O'Dell, Kathy and Clausen, Barbara (eds.) Live Art on Camera: Performance and Photography. Southampton, GB, John Hansard Gallery, 5-6.

Foster, Stephen (2008) Panacea: The Art of Wellbeing Volume 1, Foreword. In, Pinsky, M., Walker, Z. and Bromwich, N. (eds.) Panacea: The Art of Wellbeing Volume 1. Southampton, GB, John Hansard Gallery, 8-9.

Foster, Stephen (2008) itourist? Journeys Through the Holocaust, Foreword. In, Antick, Paul, Slyce, John and Foster, Stephen (eds.) itourist? Journeys Through the Holocaust. Southampton, GB, John Hansard Gallery, 3-4.

Foster, Stephen (2008) Stuart Brisley: Crossings, Introduction: the proximity of catastrophe. In, Wilson, Andrew, Harm, Anders and Foster, Stephen (eds.) Stuart Brisley: Crossings. Southampton, GB, John Hansard Gallery, 7-11.

Foster, Stephen (2010) Caroline Bergvall: Middling English, Foreword. In, Caroline Bergvall: Middling English. Southampton, GB, John Hansard Gallery, 6.

Foster, Stephen (2010) Introduction. In, O'Reilly, Sally (ed.) Dark Places. Southampton, GB, John Hansard Gallery, 3.

Foster, Stephen (2010) Introduction. In, Bolivar, Juan and Foster, Stephen (eds.) Dawnbreakers. Southampton, GB, John Hansard Gallery, 6-7.

Foster, Stephen (2012) The bit parts and the major players in the entourage of Jochem Hendricks. In, Jochem Hendricks. Berlin, DE, Distanz Verlag, 185-187.

Foster, Stephen (2012) Jochem Hendricks, Foreword. In, Jochem Hendricks. Berlin, DE, Distanz Verlag, 12-13.

Foster, Stephen (2012) Rona Lee: That Oceanic Feeling, Foreword. In, Rona Lee: That Oceanic Feeling. Southampton, GB, John Hansard Gallery, 6-6.

Foster, Stephen, Blistene, Bernard and Collier, Caroline (2002) Art is what makes life more interesting than art. In, Blessing, Jennifer, Tronche, Anne and Gaillard, Inge Linde (eds.) Gina Pane. Southampton, GB, John Hansard Gallery and Arnolfini, 13-21.

Foster, Stephen and Bode, Steven (2011) Anarcadia: Ruth Maclennan, Foreword. In, Anarcadia: Ruth Maclennan. , Film and Video Umbrella / John Hansard Gallery, 5.

Foster, Stephen and Carter , Ros (2004) New British Painting, Foreword. In, New British Painting. Southampton, GB, John Hansard Gallery, 3.

Foster, Stephen and Collier, Caroline (2002) Gina Pane, Foreword. In, Blessing, Jennifer, Tronche, Anne and Gaillard, Inge Linde (eds.) Gina Pane. Southampton, GB, John Hansard Gallery and Arnolfini, 7-8.

Garrett, B.L. (2011) Videographic geographies: Using digital video for geographic research. Progress in Human Geography, 35, (4), 521-541. (doi:10.1177/0309132510388337).

Garrett, Bradley (2014) Art and activism in urban exploration. In, University of Swansea, Swansea, GB, 03 Jun 2014.

Garside, Paul and Wyeth, Paul (2003) Identification of cellulosic fibres by FTIR spectroscopy: Thread and single fibre analysis by attenuated total reflectance. Studies in Conservation, 48, (4), 269-275.

Garside, Paul and Wyeth, Paul (2006) Identification of cellulosic fibres by FTIR spectroscopy: differentiation of flax and hemp by polarized ATR FTIR. Studies in Conservation, 51, (3), 205-211.

Gill, K. (2006) Tapestry as upholstery: the challanges of conserving tapestry-covered seat furniture. In, Lennard, F. and Hayward, M. (eds.) Tapestry conservation: principles and practice. Oxford, UK, Elsevier, 113-122. (Butterworth-Heinemann Series in Conservation and Museology).

Gillett, John (2002) Loss of gravity. ArtSway, Sway, UK.

Gillett, John (2004) John Bull War and Peace. South Hill Park Trust, South Hill Park, Bracknell, UK.

Goldsmith, S. (2003) Construction - deconstruction: finding a way through making. In, Textile Vocabularies - innovation in practice, Heriot Watt University, Scotland, 29 Oct 2003. (Submitted).

Grenfell, Michael and Hardy, Cheryl (2007) Art Rules: Pierre Bourdieu and the Visual Arts, London, UK, Berg, 256pp.

Hammond, Mary (2004) Monsters and metaphors: Buffy the Vampire Slayer and TV audiences. In, Gwenllian-Jones, Sara and Pearson, Roberta E. (eds.) Cult Television. Minnesota, USA, University of Minnesota Press, 147-164.

Hammond, Michael (2006) The road movie. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, UK, Open University Press/McGraw Hill, 14-20.

Hammond, Michael (2006) Alan Arkin. In, Williams, Linda Ruth (ed.) Contemporary American Cinema. London, GB, Open University/McGraw Hill, 125-127.

Hammond, Michael (2006) Richard Pryor live in concert. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University/McGraw-Hill, 186-198.

Hammond, Michael (2006) Tim Burton. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University/McGraw-Hill, 242-243.

Hammond, Michael (2006) Do the right thing. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw Hill, 249-256.

Hammond, Michael (2006) Back to the Future. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 272-279.

Hammond, Michael (2006) Titanic. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporay American Cinema. London, GB, Open University Press/McGraw-Hill.

Hammond, Michael (2006) The Agent. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 353-354.

Hammond, Michael (2006) Tom Hanks. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill.

Hammond, Michael (2006) New black cinema. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 389-390.

Hammond, Michael (2006) John Singleton. In, Williams, Linda Ruth and Hammond, Michael (eds.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 394-397.

Hammond, Michael (2010) ‘So essentially human’: the appeal of Charles Chaplin's shoulder arms in Britain, 1918. Early Popular Visual Culture, 8, (3), 297-313. (doi:10.1080/17460654.2010.498168).

Hammond, Michael and Hammond, Michael (2006) Unforgiven. In, Williams, Linda Ruth (ed.) Contemporary American Cinema. London, GB, Open University Press/McGraw-Hill, 415-420.

Hammond, Mike (2003) Laughter during wartime: the comedy and the language of trauma in British cinema regulation 1917. Screen, 44, (2), 222-228.

Harland, E.J. (2011) Likeness and presence; a precise complication. In, A Sort of Night to the MInd; a Kind of Night for our Thoughts. London, GB, Arch 402 Gallery, 10-14.

Harland, Elizabeth (2006) Zone 15. University of California, Turlock, USA. Winchester Gallery, Winchester, UK. Wimbledon School of Art, London, UK. University of Ulster, Belfast, UK.

Hayward, M.A. (2011) Quelle influence de la mode francaise a la cour d'Angleterre au XVI siecle? Revue de l’Art, 174, (4), 51-56.

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Jones, Yvonne (2010) Peeling the Body. How can art practice utilize the experience of medical events to consider the implications for the living human being of notions of the posthuman? How can this process affect an understanding of the positions of the subject / medical object within the western medical tradition and, in so doing, suggest a more empowered subject? University of Southampton, Winchester School of Art, Doctoral Thesis , 126pp.

Kelly, Michael (1983) Gorky, Aragon and socialist realism. The Crane Bag, 7, (1), 108-111.

Kelly, Michael (1983) Realism, surrealism and socialist realism. Bradford Occasional Papers, 4, 118-128.

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Lavery, Jane Elizabeth (2014) The art of Ana Clavel: ghosts, urinals, dolls, shadows and outlaw desires, Oxford, GB, Legenda (Studies in Hispanic and Lusophone Cultures, 6). (In Press).

Le Foll, Claire (2002) L’école artistique de Vitebsk (1897-1923). Eveil et rayonnement autour de Pen, Chagall et Malevitch, France, Republic of, FR, L'Harmattan, 280pp.

Le Foll, Claire (2012) The image of the Jews in Belorussian Soviet cinema, 1924-1936. In, Spurling, Helen and Ewence, H (eds.) Image Conscious: Jewish Visuals and Visualising Jews Through the Ages. , Vallentine Mitchell. (Submitted).

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Lennard, Frances (2005) The impact of artists' moral rights legislation on conservation practice in the UK and beyond. In, 14th Triennal Meeting of the International Council for Museums Conservation Committee, The Hague, Netherlands, 12 - 16 Sep 2005. London, UK, James & James6pp, 285-290.

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Makhoul, Bashir, Omer, Mordechai, Nubani, Ibrahim and Livny, Efrat (2004) Outside the camp. In, Katan, Esther (ed.) Ibrahim Nubani In-between. Israel, Tel Aviv Museum of Art, 27-34.

Manghani, Sunil (2008) Image critique and the fall of the Berlin Wall, Chicago, US, Intellect Books with University of Chicago Press, 230pp.

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Manghani, Sunil (2013) Image studies: theory and practice, London, GB, Routledge, 274pp.

Manghani, Sunil and McDonald, Keith (2013) Desperately seeking Kylie! Critical reflections on William Baker’s White Diamond. In, Halligan, Benjamin, Edgar, Robert and Fairclough-Isaacs, Kirsty (eds.) The Music Documentary: Acid Rock to Electropop. Abingdon, GB, Routledge, 219-234.

Marsh, Nicky, Crosthwaite, Paul and Knight, Peter (2012) Imagining the market: a visual history. Public Culture, 24, (3), 601-622. (doi:10.1215/08992363-1630690).

May, W. (2010) Stevie Smith and Authorship. Oxford, UK, Oxford University Press, 250pp. (Oxford English Monographs).

McAleer, John (2008) ‘The slavery question in Eastern Africa’: representations of Indian Ocean slavery and its suppression in nineteenth‐century Britain from the collection of the National Maritime Museum. Journal for Maritime Research, 10, (1), 23-49. (doi:10.1080/21533369.2008.9668363).

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Nashashibi, L.R., McKee, Francis, Skaer, Lucy and Tripp, Sarah (2003) Humaniora. The Fruitmarket Gallery, Edinburgh, UK.

Nashashibi, L.R. and Szymczyk, Adam (2004) Over in. Kunsthalle, Basel, Switzerland.

Nashashibi, L.R. (2007) Proximity machine, London, UK, Book Works, 116pp.

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Nicholls, Matthew (2011) Interactions between contemporary American independent cinema and popular music culture. University of Southampton, Faculty of Humanities, Doctoral Thesis , 224pp.

Nitzan-Green, Yonat (2010) Saying It Through The Maternal Body: understanding maternal subjectivity through art practice. University of Southampton, Winchester School of Art, Doctoral Thesis , 215pp.

O'Brien, Daniel (2012) Heroic masculinities: evolution and hybridisation in the peplum genre. University of Southampton, Faculty of Humanities, Doctoral Thesis , 307pp.

Padovani, C. (2004) Transitions: conversations in contemporary craft. In, launch of 'Collect' at the Victoria and Albert Museum, London, UK, 21 Feb 2004. (Submitted).

Padovani, Clio (2006) Madre (White Time).

Padovani, Clio (2006) Stack 2 (Rippling Time).

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Parikka, Jussi (2011) Media ecologies and imaginary media: transversal expansions, contractions, and foldings. Fibreculture, 17, 34-50.

Peacock, J. (2005) Painting and visuality in Van Dyck's Self-Portrait with a Sunflower. In, Eck, Caroline Van and Winters, Edward (eds.) Dealing with the Visual: Art History, Aesthetics and Visual Culture. Aldershot, UK, Ashgate, 109-126. (Histories of Vision).

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Poulton, A.M. (2006) Commercial warp: double and single cloth structure creating distortions in patterning. Winchester School of Art, Winchester, UK.

Poulton, A.M. (2006) Exploration of the use of traditional yarns to achieve 3 dimensional effect and transparent areas. Winchester School of Art, Winchester, UK.

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Richardson, A.E. (2003) Triumphs of temper and beauty: portraits of Emma Hamilton. In, Women's Writing in Britain, 1660 - 1830, Winchester, UK, 15 - 17 Jul 2003. (Submitted).

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Rogerson, Cordelia and Garside, Paul (2006) Instrumental analysis of metal threads as an aid for interpretation and preservation of a fifteenth-century tapestry altar frontal and super frontal. In, Lennard, Frances and Hayward, Maria (eds.) Tapestry conservation: Principles and practice. Oxford, UK, Butterworth-Heinemann, 48-56.

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Taylor, Brandon (2004) Art today, London, UK; New York, USA, Laurence King; Prentice Hall, 256pp.

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Van De Peer, Stefanie (2011) Permissible documentaries: representation in Ateyyat El Abnoudy's documentaries. Journal of African Cinemas, 3, (1), 109-124. (doi:10.1386/jac.3.1.109_1).

Van De Peer, Stefanie (2011) Selma Baccar's Fatma 75: at the crossroads between Third Cinema and New Arab Cinema. French Forum

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Van De Peer, Stefanie (2012) The moderation of creative dissidence in Syria: Reem Ali’s documentary Zabad. Journal for Cultural Research, 16, (2&3), 297-317. (doi:10.1080/14797585.2012.647709).

Von Brasch, Marius (2012) ‘Distance, however near it may be’: revisiting ‘aura’ on the axis between painting and digital technology within a Deleuzian framework of ‘becoming’. University of Southampton, Winchester School of Art, Doctoral Thesis , 283pp.

Walters, Victoria (2013) Opening up the field: Joseph Beuys’ anthropological art. In, Johler, R., Marchetti, C., Tschofen, B. and Weith, C. (eds.) Kultur_Kultur: Denken, Forschen, Darstellen. Munster, DE, New York, US, München, DE, Berlin, DE, Waxman Verlag, 311-317.

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Wheatley, Catherine (2009) Michael Haneke's cinema: the ethic of the image, Oxford, UK, Berghahn Books, 232pp. (Film Europa, 7).

Whittaker, Paul and Padovani, Clio (2002) Other Europes, Europes others. Smith College, Massachusetts, Northampton, USA.

Williams, Michael (2000) A sequestered “Poodle-faker”: Droll, Camp and Ivor Novello. In, Burton, Alan and Porter, Laraine (eds.) Pimple, Pranks and Pratfalls: British Film Comedy Before 1930. Trowbridge, GB, Flicks Books, 101-106.

Williams, Michael (2003) “Cocktails,” “Post-War Hysteria,” and “Decadence”: Noël Coward and British Silent Cinema. In, Burton, Alan and Porter, Laraine (eds.) Scene Stealing: Investigating British Silent Cinema and its Sources. 5th Annual British Silent Cinema Weekend Trowbridge, GB, Flicks Books, 102-109.

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Xu, S.X. (2013) Hong Kong cinema since 1997: the response of filmmakers following the political handover from Britain to the People’s Republic of China. University of Southampton, Faculty of Humanities, Doctoral Thesis , 252pp.

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van Rijn, Walter (2012) TITLE(date)001-005, Raleigh, US, VVVR, 108pp.

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This list was generated on Sat Dec 20 01:58:12 2014 GMT.