Items where Subject is "N Fine Arts > NB Sculpture"

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Number of items at this level: 63.

Taylor, Brandon (ed.) (1970) Sculpture and Psychoanalysis, London, UK, Ashgate Press, 238pp. (Subject/Object: New Studies in Sculpture).

(2001) STEELWORKS. National Gallery of Modern Art, Mumbai , India.

Unsworth, J. (ed.) (2002) A vision for twenty-first century British sculpture, UK, Sculpture at Goodwood, 410pp. (Sculpture at Goodwood).

(2002) 1365.

(2002) Centro Culturale Paggeria, Sassoulo, Italy. Galleria Del Tasso Arte, Trento, Italy. Galerie Xippas, Athens, Greece.

(2002) Land and the samling.

(2002) Thinking Big: Concepts for Twenty-First Century British Sculpture. Peggy Guggenheim Collection, Venice, IT.

(2003) Free Fliers. Grand Arts, Kansas City, US. Arario Gallery, Cheonan-si , South Korea.

(2003) Tilt Trucks.

(2003) The Body Disembodied: New Directions in Modernist Sculpture. MacLaren Art Centre, Barrie, CA.

(2004) Westonbirt International Festival of the Garden 2004. Westonbirt, The National Arboretum, Tetbury, Gloucestershire, United Kingdom.

(2005) John Gibbons Charles Tyrrell. Taylor Galleries, Dublin, IE.

(2005) Made in UK. Canem Galeria, Castello de la Plana, Spain.

(2005) ‘North, South, East and West, John Gibbons, New Work’: Sculpture in the Workplace. One Canada Square, Canary Wharf, London, UK.

(2005) Tom Bendhem: Collector. Laing Art Gallery, Newcastle upon Tyne, GB. Bristol Museum & Art Gallery, Bristol, GB. Gallery Oldham, Oldham, GB. Huddersfield Art Gallery, Huddersfield, United Kingdom. York City Art Gallery, York, GB. Cheltenham Art Gallery & Museum, Cheltenham, GB. James Hockey Gallery, Farnham, GB. Ben Uri Gallery, London, United Kingdom.

(2005) Sculpture in the Close 2005. Jesus College, Cambridge, GB.

(2005) Law of Large Numbers (installation). Cell Projects, London, GB.

(2006) Mimoid Installation. Limehouse Arts Foundation, London, GB.

(2006) Cold climates. The Living Art Museum, Reykjavik , Iceland.

(2006) Mimiod Spirograph Free Fliers (Blue). Clerkenwell Art Space, London, GB.

(2006) Mimoid installation 2. Sherborne House, Sherborne, Dorset , United Kingdom.

(2006) Metropolis Rise. Mogashan Art Village, Shanghai, CN.

(2006) Metropolis Rise. 798 Space, DIAF 06, Beijing, CN.

(2008) Juan Bolivar: Geometry Wars. John Hansard Gallery, Southampton, GB.

(2008) David Ward: Slow Time (Previously unexhibited works since 1968). John Hansard Gallery, Southampton, GB.

(2009) Eat me - drink me. Michael Goss Foundation, Dallas, US.

Jones, Andrew M. and Bonaventura, Paul (eds.) (2011) Sculpture and Archaeology, Farnham, GB, Ashgate, 238pp.

(2011) Jake or Dinos Chapman: Somewhere between tennis elbow and wanker's cramp. White Cube: Mason's Yard; Hoxton Square, London, GB.

(2011) Two and a half dimensions. Pangolin London, London, GB.

(2014) Miru Miru Mega Yokunaru. C&C Gallery, London, GB.

(2015) Elbow & C&C Residency. C&C Gallery, London, GB.

(2016) Interview with Ian Dawson. In, Dunseath, J. and Wiltshire, M. (eds.) Artist Boss. Bath, GB, Wunderkammer Press, 89-100.

(2016) Artist Boss.

Ashworth, Jaime (2011) Between evidence and symbol: the Auschwitz album in Yad Vashem, the Imperial War Museum (London) and the Auschwitz-Birkenau State Museum. University of Southampton, Faculty of Humanities, Doctoral Thesis , 316pp.

Berge, Kjetil (2006) A Bailar.

Chapman, Jake and Chapman, Dinos (2011) Flogging a dead horse: the life and works of Jake and Dinos Chapman, New York, US, Rizzoli, 320pp.

Cook, Pam (2009) On memorialising Gainsborough Studios. Journal of British Cinema and Television, 6, (2), 249-255. (doi:10.3366/E1743452109000910).

Dawson, Ian (1998) 171 elements. ,

Dawson, Ian (2006) Henri and Henrietta. Gallerie Xippas , Paris, France.

Dawson, Ian (2006) The immortals. Galerie Edward Mitterand, Paris, France. DIAF, Beijing, China.

Dawson, Ian (2006) Untitled (fixed point installation). Lot Gallery, Bristol, UK.

Dawson, Ian (2012) Making contemporary sculpture, Ramsbury, UK, Crowood Press, 208pp.

Dawson, Ian (2015) The Wanderer's Nightsong II. C&C Gallery, London, GB.

Dawson, Ian (2016) DRIVE THRU. QPark, L3 Cavendish Square, London, GB.

Dawson, Ian, Cornell, Joseph, Demand, Thomas, Ernt, Max, Friedman, Tom, Grosz, George, Hirschorn, Thomas, Marclay, Christian, Rauschenburg, Robert, Schwitters, Kurt, Stezaker, John and Sze, Sarah (2008) France 2007, Greece 2007, Calgary 2007 and National Geographic 2006. In, Craig, Blanche (eds.) Collage: Assembling Contemporary Art. London, UK, Black Dog, 84-85.

Dimitrakaki, A. (2004) Gothic Public Art and the Failures of Democracy: Reflections on 'House', Interpretation and the 'Political Unconscious'. In, Townsend, C. (eds.) The Art of Rachel Whiteread. London, UK, Thames and Hudson, 107-127.

Farr, Helen R. (2007) Memories in stone. In, Young, Emily (eds.) Time in the Stone: a Light Touch and a Long View. London, GB, Tacit Hill Editions.

Foster, Stephen (2008) Juan Bolivar: Geometry Wars, Introduction. In, Malik, Suhail and Bolivar, Juan (eds.) Juan Bolivar: Geometry Wars. Southampton, GB, John Hansard Gallery, 11.

Gibbons, John (2003) The Messenger 2002 -03 H.980xW1030xD890 mm stainless steel and nylon. Flowers East, London, UK. Czech Museum Of Fine Arts, Prague, Czech Replublic.

Gibbons, John (2006) Om 2000. Flowers East, London, UK. Czech Museum of Fine Arts, Prague, Czech Republic. Taylor Galleries, Dublin, Ireland.

Goldsmith, S. and Scott, J. (2003) Textile perspectives in mixed media sculpture, Wiltshire, UK, The Crowood Press

Humphrey, David, Worth, Alexi and Klaus, Chris (2009) Tilt trucks and free fliers. In, Blind Handshake. New York, US, Periscope Publishing.

Jenkins, Benjamin (2015) Locating the self within the aesthetic experience of sculpture. University of Southampton, Winchester School of Art, Doctoral Thesis , 124pp.

Minkin, Louisa and Dawson, Ian (2014) Object lessons: copying and reconstruction as a teaching strategy. Art, Design and Communication in Higher Education, 13, (1), 19-29. (doi:10.1386/adch.13.1.19_1).

Morton, Stephen (2008) The Santhal family and the invention of a subaltern counterpublic. In, Dasgupta, Anshuman, Szewczyk, Monika and Watson, Grant (eds.) Santhal Family: Positions Around an Indian Sculpture. Antwerp, Belgium, Museum Van Hedendaagse Kunst Antwerp, 56-61.

Padovani, Clio (2007) Textile Transporter. Arttransponder, Berlin, Germany.

Taylor, B. (2003) Notes on Mark Wallinger's Ecce Homo in Trafalgar Square. In, Newton, S. and Taylor, B. (eds.) The Kingston and Winchester Papers. London, UK, Oneiros Books.

Taylor, B. and Newton, S. (2003) Painting, sculpture and the spiritual dimension: the Kingston and Winchester Papers, London, UK, Oneiros Books, 248pp.

Taylor, Brandon (2003) Rise and fall of the Soviet pantheon. In, Wrigley, Richard and Craske, Matthew (eds.) Pantheons: transformations of a monumental idea. London, UK, Ashgate Press, 221-242. (Subject/Object : New Studies in Sculpture).

Taylor, Brandon (2006) Revulsion/Matter's Limits. In, Taylor, Brandon and Russell, Fiona (eds.) Sculpture and Psychoanalysis. London, UK, Ashgate Press, 208-229. (Subject/Object: New Studies in Sculpture).

Walters, Victoria (2010) Working 'in the opposite direction': Joseph Beuys in the field. Anthropological Journal of European Cultures, 19, (2), Autumn Issue, 22-43. (doi:10.3167/ajec.2010.190203).

Walters, Victoria (2010) The artist as Shaman: the work of Joseph Beuys and Marcus Coates. In, Schneider, Arnd and Wright, Christopher (eds.) Between Art and Anthropology: Contemporary Ethnographic Practice. Oxford, GB, Berg, 35-48.

Walters, Victoria (2012) Joseph Beuys and the Celtic wor(l)d: a language of healing , Berlin, DE, Zurich, CH, Lit Verlag, 416pp. (European Studies in Culture and Policy).

This list was generated on Sat Feb 25 02:00:50 2017 GMT.