Items where Subject is "N Fine Arts > NC Drawing Design Illustration"
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D'Souza, Robert and Blamey, David (eds.) (2005) Living pictures: perspectives on the film poster in India, London, GB, Open Editions, 260pp.
Dawson, Ian and Robinson, Jamie (2005) Pencil (a drawing show). Carter Presents, London, GB.
D'Souza, Robert (2007) Fantastical Identities. Qingdao Museum, Qingdao, CN.
Harris , Jonathan and Williams, Richard (eds.) (2011) Regenerating culture and society: architecture, art and urban style within the global politics of city branding, Liverpool, GB, Liverpool University Press, 288pp.
Attfield, J. (2003) Review article. What does history have to do with it? Feminism and design history. Journal of Design History, 16, (1), 77-87. (doi:10.1093/jdh/16.1.77).
Attfield, J. (2003) The real thing: Tufted Carpet's entry into the vernacular. In, Schoeser, M. and Boydell, C. (eds.) Disentangling Textiles. London, UK, Middlesex University Press, 95-107. (Visual & Material Culture).
Attfield, J. (2003) Moving home: changing attitudes to residency and identity. The Journal of Architecture, 7, (2), 249-262. (doi:10.1080/13602360210155447).
Balius Planelles, Andreu (2013) Arabic type from a multicultural perspective: multi-script Latin-Arabic type design. University of Southampton, Winchester School of Art, Doctoral Thesis , 246pp.
Bengry-Howell, Andrew and Griffin, Christine (2010) Self-made motormen: the material construction of working class masculine identities through car modification. In, Lees-Maffei, Grace and Houze, Rebecca (eds.) The Design History Reader. London, GB, Berg Publishers.
Berthon, Pierre, Pitt, Leyland, Chakrabarti, Ronika and Berthon, Jean-Paul (2011) Brand worlds: From articulation to integration. Journal of Advertising Research, 51, (1), supplement 50th Anniversary Supplement, 182-194.
Brooks, M.M. (2004) Madame cow and the milk-maid coat: fashion and fibres made from milk. In, American Costume Society Symposium: 20th century design, fashion, interiors, architecture and the performing arts 2004, Houston, Texas, USA, 23 - 29 May 2004.
Burman, B. (2002) Review of Smith, J. 'The Paperless office' in White, N. and Griffiths, I. (eds.) The fashion business: theory, practice, image. Oxford: Berg, 2000. Business History, 44, (2), 156-157.
Chapman, Jake and Chapman, Dinos (2011) Flogging a dead horse: the life and works of Jake and Dinos Chapman, New York, US, Rizzoli, 320pp.
Cooper, Stephen and Terstappen, Claudia (2001) Stephen Cooper an Installation. Panomara Gallery, Barcelona, Spain.
Cooper, Stephen and Goodwin, Clare (2003) Stephen Cooper Installation. K3 Project Space, Zürich, Switzerland.
Cooper, Stephen, Craven, Tim and Mion-Jones, Esta (2007) Off at a tangent. Southampton City Art Gallery, Southampton, UK. Maidstone Museum and Bentlif Art Gallery, Maidstone, UK.
Faiers, Jonathan (2013) Dressing dangerously: dysfunctional fashion in film, New Haven, US, Yale University Press, 320pp.
Guersenzvaig, Ariel (2013) Design rationality revisited: describing and explaining design decision making from a naturalistic outlook. University of Southampton, School of Management, Doctoral Thesis , 197pp.
Hayward, M.A. (2004) Review of Rangstrom, L. 'Lions of Fashion: male fashion of the 16th, 17th, 18th centuries' Stockholm: Livrustkammaren, 2002, pp.400. Costume, 38, 154-156.
Hopkins, John (2009) The status of contemporary fashion illustration. In, Shenzhen Design Forum, Shenzhen, CN, Dec 2009.
Huddleston, R. (2003) Computer assisted printed textiles. At public lecture given at Politecnico di Milano, Milano, Italy, 21 Mar 2003. (Submitted).
Matthews David, A. and Breward, C. (2003) In the footsteps of Beau Brummel. In, Life in a Georgian City, Bath, UK, 27 - 29 Jun 2003.
May, William (2006) Drawing in the reader: looking at books in the work of Stevie Smith. Jubilat, 12, 71-82.
Miller, L. (2003) Education and the silk designer: a model for success? In, Schoeser, M. and Boydell, C. (eds.) Disentangling Textiles. London, UK, Middlesex University Press, 185-194. (Visual & Material Culture).
Miller, L. (2003) Review of M. Snodin and J. Styles, 'Design and the decorative arts: Britain 1500-1900', London: V&A publications, 2001. Economic History Review, 56, (4), 788 -811. (doi:10.1111/j.1468-0289.2003.00270.x).
Miller, L.E. (2004) Review of Wrigley, R. 'The politics of appearances: representations of dress in revolutionary France' and Veillon, D. 'Fashion under the occupation'. Costume, 38, 159-162.
Newington, Linda (2008) An artist book talk: Solent artists' book fair 2008. Quay Arts, Anthony Minghella Theatre, Newport, GB.
Newington, Linda (2009) From potato to digital, always experimental: John Dilnot and his book works. The Blue Notebook, 3, (2), 15-21.
Papania, Lisa, Campbell, Colin, Ankomah, Robert, Styven, Maria and Berthon, Jean-Paul (2008) Using brand personality to assess whether biotechnology firms are saying the right things to their network. Journal of Commercial Biotechnology, 14, (3), 247-255. (doi:10.1057/jcb.2008.14).
Pinch, Steven, Sunley, Peter and James, Macmillen (2010) Cognitive mapping of creative practice: a case study of three English design agencies. Geoforum, 41, (3), 377-387. (doi:10.1016/j.geoforum.2009.10.012).
Thrower, S. (2002) Print forecast: winter 02/03. Textile View Magazine, (58), 162-167.