Items where Subject is "N Fine Arts > ND Painting"

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Number of items at this level: 75.

(2001) STEELWORKS. National Gallery of Modern Art, Mumbai , India.

(2001) The Communications Department. Wilkinson Gallery, London, GB.

(2003) Smog. School of Hygiene and Tropical Medicine, London, GB.

(2003) New British painting: part 1.

(2004) Unframed. Standpoint Gallery, London, GB.

(2004) Ashmolean intervention. Ashmolean Museum, Oxford, GB.

(2004) New British painting: part 2.

(2005) Liverpool Biennial: Le Petit Paysage. Liverpool Biennial, Gostin Building, Liverpool, GB. Comme Ca Gallery, Manchester, GB.

(2006) Inspiration to order.

(2006) Jerusalem. Dean Clough Galleries, Halifax, GB.

(2006) Machine room: a blueprint for painting. CRATE, Margate, GB. CRATE, Margate, GB.

Bayley, Sally and May, William (eds.) (2007) From self to shelf: the artist under construction, Newcastle, UK, Cambridge Scholars Press, 250pp.

Arnold, Dana and Derevenski, Joanna Sofaer (eds.) (2008) Biographies & space: placing the subject in art and architecture, Abingdon, UK, Routledge, 224pp.

(2008) Juan Bolivar: Geometry Wars. John Hansard Gallery, Southampton, GB.

(2008) David Ward: Slow Time (Previously unexhibited works since 1968). John Hansard Gallery, Southampton, GB.

(2009) Eat me - drink me. Michael Goss Foundation, Dallas, US.

(2010) History.

Armitage, John and Garnett, Joy (2015) Vespertine. Cultural Politics, 11, (1), 126-133. (doi:10.1215/17432197-2842469).

Bruton, J. (2003) Artist's talk. At Artist's Talks, Otis University, California, USA, 01 Sep 2003.

Authors/CreatorsAuthors/Creators Person ID
Bruton, Jo7672
(2002) Walk Slowly Towards the Light. Matt's Gallery, London, UK.

Authors/CreatorsAuthors/Creators Person ID
Bruton, JoUNSPECIFIED
(2005) Variety. De La Warr Pavilion, Bexhill-On-Sea, UK.

Chapman, Jake (2008) The marriage of reason & squalor, London, GB, FUEL, 308pp.

Chapman, Jake (2011) Introspastic: from the blackened beyond, London, GB, FUEL / White Cube, 240pp.

Chapman, Jake and Chapman, Dinos (2011) Flogging a dead horse: the life and works of Jake and Dinos Chapman, New York, US, Rizzoli, 320pp.

Clarke, Gill (2006) Evelyn Dunbar: War and Country, Bristol, GB, Sansom, 224pp.

Conlin, Jonathan (2003) Gladstone and Christian Art, 1832–1854. Historical Journal, 46, (2), 341-374. (doi:10.1017/S0018246X03002978).

Conlin, Jonathan (2006) The nation's mantelpiece: the history of the National Gallery, London, UK, Pallas Athene, 576pp.

Authors/CreatorsAuthors/Creators Person ID
Cooper, StephenUNSPECIFIED
(2001) Off-line. Towner Art Gallery, Eastbourne, UK . Winchester Gallery, Winchester, UK.

Authors/CreatorsAuthors/Creators Person ID
Cooper, StephenUNSPECIFIED
(2001) Stephen Cooper an Installation. Panomara Gallery, Barcelona, Spain.

Authors/CreatorsAuthors/Creators Person ID
Cooper, StephenUNSPECIFIED
(2003) Stephen Cooper Installation. K3 Project Space, Zürich, Switzerland.

Authors/CreatorsAuthors/Creators Person ID
Cooper, StephenUNSPECIFIED
(2007) Off at a tangent. Southampton City Art Gallery, Southampton, UK. Maidstone Museum and Bentlif Art Gallery, Maidstone, UK.

Dimitrakaki, Angela (2003) (Post)modernism and Feminist Art History: The Reception of the Male Nude in Twentieth-century Greek Painting. Third Text, 17, (3), 241-259. (doi:10.1080/0952882032000136876).

Dronsfield, J.L. (2004) Decision and system in the paintings of Katie Pratt. In, Carter, R. and Foster, S. (eds.) New British Painting. Southampton, UK, John Hansard Gallery, 30-32.

Foster, Stephen (2008) Juan Bolivar: Geometry Wars, Introduction. In, Malik, Suhail and Bolivar, Juan (eds.) Juan Bolivar: Geometry Wars. Southampton, GB, John Hansard Gallery, 11.

Goldsmith, S. (2003) Construction - deconstruction: finding a way through making. In, Textile Vocabularies - innovation in practice, Heriot Watt University, Scotland, 29 Oct 2003.

Grenfell, M.J. and Hardy, Cheryl (2006) When two fields collide: war and the British Avant-gardes. In, International Conference on the Arts in Society, Edinburgh, Scotland, 15 - 18 Aug 2006. Southampton, UK, University of Southampton, School of Education12pp.

Grenfell, Michael, ULG (2005) Balises pour une morphologie sociale de l'art contemporaine en Grande-Bretagne. In, Dubois, J., Durand, P. and Winkin, Y. (eds.) Le Symbolique et le Social. Lille, France, ULG, 215-221.

Grenfell, Michael and Hardy, Cheryl (2003) Field manoeuvres: Bourdieu and the Young British Artists. Space and Culture, 6, (1), 19-34. (doi:10.1177/1206331202238960).

Grenfell, Michael and Hardy, Cheryl (2006) When two fields collide: Bourdieu, education and a British Artistic Avant-Garde. The International Journal of the Arts in Society, 1, (2), 77-84.

Harland, Beth, Gillett, John, Mann, Carl M., Kass, Jason, Godwin, Hayward J., Liversedge, Simon P. and Donnelly, Nick (2014) Modes of address in pictorial art: an eye movement study of Manet’s Bar at the Folies-Bergère. Leonardo, 47, (3), 241-247. (doi:10.1162/LEON_a_00676).

Harland, E. J. (2009) A fragment of time in the pure state; painting in search of haptic time. Journal of Visual Arts Practice, 8, (1&2), 37-58.

Harland, E.J. (2004) No particular place to go. At ATP Gallery public talk, London, UK, Mar 2004.

Harland, E.J. (2004) Between figure and ground. In, Unframed, Camberwell College of Art, London, UK, 07 May 2004.

Harland, E.J. (2009) A fragment of time in the pure state; mapping painting's temporality through the digital image, USA and UK, VDM Verlag Dr. Muller, 116pp.

Authors/CreatorsAuthors/Creators Person ID
Harland, ElizabethUNSPECIFIED
(2004) White shadow. Standpoint Gallery, London, UK.

Hartley, L. (2002) A dramatic art of everyday life: the Pre-Raphaelite Brotherhood and a very ordinary aesthetic. Journal of Victorian Culture, 7, 173-195.

Hawkins, Kate (2013) Sites of action. An investigation of performance painting and spectatorship. University of Southampton, Winchester School of Art, Doctoral Thesis , 147pp.

Hussein, Aamer (2011) Rokeya, painting. South Asian Popular Culture, 9, (1), 55-59. (doi:10.1080/14746689.2011.553888).

Kass, Jason, Harland, Beth and Donnelly, Nick (2015) Abstracting the set: Monet’s cathedrals and stable mental concepts from serial pictorial artworks. Art & Perception, 3, (2), 139-150. (doi:10.1163/22134913-00002030).

Kelly, Michael (1990) Picasso y la guerra civil espanola. In, Gagen, Derek and George, David (eds.) La Guerra Civil Espanola. Arte y Violencia. Murcia, Spain, Universidad de Murcia, 89-106. (Coleccio?n maior 20).

Lewis, Laura A. (2010) Casta Painting: Images of Race in Eighteenth-Century Mexico. By Ilona Katzew. Museum Anthropology, 33, (1), Spring Issue, 86-88. (doi:10.1111/j.1548-1379.2010.01082.x).

May, William (2009) The visual aesthetic in Lynette Roberts, Stevie Smith, and Liz Lochhead. In, Dowson, Jane (eds.) The Cambridge Companion to Twentieth-Century British and Irish Women's Poetry. Cambridge, GB, Cambridge University Press.

McAleer, John (2004) The sublime aesthetic and nineteenth-century representations of the Victoria Falls. [in special issue: Re-Discovering Aesthetics] Postgraduate Journal of Aesthetics, 1, (3), Winter Issue, 124-135.

McAleer, John (2010) Thomas Baines: a born artist and explorer. In, Hanbury-Tenison, Robin (eds.) The Great Explorers. London, GB, Thames & Hudson, 72-79.

Morley, Simon (2012) The Anadyomene Movement: metamorphics of figure-ground. University of Southampton, Winchester School of Art, Doctoral Thesis , 180pp.

Pancheva-Kirkova, Nina (2015) How to create an ideal past: continuities from the communist era in the relationship between abstract and figurative painting in post-Communist Bulgaria. University of Southampton, Winchester School of Art, Doctoral Thesis , 169pp.

Peacock, J (2001) Van Dyck in England. In, Chaney, Edward and Worsdale, Godfrey (eds.) The Stuart Portrait: Status and Legacy. The Stuart Portrait: Status & Legacy Southampton, Southampton City Art Gallery, 10-14.

Peacock, J (2001) Abraham van Blijenberch, 'Ben Jonson'. In, Chaney, Edward and Worsdale, Godfrey (eds.) The Stuart Portrait: Status and Legacy. The Stuart Portrait: Status & Legacy Southampton, Southampton City Art Gallery, 15.

Peacock, J (2001) Sir Anthony van Dyck, Portrait of a Man' and 'Portrait of a Woman',. In, Chaney, Edward and Worsdale, Godfrey (eds.) The Stuart Portrait: Status and Legacy. The Stuart Portrait: Status & Legacy Southampton, Southampton City Art Gallery, 16-17.

Peacock, J (2001) Style of Van Dyck, 'Two Young Englishmen'. In, Chaney, Edward and Worsdale, Godfrey (eds.) The Stuart Portrait: Status and Legacy. The Stuart Portrait: Status & Legacy Southampton, Southampton City Art Gallery, 22-24.

Peacock, J (2001) After Van Dyck, 'Self-portrait with a sunflower'. In, Chaney, Edward and Worsdale, Godfrey (eds.) The Stuart Portrait: Status and Legacy. The Stuart Portrait: Status & Legacy Southampton, Southampton City Art Gallery, 37-38.

Peacock, J (2001) Style of Van Dyck, 'Oliver Cromwell'. In, Chaney, Edward and Worsdale, Godfrey (eds.) The Stuart Portrait: Status and Legacy. The Stuart Portrait: Status & Legacy Southampton, Southampton City Art Gallery, 38-39.

Peacock, J (2001) William Hogarth after Van Dyck, 'Inigo Jones'. In, Chaney, Edward and Worsdale, Godfrey (eds.) The Stuart Portrait: Status and Legacy. The Stuart Portrait: Status & Legacy Southampton, Southampton City Art Gallery, 44-45.

Peacock, J. (2001) Robert Walker, 'Self-portrait'. In, Chaney, Edward and Worsdale, Godfrey (eds.) The Stuart Portrait: Status and Legacy. The Stuart Portrait: Status & Legacy Southampton, UK, Southampton City Art Gallery, 28-29.

Peacock, John (2006) The Look of Van Dyck: The Self-Portrait with a Sunflower and the Vision of the Painter , Aldershot, UK, Ashgate, 320pp. (Histories of Vision).

Perry, L.A. (2003) Not just a pretty face: 'authenticity' and the imaginative portraits of Jane Austen, 1800 - 2002. In, Women's Writing in Britain 1660 - 1830, University of Southampton, UK, 15 - 17 Jul 2003.

Popescu, Diana (2012) Perceptions of holocaust memory: a comparative study of public reactions to art about the holocaust at the Jewish Museum in New York and the Israel Museum in Jerusalem (1990s-2000s). University of Southampton, Faculty of Humanities, Doctoral Thesis , 317pp.

Richardson, A.E. (2003) The satiric persona in George Knapton's portraits of the society of Dilettanti. In, The impolite Eighteenth Century Conference, York, UK, 15 Nov 2003.

Richardson, A.E. and Kennedy, A. (2002) Blotting and blurring one against the other: Reynolds, Gainsborough and narratives of the artist. Oxford Art Journal, 25, (1), 106-118.

Authors/CreatorsAuthors/Creators Person ID
Rolph, DannyUNSPECIFIED
(2005) Obstraction. A/R Contemporary Gallery, Milan, Italy.

Authors/CreatorsAuthors/Creators Person ID
Rolph, DannyUNSPECIFIED
(2007) Singularity. Barbara Davis Gallery, Houston, USA.

Taylor, B. (2003) Bemerkungen zu Gerhard Richters Grau 334/3 (A note on Gerhard Richter's Grey 334/3). Kursiv, (9), 99-108.

Taylor, B. (2004) George Dannatt: lyrical constructivist. In, George Dannatt (exhibition catalogue). Exhibition: 'George Dannatt' Winchester, UK, The Winchester Gallery, 17-30.

Taylor, B. and Newton, S. (2003) Painting, sculpture and the spiritual dimension: the Kingston and Winchester Papers, London, UK, Oneiros Books, 248pp.

Taylor, Brandon and Fowler, Alan (2005) Elements of Abstraction: Space, Line and Interval in Modern British Art, Southampton, UK, Southampton City Art Gallery, 88pp.

This list was generated on Sat Jun 25 01:49:18 2016 BST.