Items where Subject is "N Fine Arts > NX Arts in general"
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Foster, Stephen (1988) Excavations: Sue Arrowsmith, Amanda Faulkner, Kate Whiteford.
Foster, Stephen (1989) Supplements: contemporary Polish drawing.
Foster, Stephen and Winter, Hubert (1989) Sculpturen republik.
Foster, Stephen and Kivland, Sharon (1991) The centre of the world: Sylvie Bélanger, Ben Hillwood-Harris, Sharon Kivland, Michael Punt, Penny Yasour.
Foster, Stephen (1998) Gerard Hemsworth: strictly suburban.
Foster, Stephen (1999) Art in ruins: appearances are against us.
Foster, Stephen (2000) Richard Ross: gathering light.
Veness, Alex and Santamarina, Guillermo (2001) ESO… 3er Festival Internacional de Arte Sonoro. Museo ex Teresa Arte Actual, Mexico City, MX. Laboratorio Arte Almeda, Mexico City, MX.
Foster, Stephen (2001) Andrew Cross and Dan Holdsworth.
Foster, Stephen and Collier, Caroline (2001) Gina Pane.
Foster, Stephen (2001) Carey Young: business as usual.
Foster, Stephen (2002) Michael Snow: almost cover to cover.
Foster, Stephen (2003) Sunil Gupta. Pictures from here.
Foster, Stephen and Bode, Steven (2003) Breda Beban: I can't make you love me.
Burman, Barbara and Turbin, Carole (eds.) (2003) Material strategies: dress and gender in historical perspective, Oxford, UK, Blackwell, 280pp. (Gender and History Special Issues).
Norris, David Owen, Juritz, David, Spooner, Joseph and Dutton, Epoch (2004) Dyson. Chamber works. Dutton CDLX 7137 2004.
Keay, Simon and Moser, S. (eds.) (2004) Greek art in view. Papers in honour of Brian A. Sparkes, Oxford, GB, Oxbow Books
Foster, Stephen and Bode, Steven (2004) An English Journey: Andrew Cross.
Foster, Stephen (2005) Flow Motion: Astro Black Morphologies.
Foster, Stephen (2005) Gerald Giamportone: sculptural work 1997 - 2004.
(2005) Introductory address. In, Intentionality and Distance: The Problem of the Artist's Voice, Liverpool, UK,
Padovani, Clio (2006) Stack 2. Diagonale, Centre des arts et fibres du Quebec , Montréal, CA.
Padovani, Clio (2006) Repairs Alterations Invisible Re-weavings. 4th International fibre Art Biennale, Suzhou Art & Design Technology Institute Gallery, Suzhou, CN.
Foster, Stephen and Thorp, David (2006) John Latham: Time Base and the Universe.
Stewart, Nicholas (2008) Not from everywhere.
Schady, Alexander (2008) Isolated incidents.
Anker, Suzanne (ed.) (2009) Visual Culture and Bioscience: Issues in Cultural Theory, Washington, US, Center for Art, Design and Visual Culture, UMBC
Wilson, Stephen (ed.) (2010) Art + Science Now, London, GB, Thames & Hudson , 208pp.
(2010) Taut - that certain tension between fashion and art. In, Trajector Art Fair Brussels 2010, Brussels, BE,
Harris, Jonathan (ed.) (2011) Globalization and contemporary art, Chichester, GB, Wiley-Blackwell , 552pp.
(2011) Knitting an image of fashion. Taut- Trajector 'Knitting Together an Image of Fashion', Brussels, BE, 30 Apr - 01 May 2011.
Ben-Dor, Oren (ed.) (2011) Law and Art: Ethics, Aesthetics, Justice , Routledge, 292pp. (In Press).
Ben-Dor, Oren (ed.) (2011) Law and art: justice, ethics, aesthetics, London, GB, Routledge-Cavendish, 320pp.
(2011) The mark of the beast: branding the cinematic body. Fashion Colloquia 1, London, GB, 21 - 22 Sep 2011.
(2011) Dress and...conjunctions and the need for addtions. Developments in Dress History, Brighton, GB, 08 - 10 Dec 2011.
Davis, August and Harris, Jonathan (eds.) (2012) Bashir Makhoul, Alhoash, Jerusalem, Palestinian Art Court
Dawson, Ian, Atashroo, Hazel and Gilbert Peterson, Oliver (2013) Armada. Five Years, London, GB.
Harris, Jonathan and Koeck , Richard (eds.) (2013) Picasso and the politics of visual representation: war and peace in the era of the Cold War and since , Liverpool, GB, Liverpool University Press, 224pp. (Tate Liverpool Critical Forum 13).
Abreu, Maria and Grinevich, Vadim (2014) Academic entrepreneurship in the creative arts. Environment and Planning C Government and Policy (In Press).
Amado, I. (2004) Site specificity today. In, KHIB, Bergen Academy, Norway, 19 Feb 2004. (Submitted).
Ben-Dor, Oren (2011) Introduction. In, Ben-Dor, Oren (ed.) Law and Art: Ethics, Aesthetics, Justice. London, GB, Routledge-Cavendish, 1-29. (In Press).
Ben-Dor, Oren (2011) Agonic is not yet Demonic: at the be-ginning there will have be-come a de-cision. In, Ben-Dor, Oren (ed.) Law and Art: Justice, Ethics and Aesthetics. London, GB, Routledge-Cavendish, 114-132.
Bernasek, Lisa (2005) Imazighen! Beauty and artisanship in Berber life. Ornament, 28, (3), 52-55.
Bernasek, Lisa (2006) The taste for Moroccan arts in Paris, 1917-2006. In, Middle East Studies Association Annual Conference, Boston, US, 18 - 21 Nov 2006.
Bishop, Ryan and Phillips, John (2010) Modernist avant-garde aesthetics and contemporary military technology: technicities of perception, Edinburgh, GB, Edinburgh University Press, 248pp.
Bould, Trish, Knox-Williams, C. and Oldridge, K. (2010) Occupation and place. In, Occupation: Negotiations with Constructed Space. Brighton, GB, University of Brighton.
Brooks, M.M. and Weston, C. (2006) 'Who knows the Fate of his Bones'? Rethinking the body on display: object, art or human remains? In, Knell, Simon, J., Macleod, Suzanne and Watson, Sheila (eds.) Museum Revolutions: How Museums Change and are Changed. The Museum: A World Forum London, UK, Routledge, 343-354. (Submitted).
Burman, B. (2002) Fashion, sport and identity. In, Costume Society annual symposium on the history of sportswear Jul 2002.
Burman, B. (2003) Review of 'The study of dress history'. Fashion Theory, 7, (2), 243-245.
Clarke, Gill (2008) The Women's Land Army: a portrait, Bristol, UK, Sansom, 216pp.
Comunian, Roberta (2008) Towards a new conceptual framework for business investments in the arts: some examples from Italy. Journal of Arts Management, Law and Society (In Press).
Conlin, Jonathan (2009) Civilisation, Basingstoke, UK, Palgrave Macmillan, 154pp. (BFI TV Classics).
Conlin, Jonathan (2013) Collecting and connoisseurship in England, 1840-1900: the case of J. C. Robinson. In, Reist, Inge (ed.) Reflections Across the Pond: British Models of Art Collecting and the American Response. , Ashgate. (In Press).
Cook, Pam (2012) Labours of love: in praise of fan websites. Frames, 1, (1)
Cook, Pam (2012) Nicole Kidman, Basingstoke, GB, Palgrave Macmillan, 150pp. (Film Stars).
Cook, Pam (2012) An American in Paris: Sofia Coppola and the new auteurism. European Popular Culture Association Conference (EUPOP 2012), London, GB, 9pp, 1-9.
Cubitt, Sean (2009) Liverpool glocal. In, Biggs, Bryan and Sheldon, Julie (eds.) Art in a City Revisited. Liverpool, GB, Liverpool University Press, 107-121.
Cubitt, Sean, (2009) Transience: Indigenous, settler and migrant media. In, Anderson, Jaynie (ed.) Crossing cultures : conflict, migration and convergence : the proceedings of the 32nd International Congress of the History of Art. Melbourne, AU, Megunyah Press, 989-983.
Cubitt, Sean (2009) LED technology and the shaping of culture. In, McQuire, Scott, Martin, Meredith and Niederer, Sabine (eds.) Urban Screens Reader. , Institute of Network Cultures, 97-108. (Institute of Network Cultures Readers).
Cubitt, Sean (2009) A critique of play. Refractory: A Journal of Entertainment Media, 16
Cubitt, Sean (2010) The ordering of worlds: two recent video works by Stella Brennan. Reading Room, 4, 144-155.
Cubitt, Sean (2010) Internet aesthetics. In, Hunsinger, Jereny, Klastrup, Lisbeth and Allen, Matthew (eds.) International Handbook of Internet Research. London, GB, Spriger Verlag, 159-170.
Cubitt, Sean (2010) Flusser and the CCD. Flusser Studies, 10
Cubitt, Sean (2010) Fabrication. In, Kalantzis-Cope, Phillip and Gherab-Martin, Karim (eds.) Emerging Digital Spaces in Contemporary Society. Basingstoke, GB, Palgrave, 207-219.
Cubitt, Sean (2011) Vector politics and the aesthetics of disappearance. In, Armitage, John (ed.) Virilio Now. Chichester, GB, Polity, 68-91.
Cubitt, Sean (2011) Coherent light from projectors to fibre optics. In, Screen Studies Conference: Repositioning Screen Histories, Scotland, GB, 01 - 03 Jul 2011. 8pp.
Cubitt, Sean, Hassan, Robert and Volkmer, Ingrid (2010) Postnormal network futures: a rejoinder to Ziauddin Sardar. Futures, 42, (6), 617-624. (doi:10.1016/j.futures.2010.04.021).
Cubitt, Sean and King, Barry (2008) Dossier: acting, on-set practices, software, and synthespians. In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings. Manchester, GB, Manchester University Press, 111-125.
Cubitt, Sean and King, Barry (2008) Dossier: critics and reviews. In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings,. Manchester, GB, Manchester University Press, 261-279.
Cubitt, Sean and King, Barry (2008) Dossier: materials for a study of the Lord of the Rings trilogy and its audiences. In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings. Manchester, GB, Manchester University Press, 27-31.
Cubitt, Sean and King, Barry (2008) Dossier: economics. In, Margolis, Harroet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings. Manchester, GB, Manchester University Press, 77-83.
Cubitt, Sean and King, Barry (2008) Dossier: production and post-production. In, Margolis, Harroet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings. Manchester, GB, Manchester University Press, 135-167.
Cubitt, Sean, Papastergiadis, Nikos and McQuire, Scott (2008) Transient media. Public, (37), 76-85.
Cubitt, Sean and Politoff, Violeta (2010) Visual communication in traditional and digital contexts. In, Cheney, George, May, Steve and Munshi, Debashish (eds.) Handbook of Communication Ethics. , Routledge, 241-257. (International Communications Association Handbooks).
Cubitt, Sean and king, Barry (2008) Dossier: adapting a script. In, Margolis, Harriet, Cubitt, Sean, King, Barry and Jutel, Thierry (eds.) Studying the Event Film: The Lord of the Rings,. Manchester, GB, Manchester University Press, 195-204.
D'Souza, R.E. (2013) Barcelona Masala: Narratives and Interactions in Cultural Space, Barcelona, ES, Actar Birkhauser, 208pp. (In Press).
D'Souza, R.E. (2013) The Indian biennale effect: the Kochi/Murziris Biennale 2012. Cultural Politics, 9, (3), 296-312. (doi:10.1215/17432197-2346991).
Daniel, M. (2002) The man with the movie camera. Speed of vision, speed of truth? In, 2002 International Symposium on Photography: Communication Between the Eyes, Taipei, Taiwan, The Society for Photographic Education of Chinese, 118-136.
Daniel, M. (2003) Pictorial space, duration and visual intent. Art Today, 76-79.
Davis, August (2003) The question of the mass: Martha Rosler. In, University of Liverpool Annual Art History PhD Conference, Liverpool, UK,
Davis, August (2004) In the place of the public - observations on Martha Rosler's spectacular critique. In, Association of Art Historians Annual Conference , Nottingham, GB, 01 - 03 Apr 2004.
Davis, August (2004) The visual culture of Martha Rosler. In, Edge of Reason (Research Forum) at TATE Liverpool, Liverpool, UK,
Davis, August (2005) A woman's work is never done: maintenance labour, maintenance art - Wilding, Ukeles and Rosler. In, Conception:Reception. Association of Art Historians Annual Conference , Bristol, UK,
Davis, August (2006) Martha Rosler as anti-war artist: "If Not Now, When?". In, 4th Annual Art History PhD Conference, Liverpool, UK,
Davis, August (2007) Martha Rosler as bibliophile. In, University of Liverpool, 5th Annual Art History PhD Conference, Liverpool, UK,
Davis, August (2007) Spectres and Spectacle: the Visual Culture of Martha Rosler. Association of Art Historians Annual Conference, 2007, Belfast; Session convened by Jonathan Harris: "Globalisation and Art since 1945: Disciplinary Renewal or Transformation?", Belfast, GB,
Davis, August (2007) The visible suppressed: Max Ernst and Martha Rosler. In, AHRC Surrealism Centre's 5th Annual PhD Symposium on Surrealism and its Legacies, London, UK,
Davis, August (2008) The visible suppressed: Martha Rosler and Max Ernst. In, University of Liverpool 6th Annual Art History PhD Conference, Liverpool, GB,
Davis, August (2009) Review. Art & Today by Eleanor Heartney. The Art Book, 16, (4), 45-46.
Davis, August (2011) Martha Rosler's Reboot. In, Art / Institutions / As Research , Liverpool, UK,
Davis, August (2012) Star Wars, return of the '60s (or why Martha Rosler brought the war back home yet again). In, Association of Art Historians Annual Conference, Milton Keynes, GB, 29 - 31 Mar 2012.
Davis, August and Harris, Jonathan (2012) Re: Turn. In, Bashir Makhoul. Alhoash, Jerusalem, Palestinian Art Court , 14-38.
Davis, August Jordan (2007) Review. Max Ernst: life and work, an autobiographical collage by Werner Spies, editor. The Art Book, 14, (2), 38-39. (doi:10.1111/j.1467-8357.2007.00801.x).
Dimitrakaki, A. (2004) Femininity and utopia in women's film and video: towards a critical investigation. In, von Falkenhausen, Susanne, Förschler, Silke, Reichle, Ingeborg and Uppenkamp, Bettina (eds.) Medien der kunst: geschlecht, metapher, code. Marberg, Germany, Jonas Verlag, 87-97. (18165).
Dimitrakaki, Angela (2003) Art and politics continued: avant-garde, resistance and the multitude in Documenta 11. Historical Materialism: Research in Critical Marxist Theory, 11, (3), 153-176. (doi:10.1163/156920603770678346).
Dimitrakaki, Angela (2004) Researching Culture/s and the Omitted Footnote: Questions on the Practice of Feminist Art History. In, Fisher, Jean and Mosquera, Gerardo (eds.) Over Here: International Perspectives on Art and Culture. New York and Cambridge, Massachusetts, USA, The New Museum of Contemporary Art and The MIT Press, 88-101. (Documentary Sources in Contemporary Art).
Dimitrakaki, Angela (2005) 'Five o' clock on the sun': three questions on Feminism and the moving image in the visual arts of non-Western Europe. Third Text, 19, (3), 269-282. (doi:10.1080/09528820500049460).
Dirix, Emmanuelle (2010) All in black but not a funeral in sight: the black suit and the 19th century man. In, Huvenne, Paul, Dirix , Emmanuelle and Blonde, Bruno (eds.) Black: Masters of Black in Fashion and Costume. , Lannoo, 113-119.
Dirix , Emmanuelle and Taylor, Lou (2010) The little black dress- the status of black in 1920s fashion. In, Paul, Huvenne, Dirix, Emmanuelle and Blonde, Bruno (eds.) Black: Masters of Black in Fashion and Costume. Tielt, BE, Lannoo, 163-179.
Donnelly, K.J. (2006) Musical Middle Earth. In, Mathijs, Ernest (ed.) The Lord of the Rings: Popular Culture in Global Context. London, Wallflower, 301-316.
Donnelly, K.J. (2007) Experimental music television. In, Mulvey, Laura and Sexton, Jamie (eds.) Experimental British Television. Manchester, GB, Manchester University Press.
Donnelly, K.J. (2007) Between prosaic functionalism and sublime experimentation: Doctor Who and musical sound design. In, Butler, David (ed.) Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who. Manchester, GB, Manchester University Press, 190-203.
Donnelly, Kevin (2005) The spectre of sound: music in film and television , London, UK; Los Angeles, USA, British Film Institute; University of California Press, 192pp.
Dronsfield, J.L. (2003) The perfect dot. In, Pennanen, T. (ed.) Samu Raatikainen: Finnish Artist of the Year. Finnish Artist of the Year Tampere, Finland, Tampere Art Museum, 40-43.
Dronsfield, J.L. (2003) The place of the work of art. In, 42nd Annual Meeting of the Society for Phenomenology and Existential Philosophy, Boston, USA, 06 - 08 Nov 2003. (Submitted).
Dronsfield, J.L. (2003) The place of the work of art. At Abstraction, Time and Place, Birkbeck College, University of London, UK, 10 Jan 2003. (Submitted).
Dronsfield, J.L. (2003) The gallery space and the showing of art. At seminar for Art History and Philosophy departments, De Paul University, Chicago, USA, Nov 2003. (Submitted).
Dronsfield, J.L. (2003) After parerga: Kant, Derrida, and the temporality of aesthetic judgement. In, Rothfield, P. (ed.) Kant After Derrida. London, UK, Clinamen Press, 80-104.
Dronsfield, J.L. (2003) Almost the artist: Nietzsche and the claims of the impossible. In, Nietzsche's Aesthetics, Warwick, UK, 13 Sep 2003. (Submitted).
Dronsfield, J.L. (2003) Responsibility and the space of the art gallery. In, Becoming Space, Ideology, Invention and Immanence, Reykjavik, Iceland, Oct 2003. (Submitted).
Dronsfield, J.L. (2004) Art's theory: some remarks on the question of art as research. In, Perez, Y., Rodriguez, M.A. and Saladini, E. (eds.) Spaces for Contemporary Creation. Santiago de Compostela, Spain, Asociacion de Arte y Estetica Contemporanea.
Dronsfield, J.L. (2004) Keynote paper. In, Culture stuff: giving art practice a name in the twentieth century, Intecollege and the Archimede Staffolini Gallery, Nicosia, Cyprus, 24 Mar 2004. (Submitted).
Dronsfield, J.L. (2004) Art and it's theory: some remarks on the question of art research. In, Spaces of Contemporary Creation, Asociacion de Arte y Estetica Contemporanea, University of Santiago de Compostela, Spain, 03 Apr 2004. Santiago de Compostela, Spain, Asociacion de Arte y Estetica Contemporanea (AEC).
Dronsfield, J.L. (2004) Art, history and time. At Forum for European Philosophy, L'Institut Francais, London, UK, 29 Apr 2004. (Submitted).
Dronsfield, J.L. (2004) As if! Framework: the Finnish Art Review, 2, (1)
Dronsfield, J.L. (2005) Danto, art's questioning, and the question of responsibility. In, Sanchez, P. and Hernandez-Navarro, M. (eds.) Danto and the End of Art. Murcia, Spain, Centro de Documentacion y Estudios Avanzados de Arte Contemporaneo.
Dronsfield, J.L. (2005) Danto, art's questioning, and the question of responsibility. In, Danto and the End of Art, Murcia, Spain, Dec 2003. Murcia, Centro de Documentacion y Estudios Avanzados de Arte Contemporaneo.
Dulieu-Barton, J.M., Dokos, L., Eastop, D., Lennard, F., Chambers, A.R. and Sahin, M. (2005) Deformation and strain measurement techniques for the inspection of damage in works of art. Reviews in Conservation, 6, 63-73.
Dunn, David (2009) 'War' and 'Space'. In, Expression: The Olympia Poetry Anthology 2009. London, UK, Olympia, 81-83.
Eastop, Dinah (2007) The cultural dynamics of conservation principles in reported practice. In, Richmond, Alison and Bracker, Alison (eds.) Principles of Conservation. Oxford, UK, Elsevier. (Conservation and Museology). (Submitted).
Faiers, Jonathan (2010) Minimal excess: or how the church of couture lost its faith. In, Symposium Devout/Divine: Fashion Versus Religion, ModeMuseum, Hasselt, Belgium,
Faiers, Jonathan (2011) The past that will always be. In, Alter Nature: The Future That Never Was. Hasselt, NL, ModeMuseum Hasselt, 28-34.
Faiers, Jonathan (2011) Book buying in the 21st century. In, Evenings at the Reading Rooms, London, GB,
Faiers, Jonathan (2012) Knitting and catastrophe. In the Loop 3: the Voices of Knitting , Winchester, GB, 05 - 07 Sep 2012.
Faiers, Jonathan (2013) Luxury: the consideration of excess. LUXURY: History, Culture, Consumption (In Press).
Faiers, Jonathan (2014) White lies and the tailoring of evil. In, Turney, Joanne (ed.) Fashion Crimes: Dressing for Deviance. London, GB, I.B. Tauris. (In Press).
Faiers, Jonathan and Dirix, Emmanuelle (2010) Sacred couture: ecclesiastical dress, balenciaga and the pursuit of perfection. In, Devout/Divine: Fashion Vs. Religion. Devout/Divine - Fashion vs. Religion Hasselt, NL, ModeMuseum, 32-49.
Farbstein, Rebecca (2013) Making art, making society: the social significance of smallscale innovations and experimentation in Palaeolithic portable art. [in special issue: Art Makes Society ] World Art , 3, (1), 23-39. (doi:10.1080/21500894.2013.773935).
Ferry, D. (2003) Escape to the hills. At public lecture given at the Burren College of Art, County Clare, Ireland, 26 Mar 2003. (Submitted).
Ferry, D. (2003) Montage projects. At Public lecture given at State University of New York, New York, USA, 06 Nov 2003. (Submitted).
Ferry, D. (2003) A field left of suburbia... carry on camping. At Public lecture given at Southampton College, Long Island University, New York, USA, 20 Nov 2005. (Submitted).
Ferry, D. (2004) The magic wardrobe... a tale from the riverbank. At seminar paper given at The Burren College of Art, Newtown Castle, Ireland, 11 Feb 2004. (Submitted).
Foster, Stephen (1993) In search of cultural difference. In, Catalonia Incognita: Contemporary Painting and Sculpture From Girona. , John Hansard Gallery, 15-17.
Foster, Stephen (2008) Foreword. In, Desiring Necessities. Southampton, GB, John Hansard Gallery, 2.
Foster, Stephen (2011) Foreword. In, Charlotte Posenenske (1930-1985) : the Same but Different [Dasselbe Anders]. Southampton, GB, John Hansard Gallery, 4-5.
Garside, Paul, Lahlil, Sophia and Wyeth, Paul (2005) Characterization of historic silk by polarized attenuated total reflectance Fourier transform infrared spectroscopy for informed conservation. Applied Spectroscopy, 59, (10), 1242-1247. (doi:10.1366/000370205774430855).
Garside, Paul and Wyeth, Paul (2007) Use of polarized spectroscopy as a tool for examining the microstructure of cellulosic textile fibres. Applied Spectroscopy, 61, (5), 523-529. (doi:10.1366/000370207780807821).
Gill, K. (2001) Upholstery conservation: principles and practice, Oxford, UK, Butterworth-Heinemann, 209pp. (Butterworth-Heinemann Series in Conservation and Museology).
Gillett, J.R. (2009) Are you in favour of the future? In, Harland, E.J. (ed.) Winchester School of Art Research Anthology. Winchester, GB, The Winchester Gallery Press, 74-77.
Gillett, John Roland (2010) Title sequence: the self-interpreting artwork. University of Southampton, Winchester School of Art, Doctoral Thesis .
Graham, Helen (2010) To label the label? 'Learning disability' and exhibiting 'critical proximity'. In, Sandell, Richard, Dodd, Jocelyn and Garland-Thomson, Rosemarie (eds.) Re-Presenting Disability: Activism and Agency in the Museum. Abingdon, GB, Routlege, 115-129.
Grenfell, Michael and Hardy, Cheryl (2003) Field manoeuvres: Bourdieu and the Young British Artists. Space and Culture, 6, (1), 19-34. (doi:10.1177/1206331202238960).
Harland, E.J. (2004) No particular place to go. At ATP Gallery public talk, London, UK, Mar 2004. (Submitted).
Harland, E.J. (2004) Between figure and ground. In, Unframed, Camberwell College of Art, London, UK, 07 May 2004. (Submitted).
Harland, E.J. (2009) A fragment of time in the pure state; mapping painting's temporality through the digital image, USA and UK, VDM Verlag Dr. Muller, 116pp.
Harland, E.J., Liversedge, Simon P., Gillett, J.R., Mann, C.M, Kass, J., Godwin, H.J. and Donnelly, Nick (2012) Modes of Address in Pictorial Art: An eye movement case study of Edouard Manet’s painting A Bar at the Folies-Bergère to investigate art theories of absorption and viewer acknowledgment. Leonardo (In Press).
Harris, Jonathan (2010) Academic difficulties with “convergence”: globalization and contemporary art. In, Elkins , James, Valiavicharska, Zhivka and Kim, Alice (eds.) Art and Globalization. Pennsylvania, US, Pennsylvania State University Press , 152-157. (The Stone Art Theory Institutes, 1).
Harris, Jonathan (2013) The Utopian globalists: artists of worldwide revolution, 1919-2009 , Chichester, GB, Wiley-Blackwell, 360pp.
Hayward, M.A. (2005) Gift giving at the court of Henry VIII: the 1539 New Year's gift roll in context. Antiquaries Journal, 85, 125-175.
Hayward, Maria (2007) Dress at the Court of King Henry VIII, Leeds, UK, Maney, 488pp.
Hemmings, Jessica (2002) Reinventing textiles: gender and identity: book review. Surface Design Journal, 26, (4)
Hemmings, Jessica (2005) Defining a movement: fiberart and art textiles. Fiberarts Magazine, 32, (2)
Hemmings, Jessica (2005) Playtime: Maria Blaisse. Selvedge
Hemmings, Jessica (2005) Extreme textiles at the Cooper-Hewitt, New York (exhibition review). Selvedge
Hemmings, Jessica (2006) New geometry: Galya Rosenfeld. Future Materials, 1, (3)
Hemmings, Jessica (2006) Second skin: textiles grown to fit. Crafts, (199)
Holland, Ray, Yin, Yuanyuan and Qin, Shengfeng (2008) Customer experience-based brand strategy at the Lenovo group - exploring the potential for Lenovo in the UK PC market. In, Jerrard, Robert and Hands, David (eds.) Design Management: Exploring Fieldwork and Applications. Oxford, UK, Routledge, 168-195.
Hon, Gordon (2005) Dreaming in the ruins. In, Tiapkin, A (ed.) International Transactions in the Humanities. Riga, Latvia, SIA Jumi, 409-422.
Hopkins, John (2011) Menswear, Worthing, GB, AVA books (Basics Fashion Design, 07).
Horstman, Marie, Aldiss, Susie, Richardson, Alison and Gibson, Faith (2008) Methodological issues when using the draw and write technique with children aged 6-12 years. Qualitative Health Research, 18, (7), 1001-1011. (doi:10.1177/1049732308318230).
Huddleston, R. (2003) A letter to Huang Shu-fang. In, Fangling, T. (ed.) The Traversing of Lines: Huang Shu-fang. Taiwan, Kaohsiung Museum of Fine Arts, 10-11.
Hussein, Aamer (2011) On a stormy afternoon. [in special issue: The Islam Issue] 8 Magazine, 29, 113-115.
Irvine, Thomas (2011) Musical performance, natural law and interpretation. In, Ben-Dor, Oren (ed.) Art and Law: Ethics, Justics and Aesthetics. Oxford, GB, Routledge-Cavandish, 231-244.
Johnston, Brenda, Mitchell, Rosamond, Myles, Florence and Ford, Peter (2010) Developing student criticality in higher education: undergraduate learning in the arts and social sciences, London, GB, Continuum, 256pp. (Continuum Studies in Educational Research Series).
Karatas-Ozkan, M., Nicolopoulou, K. and Kerrigan, F. (2006) The role of the arts in the social enterprise: one style social marketing for all? In, British Academy of Management (BAM) 2006, Belfast, UK, 12 - 14 Sep 2006.
Kemp, Anna (2011) Freedom from oneself: Artistry and the postcolonial woman artist in Nina Bouraoui's La Voyeuse Interdite. French Forum (In Press).
Kiwan, Nadia and Meinhof, Ulrike Hanna (2011) Cultural Globalisation and Music: African Artists in Transnational Networks, Basingstoke, GB, Palgrave Macmillan, 272pp.
Lee, R, Harland, E.J, Bruton, J and Pratt, K (2004) Threads. In, Betterton, Rosemary (ed.) Unframed: Practices & Politics of Women's Contemporary Painting. Unframed London/New York, I.B.Tauris, 115-138.
Lee, R, Harland, E.J, Bruton, J and Pratt, K (2004) Threads (Unframed Book/Exhibition/Conference). In, Betterton, Rosemary (ed.) Unframed:Practices & Politics of Women's Contemporary Painting. Unframed London/New York, I.B.Tauris, 115-138.
Lennard, F.J. (2004) Inherent vice: artists' moral rights versus conservation ethics in the UK. In, Recent Preoccupations with Textiles, Leather and Legislation, Hellenic International Council of Museums Committee and International Council of Museums-CC Textiles, Leather and Legislation working groups, Athens, Greece, 20 - 24 Apr 2004.
Makhoul, Bashir and Hon, Gordon (2013) The origins of Palestinian art, Liverpool, GB, University of Liverpool Press, 269pp. (Value: Art: Politics, 9).
Mason, Rhiannon, Whitehead, Chris and Graham, Helen (2011) One voice to many voices: displaying polyvocality in an art gallery. In, Modest, Wayne and Golding, Viv (eds.) Curators and Communities: New Approaches to Collaboration in the Museum. Oxford, GB, Blackwell. (Submitted).
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