Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Number of items at this level: 66.

Bristol, M. and McKluskie, K. (eds.) (2001) Shakespeare and modern theatre: the performance of modernity, Abingdon, UK, Routledge, 208pp. (Accent of Shakespeare).

Strietman, Elsa and Happé, Peter (eds.) (2007) Urban theatre in the low countries 1400-1625, Turnhout, Belgium, Brepols, 317pp. (Medieval Texts and Cultures of Northern Europe, 12).

Fauser, Annegret and Everist, Mark (eds.) (2009) Music, theater and cultural transfer: Paris 1830-1914, Chicago, US, Chicago University Press, 456pp.

Chesney, Luis and Dinneen, Mark (eds.) (2013) Augusto Boal revisitado, Madrid, ES, Sociedade Brasileira de Autores Teatrais (Teatro. Revista de Estudios Culturales). (In Press).

Campmas, Aude (2013) Exposition et reconnaissance de la femme-fleur dans La Curée: variations sur les tableaux vivants, mise en scène de la stérilité. In, Moran, Claire (ed.) The Art of Theatre. New York, US, Peter Lang, 165-182.

Chesney, Luis and Dinneen, Mark (2012) Introduction. [in special issue: Augusto Boal Revisitado] Revista de Teatro (In Press).

Chesney, Luis and Dinneen, Mark (2012) Conclusions. [in special issue: Augusto Boal Revisitado] Revista de Teatro (In Press).

De Lucca, Valeria (2011) The Power of the Prima Donna: Giulia Masotti’s Repertory of Choice. Journal of Seventeenth-Century Music, 17 (In Press).

De Lucca, Valeria (2011) L’Alcasta and the emergence of collective patronage in mid-seventeenth-century Rome. Journal of Musicology, 28, (2), Spring Issue, 195-230. (doi:10.1525/jm.2011.28.2.195).

De Lucca, Valeria (2011) Strategies of women patrons of music and theatre in Rome: Maria Mancini Colonna, Queen Christina of Sweden, and women of their circles. Renaissance Studies, 25, (3), 374-392. (doi:10.1111/j.1477-4658.2010.00676.x).

De Lucca, Valeria (2012) Patronage. In, Greenwald, Helen (ed.) The Oxford Handbook of Opera. Oxford, GB, Oxford University Press. (In Press).

De Lucca, Valeria (2013) Dressed to impress: the costumes for Antonio Cesti’s Orontea in Rome (1661). Early Music, 41, (3), 461-475. (doi:10.1093/em/cat077).

Dinneen, Mark (2013) Teatro Legislativo: estimulando a cidadania ativa. [in special issue: Augusto Boal Revisitado] Teatr@: Revista de Estudios Culoturales, 26, (Spring), 141-161.

Donnelly, K.J. (2000) Entertainment and dystopia: the punk anti-musical. In, Stilwell, Robynn J. and Marshall, Bill (eds.) Musicals - Hollywood and Beyond. Exeter, GB, Portland, US, Intellect, 171-179.

Emson, Kenneth, Placey, Evan and Dos Santos, Marcelo (2010) True love waits.

Everist, Mark (2002) Music drama at the Paris Odéon, 1824-1828, Berkeley, USA, Universiy of California Press, 348pp.

Everist, Mark (2004) Theatres of litigation: stage music at the Théâtre de la Renaissance, 1838–1840. Cambridge Opera Journal, 16, (2), 133-161. (doi:10.1017/S095458670400182X).

Everist, Mark (2005) Giacomo Meyerbeer and music drama in nineteenth-century Paris, Aldershot, Ashgate, 460pp. (Variorum Collected Studies Series, CS805).

Everist, Mark (2005) "Tutti i francesi erano diventati matti". Bellini and the Duet for Two Basses. In, Everist, Mark (ed.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate, 281-307. (Variorum Collected Studies Series CS805).

Everist, Mark (2005) Donizetti and Wagner: opéra de genre at the Théâtre de la Renaissance. In, Everist, Mark (ed.) Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris. Aldershot, UK, Ashgate, 309-341. (Variorum Collected Studies Series CS805).

Fenech, Anne (2010) Inspiring transformations through participation in drama for individuals with neuropalliative conditions. Journal of Applied Arts and Health, 1, (1), 63-80. (d10.1386/jaah.1.1.63/1).

Fisher, Andrew M.S. (2003) Composition folio: musicals vols. I-IV. University of Southampton, School of Humanities, Doctoral Thesis , 1788pp.

Hammond, E.M. (2011) The multimedia afterlives of Victorian novels: The Readers Library photoplay editions in the 1920s. Nineteenth Century Theatre and Film, 37, (2), 28-44.

Hammond, Mary (2004) Hall Caine and the melodrama on page, stage and screen. Nineteenth Century Theatre and Film, 31, (1), 39-57.

Hammond, Michael (2011) Leonardo DiCaprio and Sean Penn: Acting authentic. In, Pomerance, Murray (ed.) Shining in Shadows: Movie Stars of the 2000s. Biggleswade, GB, Rutgers University Press. (Star Decades Series: American Culture/American Cinema). (In Press).

Happé, Peter (2004) Cyclic form and the English mystery plays: a comparative study of the English biblical cycles and their continental and iconographic counterparts, Amsterdam, Netherlands, Rodopi, 349pp. (Ludus - Medieval and Early Renaissance Theatre and Drama, 7).

Hunt, Alice (2007) Legitimacy, ceremony and drama: Mary Tudor’s coronation and respublica. In, Happé, Peter and Hüsken, Wim (eds.) Interludes and Early Modern Society: Studies in Gender, Power and Theatricality. Amsterdam, NL, Rodopi, 331-351. (Ludus: Medieval and Early Renaissance Theatre and Drama 9).

Hunt, Alice (2012) Dumb politics in Gorboduc. In, Betteridge, Thomas and Walker, Greg (eds.) The Oxford Handbook of Tudor Drama. Oxford, GB, Oxford University Press, 547-565. (Oxford Handbooks of Literature).

Izzo, Francesco (1995) Exoticism, colonialism and oppression in Italian early Romantic opera [Esotismo, il colonialismo e l'oppressione in italiano all'inizio opera romantica]. In, Kühnel, Jürgen and Müller, Ulrich (eds.) Weine, Weine du Armes Volk: Das verführte und betrogene Volk auf der Bühne: Gesammelte Vorträge des Salzburger Symposions 1994 (Wort und Musik). Das Verführte und Betrogene Volk auf der Bühne, Kongreßbericht Salzburg Anif-Salzburg, Austria, Verlag Ursula Müller-Speiser, 317-326.

Jordan, James (2010) What we have gained is infinitely more than that small loss: Rudolph Cartier and The Dybbuk. Jewish Culture and History, 11, (1-2)

Jordan, James (2011) The Prisoner (1952) and the perpetrator in early post-war British television. Holocaust Studies, 17, (2-3), Autumn Issue, 207-229.

King, R. and Franssen, P. (2008) War and Shakespearean dramaturgy. In, King, Ros and Franssen, Paul J.C.M. (eds.) Shakespeare and War. Basingstoke, GB, Palgrave Macmillan, 1-11.

King, Ros (2008) The 'disciplines of war': Elizabethan war manuals and Shakespeare’s tragicomic vision. In, King, Ros and Franssen, Paul J.C.M. (eds.) Shakespeare and War. Basingstoke, UK, Palgrave Macmillan, 15-29.

King, Ros (2008) The Winter's Tale: a guide to the text and the play in performance. Basingstoke, GB, Palgrave Macmillan, 168pp. (Shakespeare Handbooks).

King, Ros (2012) Arden of Faversham: the moral of history and the thrill of performance. In, Betteridge , Tom and Walker, Greg (eds.) Oxford Handbook of Tudor Drama. Oxford, GB, Oxford University Press, 635-652. (Oxford Handbooks of Literature).

May, William (2010) The siren Alps: text-setting and gender. Contemporary Music Review, 29, (2), 201-213. (doi:10.1080/07494467.2010.534930).

McGavin, John J. (2002) ‘That Thin Skin’: Skipper Lindsay and the Language of Record. Medieval English Theatre, 24, 15-31.

McGavin, John J. (2007) Theatricality and narrative in medieval and early modern Scotland, Aldershot, UK, Ashgate, 172pp. (Studies in Performance and Early Modern Drama).

McGavin, John J. (2007) Working towards a reformed identity in Lindsay’s Satyre of the Thrie Estaitis. In, Happé, Peter and Hüsken, Wim (eds.) Interludes and Early Modern Society: Studies in Gender, Power and Theatricality. Amsterdam, Netherlands, Rodopi, 239-260. (Ludus: Medieval and Early Renaissance Theatre and Drama 9).

McGavin, John J. (2009) Medieval theatricality and spectatorship. Theta: Theatre Tudor, 8, 183-200.

McGavin, John J. (2012) Nice Wanton, c.1550. In, Betteridge, Thomas and Walker, Greg (eds.) The Oxford Handbook of Tudor Drama. , Oxford University Press, 246-261.

McLuskie, K. (2002) Dekker's public and private theatre collaborations. Elizabethan Theatre, 15, 65-89.

Pinnock, Andrew (2000) `From Roy Bowers': coming to Purcell the bibliographical way. In, Burden, Michael (ed.) Henry Purcell's Operas: the Complete Texts. Oxford, UK, Clarendon Press.

Pinnock, Andrew (2011) Theatre culture. In, Herissone, Rebecca (ed.) The Ashgate Research Companion to Henry Purcell. London, GB, Ashgate. (In Press).

Placanica, Francesca (2013) Saverio Mercadante and France (1823-1836). University of Southampton, Faculty of Humanities, Doctoral Thesis , 331pp.

Placey, Evan (2007) RainbowBright23.

Placey, Evan (2009) Twelve.

Placey, Evan (2010) Banana Boys.

Placey, Evan (2010) Struck by love/train.

Placey, Evan (2010) Mother of Him.

Placey, Evan (2011) Mother of Him.

Placey, Evan (2011) Suicide(s) in Vegas.

Placey, Evan (2011) Supergrass.

Placey, Evan (2011) Grains of a Brighton summer.

Placey, Evan (2011) Holloway Jones.

Placey, Evan (2011) Live feed.

Placey, Evan (2012) Running scared.

Placey, Evan (2012) Love, friendship & protest.

Placey, Evan (2012) Scarberia.

Placey, Evan (2012) How was it for you?

Placey, Evan (2013) Girls Like That, London, GB, Nick Hern Books, 80pp.

Placey, Evan (2014) Pronoun, London, GB, Nick Hearn, 96pp.

Rauxloh, Regina E. (2005) Goodies and baddies: the presentation of German police and criminals in East and West television drama. German Law Journal, 6, 981-1000.

Sloan, Barry (1993) Sectarianism and the Protestant mind: some approaches to a recurrent theme in Irish drama. Etudes Irlandaises, Nouvelle Serie, 18, (2), 33-43.

Willimason, Eila and McGavin, John J. (2006) Crossing the border: the provincial records of south-east Scotland. In, Douglas, Audrey and MacLean, Sally-Beth (eds.) REED in Review: Essays in Celebration of the First Twenty-Five Years. Toronto, CA, University of Toronto Press, 157-177. (Studies in Early English Drama).

van Pelt, Nadia (2013) Play-making on the edge of reality: managing spectator risk in early English drama. University of Southampton, Faculty of Humanities, Doctoral Thesis , 289pp.

This list was generated on Sat Oct 18 02:10:17 2014 BST.