Items where Subject is "P Language and Literature > PR English literature"

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Number of items at this level: 171.

B

Batchelor, J. (2005) Bibliography of Phebe Gibbes. In, Cambridge Bibliography of English Literature. Cambridge, UK, Cambridge University Press.

Batchelor, J. (2004) [Biographical entries and entries on the Licensing Act, Marriage Act and the conduct book]. The literary encyclopedia

Batchelor, Jennie (2005) Bibliography of Charlotte Smith. In, Cambridge Bibliography of English Literature. Cambridge, UK, Cambridge University Press.

Bending, Stephen (2006) Mrs. Montagu's contemplative bench: Bluestocking gardens and female retirement. Huntington Library Quarterly, 69, (4), 555-580. (doi:10.1525/hlq.2006.69.4.555).

Bergvall, Caroline (2005) Fig (Goan Atom, 2), Cambridge, UK, Salt Publishing, 148pp. (Salt Modern Poets).

Bygrave, Stephen (2004) Bluestocking threads: review of Pohl, N. and Schellenger, B.A. (eds) Reconsidering the bluestockings, San Marino CA : Huntington Library Press, 2003. Women: A Cultural Review, 115, (2), 265-267. (doi:10.1080/0957404042000234123).

Bygrave, Stephen (2008) Foucault, Auden and two New York Septembers. In, Morton, Stephen and Bygrave, Stephen (eds.) Foucault in an Age of Terror: Essays on Biopolitics and the Defence of Society. Basingstoke, GB, Palgrave Macmillan, 215-229.

Bygrave, Stephen (2001) Review of David Vallins, Coleridge and the Psychology of Romanticism: Feeling and Thought. Romanticism, (Volume 7, Numbe), 118-120.

Bygrave, Stephen (2009) Uses of education: readings in enlightenment in England, Lewisburg, USA, Bucknell University Press, 238pp. (Bucknell Studies in Eighteenth Century Literature and Culture).

C

Campbell, Julie (2007) Language and identity in Samuel Beckett's Echo's Bones and The Unnameable. In, Bela, Teresa and Mazur, Zygmunt (eds.) Language and Identity: English and American Studies in the Age of Globalization. Krakow, PL, Jagiellonian University Press, 165-183.

Campbell, Julie (2011) The legacy of Samuel Beckett in Paul Auster's work. In, Bela, Teresa and Mazur, Zygmunt (eds.) Ambiguity and the Search for Meaning: English and American Studies at the Beginning of the 21st Century. Krakow, Poland, Jagiellonian University Press, 325-338.

Campbell, Julie (2006) Life as art: autobiography as artistic creation in Nabokov's Speak, Memory. In, Coelsch-Foisner, Sabine and Görtschacher, Wolfgang (eds.) Fiction and Autobiography: Modes and Models of Interaction. Frankfurt am Main, DE, Peter Lang, 195-207. (Salzburg Studies in English Literature and Culture, 3).

Campbell, Julie (2007) A mighty maze of walks: Bunyan's Pilgrim's Progress and Beckett's Molloy. In, Owens, W.R. and Sim, Stuart. (eds.) Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Oxford, GB, Peter Lang, 165-182. (Religions and Discourse, 33).

Campbell, Julie (2003) 'There is no more...': cultural memory in Endgame. In, Ben-Zvi, Linda (ed.) Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Tel Aviv-Yafo, IL, Tel Aviv University, 127-140. (Assaph Book Series).

Campbell, Julie (2003) Vladimir Nabokov's Pnin: the past and the present. In, Bela, Teresa and Mazur, Zygmunt (eds.) The Legacy of History: English and American Studies and the Significance of the Past. Krakow, PL, Jagiellonian University Press, 438-451.

Campbell, Julie (2009) ‘A voice comes to one in the dark. Imagine’: radio, the listener and the dark comedy of all that fall. In, Barfield, Stephen, Feldman, Matthew and Tew, Philip (eds.) Beckett and Death. London, UK, Continuum, 147-168. (Continuum Literary Studies). (2002).

Chapman, Jake (2011) Introspastic: from the blackened beyond, London, GB, FUEL / White Cube, 240pp.

Chapman, Jake (2008) The marriage of reason & squalor, London, GB, FUEL, 308pp.

Clery, E.J. (2002) Introduction. In, Clery, E.J., Franklin, Caroline and Garside, Peter (eds.) Authorship, Commerce and the Public: Scenes of Writing, 1750-1850. Basingstoke, UK, Palgrave Macmillan, 9-16.

Cobb, Shelley (2008) Adaptable Bridget: generic intertextuality and postfeminism in Bridget Jones’s Diary. In, Boozer, Jack (ed.) Authorship in Film Adaptation. Austin, USA, University of Texas Press, 281-304.

Cobb, Shelley (2012) What would Jane do? Postfeminist media uses of Austen and the Austen reader. In, Dow, Gillian and Hanson, Clare (eds.) Uses of Austen: Jane's Afterlives. Basingstoke, GB, Palgrave Macmillan, 208-227.

D

Dow, Gillian (2009) Chawton 1809-2009: Jane Austen's return to a Hampshire village. Sensibilities, (39), 44-68.

Dow, Gillian (2010) Criss-crossing the Channel: The French Novel and English Translation, 1660-1832. In, Downie, J.A. (ed.) The Oxford Handbook of the Eighteenth-Century Novel. Oxford, UK, Oxford University Press. (In Press).

Dow, Gillian (2007) Maria Edgeworth, educatrice, et ses gouvernantes francaises. In, Brouard-Arends, Isabelle and Plagnol-Dieval, Marie-Emmanuelle (eds.) Femmes éducatrices au Siècle des Lumières. Femmes educatrices au siecle des lumieres Rennes, France, Presses Universitaires de Rennes, 333-346.

Dow, Gillian (2010) 'A Saint and almost a heroine': Madame de Maintenon en Angleterre. In, Mongenot, Christine and Plagnol-Dieval, Marie-Emmanuelle (eds.) Lectures de madame de Maintenon. Lectures de Madame de Maintenon (XVII-XXieme siecle) Rennes, Presses Universitaires de Rennes. (Submitted).

Dow, Gillian (2013) Translations. In, Todd, Janet (ed.) The Cambridge Companion to Pride and Prejudice. Cambridge, GB, Cambridge University Press.

Dow, Gillian, Astbury, Katherine, Brown, Hilary and Dow, Gillian (eds.) (2010) Women readers in Europe: an introduction. Women's Writing, 18, (1) (Submitted).

Dow, Gillian and Halsey, Katie (2010) Jane Austen's reading: The chawton years. In, Dow, Gillian and Ford, Susan Allen (eds.) New Directions in Austen Studies. , JASNA. (Persuasions On-line, 30 2).

Dow, Gillian E., Ford, Susan Allen and Brodey, Inger Sigrun (eds.) (2008) Lady Bathurst’s patriotic ballroom, or “Reading Austen at a Distance”: the French revolutionary wars in recent adaptations. Persuasions On-line, 28, (2)

Dow, Gillian E. (2007) Translators, interpreters, mediators: women writers 1700-1900, Oxford, UK, Peter Lang, 268pp. (European Connections, 25).

Dronsfield, J.L. (2003) Abstraction, authoritarianism, authority (invited responent to Donald Kuspit, 'Writing aesthetics'). In, Annual Conference of the International Association for Philosophy and Literature, Leeds, UK, 13 Sep 2003.

Dunn, David (2009) North Wind, UK, 10 x 10 Writers (Submitted).

Dunn, David (2009) Teach, UK, 10 x 10 Writers

Dunn, David (2009) 'War' and 'Space'. In, Expression: The Olympia Poetry Anthology 2009. London, UK, Olympia, 81-83.

E

Eardley, Alice (2009) Editing Hester Pulter (1605-1678). English Subject Centre

Eardley, Alice (2012) Hester Pulter’s “indivisibles” and the challenges of annotating early modern women’s poetry. SEL Studies in English Literature 1500-1900, 52, (1), Winter Issue, 117-142. (doi:10.1353/sel.2012.0003).

Eardley, Alice (2007) Recreating the canon: women writers and anthologies of early modern verse. Women's Writing, 14, (2), 270-289. (doi:10.1080/09699080701314782).

Eardley, Alice and Verbeke, Demmy (2008) Epicede for Lady Mary Ley. Lias, 35, 177-186.

Edwards, Richard (2001) The works of Richard Edwards: politics, poetry and performance in sixteenth-century England, Manchester, UK; New York, USA, Manchester University Press, 288pp. (The Revels Plays Companion Library).

F

Frost, Mark (2005) 'The Law of Help': John Ruskin's ecological vision, 1843-1886. University of Southampton, School of Humanities, Doctoral Thesis , 242pp.

G

Gill, Clare (2013) 'I am really going to kill him this time': Olive Schreiner, W.T. Stead and the politics of publicity in the Review of Reviews. Victorian Periodicals Review, 46, (2), 184-210.

Gill, Clare (2012) Olive Schreiner, T. Fisher Unwin and the rise of the short fiction collection in Britain. English Literature in Transition, 1880-1920, 55, (3), 315-338. (doi:10.1353/elt.2012.0046).

Gill, Clare and Clarke, Clare (2014) Queens of the marketplace: nineteenth-century women writers and the rise of the bestseller. Women's Writing (In Press).

Glover, David (2007) Die Gelbe Gefahr, le peril jaune, yellow peril: the geopolitics of a fear. In, Hebblethwaite, Kate and McCarthy, Elizabeth (eds.) Fear: Essays on the Meaning and Experience of Fear. Dublin, IE, Four Courts Press, 47-59.

Glover, David (2005) Foucault, sexuality, liberalism: a commentary. New Formations, 55, 29-43.

Glover, David (2009) Imperial Zion: Israel Zangwill and the English origins of territorialism. In, Bar-Yosef, Eitan and Valman, Nadia (eds.) 'The Jew' in Late Victorian and Edwardian Culture: Between the East End and East Africa. Basingstoke, GB, Palgrave Macmillan, 131-143. (Palgrave Studies in Nineteenth-Century Writing and Culture).

Glover, David (2010) Masters of male romance. In, Parrinder, Patrick and Gasiorek, Andrzej (eds.) The Oxford History of the Novel in English. Volume 4: The Reinvention of the British and Irish Novel 1880-1940. Oxford, GB, Oxford University Press, 148-163. (Oxford History of the Novel in English).

Glover, David (2011) Race, modernism and the question of late style in Kipling's racial narratives. In, Platt, Len (ed.) Modernism and Race. Cambridge, UK, Cambridge University Press, 97-115.

H

Hammond, Mary (2005) Amid the dear old horrors: memory, London and literary labour in 'The Private Papers of Henry Ryecroft'. In, Spiers, John (ed.) Gissing and the City: Cultural Crisis and the Making of Books in Late Victorian England. Basingstoke, UK, Palgrave Macmillan, 171-179.

Hammond, Mary (1999) ‘Dangerous Undesirables': Wallace, Chesterton, Conrad and the 1905 Aliens Act. Diegesis, 4, 51-60.

Hammond, Mary (2005) Exploring outlets. In, Anderson, Linda (ed.) Creative Writing: a Workbook with Readings. London, UK, Routledge, 383-396.

Hammond, Mary (2002) “The great fiction bore”: free libraries and the construction of a reading public in England, 1880-1914. Libraries & Culture, 37, (2), 83-108.

Hammond, Mary (2004) Hall Caine and the melodrama on page, stage and screen. Nineteenth Century Theatre and Film, 31, (1), 39-57.

Hammond, Mary (2007) The Pilgrim’s Progress and its nineteenth-century publishers. In, Owens, W.R. and Sim, Stuart (eds.) Reception, Appropriation, Recollection: Bunyan’s Pilgrim’s Progress. Oxford, UK, Peter Lang, 99-118. (Religions and Discourse 33).

Hammond, Mary (2010) Readers and readerships. In, Shattock, Joanne (ed.) The Cambridge Companion to Literature 1830-1914. Cambridge, UK, Cambridge University Press, 30-49. (Cambridge Companions to Literature).

Hammond, Mary (2005) The Reading Experience Database. In, Myers, Robin, Harris, Michael and Mandelbrote, Giles (eds.) Owners, Annotators and the Signs of Reading. London, UK; Delaware, USA, British Library; Oak Knoll Press, 175-187.

Hammond, Mary (2006) Reading, publishing and the formation of literary taste in England, 1880-1914, Aldershot, UK, Ashgate, 222pp. (The Nineteenth Century Series).

Hammond, Mary (2007) Telling tales in academia. In, Butt, Maggie (ed.) Story: the Heart of the Matter. London, UK, Greenwich Exchange.

Hammond, Mary (2002) Thackeray's Waterloo: history and war in Vanity Fair. Literature and History, 11, (2), 19-38.

Hanson, C. (2008) Biopolitics, biological racism and eugenics. In, Morton, Stephen and Bygrave, Stephen (eds.) Foucault in an Age of Terror: Essays on Biopolitics and the Defence of Society. Basingstoke, GB, Palgrave Macmillan, 106-117.

Hanson, Clare (2001) Dis/figuration in the stories of Jean Stafford. Yearbook of English Studies, 31, (1), 109-117.

Hanson, Clare (2004) Fiction, feminism and femininity: from the eighties to the noughties. In, Parker, Emma (ed.) Contemporary British Women Writers. Woodbridge, GB, Boydell and Brewer, for the English Association, 16-27. (Essays and Studies).

Hanson, Clare (2007) Reproduction, genetics, and eugenics in the fiction of Doris Lessing. Contemporary Women's Writing, 1, (1-2), 171-184. (doi:10.1093/cww/vpm008).

Hanson, Clare (2010) Short stories and short fiction. In, Parrinder, Patrick and Gasiorek, Andrzej (eds.) The Oxford History of the Novel in English. Volume 4: The Reinvention of the British and Irish Novel 1880-1940. Oxford, GB, Oxford University Press, 288-302. (Oxford History of the Novel in English).

Happé, Peter (2004) Cyclic form and the English mystery plays: a comparative study of the English biblical cycles and their continental and iconographic counterparts, Amsterdam, Netherlands, Rodopi, 349pp. (Ludus - Medieval and Early Renaissance Theatre and Drama, 7).

Happé, Peter (2003) Jonson's on-stage audiences: spectaret populum ludis attentius ipsis. Ben Jonson Journal, 10, 23-41.

Happé, Peter (2007) Printing the third volume of Jonson’s Works. The Ben Jonson Journal: Literary Contexts in the Age of Elizabeth, James, and Charles, 14, (1), 20-42.

Higson, Andrew, Williams, Michael and Blanco, Jo-Anne (2002) Bibliography: British cinema before 1930. In, Higson, Andrew (ed.) Young and Innocent? Cinema and Britain 1896-1930. Exeter, UK, University of Exeter Press, 371-404.

Hugill, Piers (2006) Love and grammar: on Caroline Bergvall’s 'Fig'. Jacket, 31

Hunt, Alice (2008) The drama of coronation: medieval ceremony in early modern England, Cambridge, UK, Cambridge University Press, 242pp.

J

Johnson, Rebecca (1995) The Englishman's Scottishman or radical scotmans? Reading Douglas Dunn in the light of re-appraisal of Philip Larkin. Scottish Literary Journal, 22, (1), 74-83.

Johnson, Rebecca (2000) Philip Larkin and the case of the missing manuscript. Archives, 25, (103), 154-160.

Johnson, Rebecca (1997) The Philip Larkin family papers. In, PN Review. Manchester, UK, Carcanet, 7-9.

Johnson, Rebecca (2000) Trespassing: Philip Larkin and the legacy of D.H. Lawrence. D.H. Lawrence Review, 29, (3), 41-48.

Jones, Stephanie (2003) A novel genre: polylingualism and magical realism in Amitav Ghosh's 'The circle of reason'. Bulletin of School of Oriental and African Studies, 66, (3), 431-441. (doi:10.1017/S0041977X03000302).

Jones, Stephanie (2005) Of numerology and butterflies: magical realism in Salman Rushdie's 'The Satanic Verses'. In, Hart, Stephen M. and Ouyang, Wen-chin (eds.) A Companion to Magical Realism. New York, USA; London, UK, Boydell and Brewer, 256-266. (Colección Támesis. Serie A, Monografías 220).

Jowitt, Claire (2010) East versus West: seraglio queens, politics, and sexuality in Thomas Heywood's Fair Maid of the West, Parts I and II. In, Yermolenko, Galina I. (ed.) Roxolana in European Literature, History and Culture. Farnham, GB, Ashgate, 57-70.

Jowitt, Claire (2011) Pirates and politics in John Barclay's Argenis (1621). [in special issue: Travel and Prose Fiction in Early Modern England] The Yearbook of English Studies , 41, (1), 156-172.

Jowitt, Claire (2010) The politics of Mandevillian monsters in Richard Brome's The Antipodes. In, Niayesh, Ladan (ed.) A Knight's Legacy: Mandeville and Mandevillian Lore in Early Modern England. Manchester, GB, Manchester University Press. (Manchester Medieval Literature and Culture).

Jowitt, Claire (2012) Robert Wilson's The Three Ladies of London and its theatrical and cultural contexts. In, Betteridge, Thomas and Walker, Greg (eds.) The Oxford Handbook of Tudor Drama. Oxford, GB, Oxford University Press, 309-322.

Jowitt, Claire (2012) Shakespeare’s pirates: the politics of seaborne crime. Shakespeare Jahrbuch, 148

Jowitt, Claire (2013) ‘To sleep, perchance to dream’: the politics of travel in the 1630s. The Yearbook of English Studies, 44 (In Press).

K

Kaplan, C. (2004) The death of the working class hero. New Formations, 52, 94-110.

Kaplan, Cora (2005) Victoriana: histories, criticisms, fictions, Edinburgh, Scotland, University of Edinburgh Press, 192pp.

King, Ros (2004) “Action and accent did they teach him there”: Shakespeare and the construction of soundscape. In, Clayton, Tom, Brock, Susan and Forès, Vicente (eds.) Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001. VII World Shakespeare Congress Newark, USA, University of Delaware Press, 180-193.

King, Ros (2004) The Comedy of Errors, Cambridge, UK, Cambridge University Press, 146pp. (The New Cambridge Shakespeare).

King, Ros (2005) Cymbeline: constructions of Britain, Aldershot, UK, Ashgate, 216pp. (Studies in Performance and Early Modern Drama).

King, Ros (2009) ‘Making meanings: Shakespeare’s poetry for the theatre’. In, Hiscock, Andrew and Longstaffe, Stephen (eds.) Shakespeare Handbook. London, UK, Continuum, 206-214. (Literature and Culture Handbooks).

King, Ros (2011) Shakespeare: A Beginner's Guide. , One World (Beginner's Guides).

Kress, Gunther, Jewitt, Carey, Bourne, Jill, Franks, Anton, Hardcastle, John, Jones, Ken and Reid, Euan (2005) English in Urban Classrooms: a multimodal perspective on teaching and learning, London, UK, RoutledgeFalmer, 184pp.

L

Levene, Mark (2009) Herzl, the scramble, and a meeting that never happened: revisiting the notion of an African Zion. In, Bar-Yosef, Eitan and Valman, Nadia (eds.) 'The Jew' in Late-Victorian and Edwardian Culture: Between the East End and East Africa. Basingstoke, GB, Palgrave Macmillan, 201-220. (Palgrave Studies in Nineteenth-Century Writing and Culture).

Leyshon, Nell (2005) Comfort Me With Apples, London, UK, Oberon Books, 78pp. (Oberon Modern Plays).

Leyshon, Nell (2003) The Farm, London, UK, Oberon Books, 72pp. (Oberon modern plays).

Leyshon, Nell (2007) Glass Eels, London, UK, Oberon Books, 78pp. (Oberon Modern Plays).

M

Marlowe, Christopher, Gill, Roma and King, Ros (2008) Doctor Faustus, London, UK, A&C Black (Methuen Drama), 128pp. (New Mermaids).

Marsh, Nicky, Fagan, Kate (ed.) (2004) Go Grrrl: The Zine and the Postliterary. www.how2journal.com, 2, (2)

Marsh, Nicky (2007) In cite of the wall: democracy, poetry and the twenty-first century public (in special issue: The Fates and Futures of Feminism). Critical Matrix, 16, (1)

Marsh, Nicky (2007) Money, Speculation and Finance in Contemporary British Fiction, London, UK, Continuum, 176pp. (Continuum Literary Studies).

Marsh, Nicky (2007) Taking the Maggie: money, masculinity and sovereignty in British fiction. Modern Fiction Studies, 53, (4)

Marsh, Nicky, Middleton, Peter and Sheppard, Victoria (2006) 'Blasts of language': changes in oral poetics in Britain Since 1965. Oral Tradition, 21, (1), 44-67.

Marsh, Nicola (2011) Agonal states: Maggie O'Sullivan and a feminist politics of visual poetics. In, Emery, Chris (ed.) The Salt Companion to Maggie O'Sullivan. Cromer, GB, Salt Publishing, 76-93.

Matthews David, A. (2003) Penelope Web and Angelica Kauffman's craft. In, Women's Writing in Britain 1660-1830, University of Southampton, UK, 15 - 17 Jul 2003.

May, W. (2010) Stevie Smith and Authorship. Oxford, UK, Oxford University Press, 250pp. (Oxford English Monographs).

May, William (2005) ‘The Choosers’: posthumous collections of Stevie Smith's poetry. The Library, 6, (3), 321-338. (doi:10.1093/library/6.3.321).

May, William (2008) Class in British poetry. In, Persoon, James and Watson, Robert R. (eds.) The Facts On File Companion to British Poetry, 1900 to the Present. New York, USA, Facts On File.

May, William (2006) Drawing in the reader: looking at books in the work of Stevie Smith. Jubilat, 12, 71-82.

May, William (2009) 'A good time was had by all?': Stevie Smith beside the seaside. In, Harris, Alexandra and Feigel, Lara (eds.) Modernism on Sea: Art and Culture at the British Seaside. London, UK, Peter Lang, 85-98.

May, William (2005) I enclose my character: public addresses and private correspondences in the work of Stevie Smith. The Literary Criterion, 40, (3), 153-160.

May, William (2009) 'It's hard to be anything': difference and identity in Arthur Miller's 'Broken Glass'. English Review, 19, (3)

May, William (2012) Letters to Jane: Austen, the letter, and twentieth-century women's writing. In, Hanson, C. and Dow, Gillian (eds.) Uses of Austen: Jane's Afterlives. Basingstoke, GB, Palgrave, 115-131.

McDonald, Gail (2009) Eliot and the New Critics. In, Chinitz, David (ed.) A Companion to T.S.Eliot. Chichester, GB, Wiley-Blackwell, 411-422. (Blackwell Companions to Literature and Culture).

McDonald, Gail (2004) Through schoolhouse windows: women, the academy, and T.S. Eliot. In, Laity, Cassandra and Gish, Nancy K. (eds.) Gender, desire and sexuality in T.S. Eliot. Cambridge, UK; New York, US, Cambridge University Press, 175-194.

McGavin, John (2008) Alliterative place name lists in early drama. Medieval English Theatre, 30, 45-62.

McGavin, John J. (2009) Medieval theatricality and spectatorship. Theta: Theatre Tudor, 8, 183-200.

McGavin, John J. (2007) Thomas Ker of Redden’s trip to the Low Countries, 1620. In, Carpenter, Sarah and Dunnigan, Sarah M. (eds.) "Joyous Sweit Imaginatioun": Essays on Scottish Literature in Honour of R.D.S. Jack. Amsterdam, The Netherlands, Rodopi, 155-175.

Michael, Erben (2000) Autobiography. In, Drabble, Margaret (ed.) The Oxford Companion to English Literature. Oxford, UK, Oxford University Press.

Middleton, Peter (2008) “101” from Mysteries of Small Houses. Intercapillary Space

Middleton, Peter (2010) Conclusion: the history and interpretation of modernist poetry. In, Marsh, Nicky and Middleton, Peter (eds.) Teaching Modernist Poetry. Basingstoke, UK, Palgrave Macmillan, 179-201. (Teaching the New English Series).

Middleton, Peter (2009) Institutions of poetry in postwar Britain. In, Alderman, Nigel and Blanton, C.D. (eds.) A Concise Companion to Postwar British and Irish Poetry. Oxford, UK, Wiley-Blackwell, 221-242.

Middleton, Peter (2011) An interview with Charles Olson and a time traveller. In, Schad, John and Tearle, Oliver (eds.) Crrritic! Sighs, Cries, Lies, Insults, Outbursts, Hoaxes, Disasters, Letters of Resignation, and Various Other Noises Off in These the First and Last Days of Literary Criticism. , Sussex Academic Press. (Submitted).

Middleton, Peter (2008) Language public and poetry. PORES: A Journal of Poetics Research, (5)

Middleton, Peter (2010) The longing of the long poem. Jacket, 40

Middleton, Peter (2009) Strips: Scientific Language in Poetry. Textual Practice, 23, (6), 947-958. (doi:10.1080/09502360903361634).

Middleton, Peter (2009) Two poems: 'The Struggle', 'Northeast Spain'. Blackbox Manifold, (3)

Millett, Bella (2000) Ancrene Wisse and the Book of Hours. In, Renevey, Denis and Whitehead, Christiania (eds.) Writing Religious Women: Female Spiritual and Textual Practices in Late Medieval England. Cardiff, UK, University of Wales Press, 21-40.

Millett, Bella (1999) Ancrene Wisse and the conditions of confession. English Studies, 80, (3), 193-215. (doi:10.1080/00138389908599177).

Millett, Bella (2004) The Ancrene Wisse Group. In, Edwards, A.S.G. (ed.) A Companion to Middle English prose. Woodbridge, UK, Boydell & Brewer, 1-17.

Millett, Bella (1996) Ancrene Wisse, the Katherine Group, and the Wooing Group, Cambridge, UK, Boydell and Brewer, 256pp. (Annotated Bibliographies of Old and Middle English Literature, 2).

Millett, Bella (2009) Ancrene Wisse: guide for Anchoresses (a translation), Exeter, UK, University of Exeter, 381pp. (Exeter Medieval Texts and Studies).

Millett, Bella (1990) The audience of the saints' lives of the Katherine Group. [In special issue: Saints and Saints' Lives - Essays in Honour of D.H. Farmer]. Reading Medieval Studies, XVI, 127-156.

Millett, Bella (1985) Chaucer, Lollius, and the medieval theory of authorship. In, Strohm, Paul and Heffernan, Thomas J. (eds.) Studies in the Age of Chaucer, Proceedings, No. 1, 1984: Reconstructing Chaucer. Congress of the New Chaucer Society Knoxville, USA, New Chaucer Society, 93-103. (Studies in the Age of Chaucer, Proceedings 1).

Millett, Bella (2005) The discontinuity of English prose: structural innovation in the Lambeth and Trinity homilies. In, Oizumi, Akio, Fisiak, Jacek and Scahill, John (eds.) Text and Language in Medieval English Prose: A Festschrift for Tadao Kubouchi. Frankfurt, Germany, Peter Lang, 129-150. (Studies in English Medieval Language and Literature 12).

Millett, Bella (1983) Hali Meithhad, Sawles Warde, and the continuity of English prose. In, Stanley, Eric Gerald and Gray, Douglas (eds.) Five Hundred Years of Words and Sounds: a Festschrift for Eric Dobson. Cambridge, UK, D.S. Brewer, 100-114.

Millett, Bella (2008) 'He speaks to me as if I was a public meeting': rhetoric and audience in the works of the Ancrene Wisse Group. In, McAvoy, Liz Herbert (ed.) Rhetoric of the Anchorhold: Space, Place and Body within the Discourses of Enclosure. Cardiff, UK, University of Wales Press, 50-65. (Religion and Culture in the Middle Ages).

Millett, Bella (1994) How green is the Green Knight? Nottingham Medieval Studies, XXXVIII, 138-151.

Millett, Bella (1994) Mouvance and the medieval author: re-editing Ancrene Wisse. In, Minnis, A.J. (ed.) Late-Medieval Religious Texts and their Transmission: Essays in Honour of A.I. Doyle. York Manuscripts Conference Cambridge, UK, D.S. Brewer, 9-20. (York Manuscripts Conference: Proceedings Series III).

Millett, Bella (1996) Notes and queries. Peintunge and Schadewe in Ancrene Wisse Part 4. Notes & Queries, 43, (4), 399-403. (doi:10.1093/nq/43.4.399).

Millett, Bella (1992) The origins of Ancrene Wisse: new answers, new questions. Medium Aevum, 61, 206-228.

Millett, Bella (1988) The saints' lives of the Katherine Group and the alliterative tradition. Journal of English and Germanic Philology, 87, 16-34.

Millett, Bella (1990) Some editorial problems in the Katherine Group. English Studies, 71, (5), 386-394. (doi:10.1080/00138389008598709).

Millett, Bella (1995) The songs of entertainers and the songs of the angels: vernacular lyric fragments in Odo of Cheriton's "Sermones de festis". Medium Aevum, 64, 17-36.

Millett, Bella (1990) The textual transmission of 'Seinte Iuliene'. Medium Aevum, 59, 41-54.

Millett, Bella (2003) Wessex Parallel Web Texts: developing an online tutorial. Final report. English Subject Centre Bulletin, (6), 5-6.

Millett, Bella (2013) Whatever happened to electronic editing? In, Gillespie, V. and Hudson, A. (eds.) Probable Truth: Editing Medieval Texts from Britain in the Twenty-First Century. Turnhout, BE, Brepols, 39-54. (Texts and Transitions, TT 5).

Millett, Bella (1997) Women in No Man's Land: English recluses and the development of vernacular literature in the twelfth and thirteenth centuries. In, Meale, Carol M. (ed.) Women and Literature in Britain, 1150-1500 [2nd edition]. Cambridge, UK, Cambridge University Press, 86-103. (Cambridge Studies in Medieval Literature 17).

Mitchell, Rosamond (2003) Rationales for foreign language education in the 21st century. In, Sarangi, Srikant and Leeuwen, Theo Van (eds.) Applied Linguistics & Communities of Practice. London, UK, Continuum, 114-131. (British studies in applied linguistics, 18).

Morton, Stephen (2010) Gayatri Chakravorty Spivak (1942-). In, Simons, Jon (ed.) From Agamben to Zizek: Contemporary Critical Theorists. Edinburgh, GB, Edinburgh University Press, 210-226.

Morton, Stephen (2010) Marginality: representations of subalternity, aboriginality and race. In, Chew, Shirley and Richards, David (eds.) A Concise Companion to Postcolonial Literature. Oxford, UK, Wiley-Blackwell, 162-181. (Blackwell Concise Companions to Literature and Culture). (doi:10.1002/9781444317879.ch8).

Morton, Stephen (2009) Multiculturalism and the formation of a diasporic counterpublic in Roy K. Kiyooka's StoneDGloves. [in special issue: Disappearance and Mobility] Canadian Literature, 201, Summer Issue, 89-109.

Morton, Stephen (2007) Salman Rushdie: fictions of postcolonial modernity, Basingstoke, UK; New York, USA, Palgrave MacMillan, 200pp.

Morton, Stephen (2009) Terrorism, literature and sedition in colonial India. In, Boehmer, Elleke and Morton, Stephen (eds.) Terror and the Postcolonial: A Concise Companion. Oxford, GB, Wiley-Blackwell, 202-225.

Morton, Stephen (2008) 'There were collisions and explosions. The world was no longer calm.' Terror and precarious life in Salman Rushdie's Shalimar the Clown. Textual Practice, 22, (2), 337-355. (doi:10.1080/09502360802045148).

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O'Doherty, Marianne (2009) The viaggio in Inghilterra of a viaggio in Oriente: Odorico da Pordenone's Itinerarium from Italy to England. Italian Studies, 64, (2), 198-220. (doi:10.1179/007516309X12523346148145).

Orr, Mary (2009) Intertextuality: old debates in new contexts. In, Saeckel, Sarah, Goebel, Walter and Hamdy, Noha (eds.) Semiotic Encounters: Text, Image and Trans-Nation. New York, USA, Rodopi, 15-30. (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 128, ).

Orr, Mary (2010) Towards a feminist revisionism of an aesthetics of mastery: Harold Bloom, neo-romanticism and the critical sublime. In, Rawes, Alan and Shears, Jonathon (eds.) Reading, Writing and the Influence of Harold Bloom. Manchester, GB, Manchester University Press, 156-175.

Orr, Mary (2007) Women and daughters of genius: Mrs Barbara Hofland and Mlle Clémentine Cuvier. In, Translators, Interpreters, Mediators: Women Writers 1700-1900. Oxford, UK, Peter Lang, 143-158. (European Connections, 25).

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Pearson, Rachel (2011) Politics and power in the Gothic drama of M.G. Lewis. University of Southampton, School of Humanities, Doctoral Thesis , 315pp.

Perry, L.A. (2003) Not just a pretty face: 'authenticity' and the imaginative portraits of Jane Austen, 1800 - 2002. In, Women's Writing in Britain 1660 - 1830, University of Southampton, UK, 15 - 17 Jul 2003.

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Rapaport, H. (2001) Double mourning: Heidegger, Arendt, Irigaray. Oxford Literary Review, 23

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Sloan, Barry (1996) [15 entries]. In, Welch, Robert and Stewart, Bruce (eds.) Oxford Companion to Irish Literature. Oxford, GB, Oxford University Press.

Sloan, Barry (2010) 'Each neighbourly murder': lost lives and the challenge of commemorating the victims of the Northern Ireland troubles. [in special issue: Beyond Trauma: The Uses of the Past in XXIst Century Europe] European Journal of English Studies, 14, (1), 49-62. (doi:10.1080/13825571003588452).

Sloan, Barry (2009) "In My Father's House": renegotiations of boyhood in life-writing by John McGahern, Ciaran O'Driscoll, Dermot Healy and Ciaran Carson. [in special issue: Children, Childhood, and Irish Society] Éire Ireland, 44, (1&2), Spring Issue, 218-241. (doi:10.1353/eir.0.0035).

Sloan, Barry (2006) William Carleton: protestants and protestantism. In, Brand, Gordon (ed.) William Carleton: The Authentic Voice. Gerrards Cross, UK; New York, US, Colin Smyth Limited, 234-250. (Irish Literary Studies 53).

Sloan, Barry (2000) Writers and Protestantism in the North of Ireland: heirs to adamnation?, Dublin, Republic of Ireland; Portland, USA, Irish Academic Press, 381pp.

Stafford, Nick (2006) Katherine Desouza, London, UK, Faber & Faber, 96pp. (Stage Scripts).

Stafford, Nick (2004) Love Me Tonight, London, UK, Faber & Faber, 96pp.

Stafford, Nick (2001) Luminosity, London, UK, Faber & Faber, 80pp.

Stafford, Nick (2007) War Horse, London, UK, Faber & Faber, 96pp.

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Valman, Nadia (2003) "A fresh-made garment of citizenship" - representing Jewish identities in Victorian Britain. 19th Century Studies, 17, 35-45.

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Willimason, Eila and McGavin, John J. (2006) Crossing the border: the provincial records of south-east Scotland. In, Douglas, Audrey and MacLean, Sally-Beth (eds.) REED in Review: Essays in Celebration of the First Twenty-Five Years. Toronto, CA, University of Toronto Press, 157-177. (Studies in Early English Drama).

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Young, Jennifer Maria (2009) Paradidomi: magical realism and the American South. University of Southampton, School of Humanities, Doctoral Thesis , 235pp.

This list was generated on Tue Sep 23 13:40:43 2014 BST.