Items where Subject is "T Technology > TR Photography"
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Makhoul, B and Horn, Rebecca (2002) The shock of September 11 and the mystery of the other. Haus am Lutzowplatz, Berlin, DE.
Medley, Susan (2002) Naoya Hatakeyama: Slow glass. Northern Gallery for Contemporary Art, Sunderland, GB. Winchester Gallery, Winchester, GB. Impressions Gallery, York, GB.
Makhoul, Bashir (2003) Strangers to ourselves. Hastings Museum and Art Gallery, Hastings, GB.
Makhoul, Bashir and Deebi, Aissa (2004) Near: an exhibition of new works. Tangent Gallery , Detroit , United States. Elga Wimmer Gallery , New York, US.
Foster, Stephen (2005) Campus.
Foster, Stephen and Maud-Roxby, Alice (2007) Live Art on Camera.
Foster, Stephen and Chandler, David (2007) Fig: Oliver Chanarin and Adam Broomberg.
Foster, Stephen and Hauser, Kitty (2008) O.G.S Crawford.
Gillett, John, Harland, Beth and Carnie, Andrew (2009) Unfolding:Phenotype and Genotype.
Birkin, Jane (2015) Units of description: writing and reading the ‘archived’ photograph. University of Southampton, Winchester School of Art, Doctoral Thesis , 182pp.
D'Souza, R.E. (2013) Barcelona Masala: Narratives and Interactions in Cultural Space, Barcelona, ES, Actar, 208pp. (In Press).
D'Souza, Robert E (2007) Resist India, New York, US, Deebi Publishing, 39pp.
Daniel, M. (2002) The man with the movie camera. Speed of vision, speed of truth? In, 2002 International Symposium on Photography: Communication Between the Eyes, Taipei, Taiwan, The Society for Photographic Education of Chinese, 118-136.
Daniel, M., (2003) The man with the movie camera. In, 25 hrs. Spain, The Video Art Foundation, 36-51.
Davis, August (2011) Bringing the war back home: Martha Rosler's anti-war photomontages (1967-2008). University of Liverpool, School of Architecture and Building Engineering, Doctoral Thesis .
De Stefano, A., White, P.R. and Collis, W.B. (2004) Film grain reduction on colour images using undecimated wavelet transform. Image and Vision Computing, 22, (11), 873-882. (doi:10.1016/j.imavis.2004.04.002).
Dronsfield, J.L. (2004) Derrida, virtuality and time. Or what takes place before the camera. In, Virtual Marterialities, annual conference of the International Association for Philosophy and Literature, University of Syracuse, USA, 21 May 2004.
Foster, Stephen (2008) Live Art on Camera: Performance and Photography, Foreword. In, Maude-Roxby, Alice, O'Dell, Kathy and Clausen, Barbara (eds.) Live Art on Camera: Performance and Photography. Southampton, GB, John Hansard Gallery, 5-6.
Foster, Stephen (2011) Foreword. In, Ernst, Nina and Bode, Steven (eds.) Ruth Maclennan - Anarcadia. London, GB, Film and Video Umbrella, 5.
Foster, Stephen (2012) Foreword. In, Embodied Memories: Jennifer Anyan. Southampton, GB, John Hansard Gallery, 2.
Foster, Stephen (2012) Foreword. In, Sloan, Helen (ed.) David Cotterrell - Monsters of the Id. Southampton, GB, John Hansard Gallery, 4-5.
Garrett, Bradley (2012) Capital striation. Photoworks, (19), 80-83.
Garrett, Bradley (2012) Capital striation. In, Brighton Photo Biennial, Caroline of Brunswick, Brighton, GB, 24 Oct 2012.
Garrett, Bradley (2013) Using multimedia in academic publications. In, Blunt, Alison, Hatfield, Madeleine and Souch, Catherine (eds.) Publishing and Getting Read: A Guide for Researchers in Geography 2nd Edn. London, GB, Royal Geographic Society, IBG, Wiley Blackwell, 30-31.
Garrett, Bradley (2013) The force of images: creating imaginative space through photography of the hidden city. In, King's College London Cities Seminar, London, GB, 07 Mar 2013.
Garrett, Bradley (2013) Worlds through glass: photography and video as geographic method. In, Ward, Kevin (ed.) Researching the City. London, GB, Sage, 135-152.
Garrett, Bradley (2014) Subterranean London: cracking the capital, London, GB, Prestel Publishing, 160pp.
Garrett, Bradley (2014) Social media, photography and video in urban exploration (interview). Politics of Place, (2) (Submitted).
Gillett, John (2007) Return/Return in Conflict. Winchester Gallery, Winchester, UK. Changshu Art Museum, Changshu, China. Shenzhen Art Museum, Shenzhen, China.
Hampton, R. and Clarke, N.M.P. (1983) A guide to the photography of cleared small bone specimens. Journal of Biological Photography, 51, (3), 85-87. (PMID:6674298).
Jones, D., Bett, B., McPhail, S., Flewellen, C. and Conquer, M. (2005) Seabed photography from an Autonomous Underwater Vehicle. Journal of Marine Science and Environment, (C3), 21-28.
Jones, D. and Gates, A. (2008) Serpentine gallery. UT2: the Magazine of the Society for Underwater Technology, 3, (2), 28-29.
Jones, D.O.B., Bett, B.J., Wynn, R.B. and Masson, D.G. (2009) The use of towed camera platforms in deep-water science. Underwater Technology, 28, (2), 41-50. (doi:10.3723/ut.28.041).
Kemp, Anna (2012) Selling yourself: the commercialization of feeling in the work of Sophie Calle. Nottingham French Studies (Submitted).
Lewis, Laura A. (2004) Modesty and modernity: photography, race, and representation on Mexico’s Costa Chica (Guerrero). Identities: Global Studies in Power and Culture, 11, (4), 471-499. (doi:10.1080/10702890490883830).
Makhoul, Bashir and Gillett, John (2007) Return. Changshu Art Museum, Changsha, CN. Suzhou Art Museum, Suzhou, CN. Shenzhen Art Museum, Shenzhen, CN.
Siersdorfer, Stefan, Zerr, Sergej, San Pedro, Jose and Hare, Jonathon (2014) NicePic! A system for extracting attractive photos from Flickr streams. In, 37th Annual International ACM SIGIR Conference ACM (SIGIR 2014), Broadbeach, AU, 06 - 11 Jul 2014. ACM.
Veness, Alexander, Bird, Nicky (ed.), (2005) Unknown Sitter. Unknown Sitter
Waller, Ben M., Nixon, Mark S. and Carter, John N. (2012) Analysing Micro- and Macro-Structures in Textures. In, 8th International Conference on Signal Image Technology and Internet Based Systems, Sorrento, IT, 25 - 29 Nov 2012. 8pp.
Watson, J., Alexander, S., Chalvidan, V., Craig, G., Diard, A., Foresti, G.L., Gentili, S., Hendry, D.C., Hobson, P.R., Lampitt, R.S., Nareid, H., Nebrensky, J.J., Pescetto, A., Pieroni, G.G., Player, M.A., Saw, K., Serpico, S., Tipping, K., Trucco, A., Marine Technology Society and Institute of Electrical and Electronics Engineers (2003) A holographic system for subsea recording and analysis of plankton and other marine particles (HOLOMAR). In, Oceans 2003. MTS/IEEE Conference Proceeings: Celebrating the Past... Teaming Toward the Future, San Diego, CA, Sep 22-26, 2003. Oceans 2003 Piscataway NJ, USA, Institute of Electrical and Electronic Engineers, 830-837.
Watson, J., Alexander, S., Craig, G., Hendry, D.C., Hobson, P.R., Lampitt, R.S., Marteau, J.M., Nareid, H., Player, M.A., Saw, K., Tipping, K., Marine Technology Society and Institute of Electrical and Electronics Engineers (2001) Simultaneous in-line and off-axis subsea holographic recording of plankton and other marine particles. Measurement Science and Technology, 12, L9-L15. (doi:10.1088/0957-0233/12/8/101).
Wheatley, David (2011) High dynamic range imaging for archaeological recording. Journal of Archaeological Method and Theory, 18, (3), 256-271. (doi:10.1007/s10816-010-9100-1).
Williams, Michael (2010) '"Why not forget him?": le lettere dei fan, le polemiche e il trattamento della memoria di Valentino in "Picture Play", 1926-1928'. In, Carluccio, Giulia and Alovisio, Silvio (eds.) Rodolfo Valentino: Cinema, Cultura, Società tra Italia e Stati Uniti negli anni Venti. Turin, Italy, Kaplan, 97-119.