The little black dress- the status of black in 1920s fashion
The little black dress- the status of black in 1920s fashion
For centuries now, black has been the main colour in fashion and costume. In the 15th century, the colour became popular at the court of Burgundy. The love for black clothing continued in the 16th century, under the influence of the strict and severe Spanish court, and in the 17th century, black was admired in the beautiful baroque paintings of Rubens, Anthony Van Dyck and their peers. This book explores the use of black throughout the ages and investigates its place in contemporary fashion design, looking at the work of designers such as Yamamoto and Comme des garcons.
9020988506
163-179
Dirix, Emmanuelle
bd292ae3-70cf-4993-8d5a-7fbab7717d3a
Taylor, Lou
509c8640-0aba-48ee-b6b1-471b88d019e5
March 2010
Dirix, Emmanuelle
bd292ae3-70cf-4993-8d5a-7fbab7717d3a
Taylor, Lou
509c8640-0aba-48ee-b6b1-471b88d019e5
Dirix, Emmanuelle and Taylor, Lou
(2010)
The little black dress- the status of black in 1920s fashion.
In,
Paul, Huvenne, Dirix, Emmanuelle and Blonde, Bruno
(eds.)
Black: Masters of Black in Fashion and Costume.
Tielt, BE.
Lannoo, .
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Abstract
For centuries now, black has been the main colour in fashion and costume. In the 15th century, the colour became popular at the court of Burgundy. The love for black clothing continued in the 16th century, under the influence of the strict and severe Spanish court, and in the 17th century, black was admired in the beautiful baroque paintings of Rubens, Anthony Van Dyck and their peers. This book explores the use of black throughout the ages and investigates its place in contemporary fashion design, looking at the work of designers such as Yamamoto and Comme des garcons.
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Published date: March 2010
Identifiers
Local EPrints ID: 148969
URI: http://eprints.soton.ac.uk/id/eprint/148969
ISBN: 9020988506
PURE UUID: 2dd6c2ae-3ba5-4ef1-af3a-447aac35bac5
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Date deposited: 29 Apr 2010 13:30
Last modified: 14 Mar 2024 01:04
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Contributors
Author:
Emmanuelle Dirix
Author:
Lou Taylor
Editor:
Huvenne Paul
Editor:
Emmanuelle Dirix
Editor:
Bruno Blonde
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