Archive
Inventory
01 April 2007
Live Art Performance Inventory are interested in the universal ambiguity of public space, freedom and social control. A collective of British artists, writers and theorists, Inventory’s practice, which they describe as ‘fierce sociology& ...more
01 April 2007
Live Art Performance Inventory are interested in the universal ambiguity of public space, freedom and social control. A collective of British artists, writers and theorists, Inventory’s practice, which they describe as ‘fierce sociology& ...more
Mark Wayman
27 May 2006
Mark Wayman’s performance of Shelves and Ducting, responds to the architecture and history of Camden Arts Centre. Wayman leads his audience through the Clore Ceramics Studio on the ground floor and up to the Drawing Studio on the first floor, m ...more
27 May 2006
Mark Wayman’s performance of Shelves and Ducting, responds to the architecture and history of Camden Arts Centre. Wayman leads his audience through the Clore Ceramics Studio on the ground floor and up to the Drawing Studio on the first floor, m ...more
Barby Asante and Alex Schady
01 March 2006
Encounters As part of the opening celebrations of the new £85 million Swiss Cottage development, Camden Arts Centre invites artists Barby Asante and Alex Schady to improvise performances in collaboration with local people around the market, th ...more
01 March 2006
Encounters As part of the opening celebrations of the new £85 million Swiss Cottage development, Camden Arts Centre invites artists Barby Asante and Alex Schady to improvise performances in collaboration with local people around the market, th ...more
Raymond Hains
16 April 2005
Raymond Haines, whose work is included in the exhibition An Aside, makes a new performance work, his first in the UK. Appropriating found objects, words and images, he makes disruptive interventions while weaving together scholarly references to the ...more
16 April 2005
Raymond Haines, whose work is included in the exhibition An Aside, makes a new performance work, his first in the UK. Appropriating found objects, words and images, he makes disruptive interventions while weaving together scholarly references to the ...more
