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What we have gained is infinitely more than that small loss: Rudolph Cartier and The Dybbuk

Record type: Article

This article recounts the Jewish journey of producer and director Rudolph Cartier, an Austrian refugee from Nazism who forged a new life in Britain from 1935 onwards, playing a pivotal role in the moulding of BBC television’s post-war drama output. It also explores the journey of Jewish cultural texts and traditions as it discusses the production and reception of Cartier’s 1952 English-language adaptation for the small screen of Ansky’s classic play The Dybbuk. The challenges Cartier perceived in completing this production and the responses of both Jewish and non-Jewish audiences reveal much about the limits of assimilation in an increasingly multicultural Britain.

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Citation

Jordan, James (2010) What we have gained is infinitely more than that small loss: Rudolph Cartier and The Dybbuk Jewish Culture and History, 11, (1-2)

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Published date: 2010

Identifiers

Local EPrints ID: 151541
URI: http://eprints.soton.ac.uk/id/eprint/151541
ISSN: 1462-169X
PURE UUID: 67a33e01-7ba3-4e0a-9939-3e6dd1bc961e

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Date deposited: 17 May 2010 13:23
Last modified: 18 Jul 2017 12:55

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