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The Body Disembodied: New Directions in Modernist Sculpture

Record type: Art Design Item

5 sculptures shown; Here, 1999; Transcendence, 1999 - 2000; K's Song, 1999 - 2001; As One, 2001 - 2002 ( AHRC funded); Through Life 2001 - 2002. The cage like sculpture created by Gibbons are self-contained volumes that are only penetrable with one’s eyes. They are simultaneous representation of interior and exterior space - at once private yet public. These stainless steel works represent for the artist "places" of transition, passage and engagement. We all behave quite differently in our places of comfort (home and interior spaces) compared to our exterior spaces (places of work and social gatherings), where our profile is created as much as it is scrutinized. It is living in these types of private and public places, where the body and spirit (human activity) change and react to different states of observation. Gibbons’ work is a visual metaphor of this tension between these states of interior and exterior'.

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Citation

(2003) The Body Disembodied: New Directions in Modernist Sculpture

More information

Accepted/In Press date: 2003

Identifiers

Local EPrints ID: 152817
URI: http://eprints.soton.ac.uk/id/eprint/152817
PURE UUID: 69bdbaba-4038-49cc-a282-1c31d4f19f0d

Catalogue record

Date deposited: 17 May 2010 14:49
Last modified: 18 Jul 2017 12:53

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Contributors

Artist: J. Gibbons
Curator of an exhibition: Karen Wilkin

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