The University of Southampton
University of Southampton Institutional Repository

She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music

She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music
She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music
She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull. Currently available studies of 1960s girl groups/girl singers fall into one of three categories: industry-generated accounts of the music's production and sales, sociological commentaries, or omnibus chronologies/discographies. She's So Fine, by contrast, focuses on clearly defined themes via case studies of selected artists. Within this analytical rather than historically comprehensive framework, this book presents new research and original observations on the 60s girl group/girl singer phenomenon.
1409400514
Ashgate Publishing
Stras, Laurie
b1021221-b68d-4a48-bf3c-890e5a63438a
Stras, Laurie
b1021221-b68d-4a48-bf3c-890e5a63438a

Stras, Laurie (ed.) (2011) She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music (Ashgate Popular and Folk Music Series), Aldershot, GB. Ashgate Publishing, 284pp.

Record type: Book

Abstract

She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull. Currently available studies of 1960s girl groups/girl singers fall into one of three categories: industry-generated accounts of the music's production and sales, sociological commentaries, or omnibus chronologies/discographies. She's So Fine, by contrast, focuses on clearly defined themes via case studies of selected artists. Within this analytical rather than historically comprehensive framework, this book presents new research and original observations on the 60s girl group/girl singer phenomenon.

This record has no associated files available for download.

More information

Published date: September 2011
Organisations: Music

Identifiers

Local EPrints ID: 152895
URI: http://eprints.soton.ac.uk/id/eprint/152895
ISBN: 1409400514
PURE UUID: e35e1b99-a0b2-4aa8-8f1c-e94f327592f9
ORCID for Laurie Stras: ORCID iD orcid.org/0000-0002-0129-2047

Catalogue record

Date deposited: 17 May 2010 14:27
Last modified: 12 Dec 2023 02:33

Export record

Download statistics

Downloads from ePrints over the past year. Other digital versions may also be available to download e.g. from the publisher's website.

View more statistics

Atom RSS 1.0 RSS 2.0

Contact ePrints Soton: eprints@soton.ac.uk

ePrints Soton supports OAI 2.0 with a base URL of http://eprints.soton.ac.uk/cgi/oai2

This repository has been built using EPrints software, developed at the University of Southampton, but available to everyone to use.

We use cookies to ensure that we give you the best experience on our website. If you continue without changing your settings, we will assume that you are happy to receive cookies on the University of Southampton website.

×