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Cultural globalisation and music: African artists in transnational networks

Cultural globalisation and music: African artists in transnational networks
Cultural globalisation and music: African artists in transnational networks
This book is about South-North, North-South relations between Africa and Europe, seen through the prism of musicians from North Africa and Madagascar: a decidedly 'bottom-up' view, which privileges the voices of people 'on the move'. The book presents the personal narratives of musicians in different locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural, and civil society milieus of global or globalizing societies. The authors suggest that artists who create or enter such networks follow a different logic of translocal and transnational links than is normally associated with diaspora and migration research on music. Of particular significance in the study is a new perspective on migration which not only focuses on transnational migrants who left their country of origin, but foregrounds an analysis of migration within so-called 'sending' countries - a process which often motivates the first steps towards transnational migration.
0230221297
Palgrave Macmillan
Kiwan, Nadia
b4b84973-92e6-4c26-a81a-04cfe5d73d12
Meinhof, Ulrike Hanna
56befd2f-b46a-4f5a-9738-24920308a376
Kiwan, Nadia
b4b84973-92e6-4c26-a81a-04cfe5d73d12
Meinhof, Ulrike Hanna
56befd2f-b46a-4f5a-9738-24920308a376

Kiwan, Nadia and Meinhof, Ulrike Hanna (2011) Cultural globalisation and music: African artists in transnational networks , Basingstoke, GB. Palgrave Macmillan, 272pp.

Record type: Book

Abstract

This book is about South-North, North-South relations between Africa and Europe, seen through the prism of musicians from North Africa and Madagascar: a decidedly 'bottom-up' view, which privileges the voices of people 'on the move'. The book presents the personal narratives of musicians in different locations across Africa and Europe, and those of the people who constitute their networks within the wider artistic, cultural, and civil society milieus of global or globalizing societies. The authors suggest that artists who create or enter such networks follow a different logic of translocal and transnational links than is normally associated with diaspora and migration research on music. Of particular significance in the study is a new perspective on migration which not only focuses on transnational migrants who left their country of origin, but foregrounds an analysis of migration within so-called 'sending' countries - a process which often motivates the first steps towards transnational migration.

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More information

Published date: May 2011
Organisations: Modern Languages and Linguistics

Identifiers

Local EPrints ID: 153091
URI: http://eprints.soton.ac.uk/id/eprint/153091
ISBN: 0230221297
PURE UUID: 6a0a7569-00fd-4e52-b55a-27c538def677

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Date deposited: 20 May 2010 10:34
Last modified: 14 Mar 2024 01:27

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Contributors

Author: Nadia Kiwan

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