Social formations of global media art
Social formations of global media art
The best new media artefacts are not necessarily websites or installations: they may well be the artefacts of new organisational forms, linking local to global struggles, building solidarities. Such artefacts are ready to burst into new forms and to change forever the habits of use designed into our digital tools. Such resistant fragmentations are the enclaves of difference and change
217-228
Mariategui, Jose-Carlos
57fd04f7-cd53-410a-ad18-989a1e1de16f
Cubitt, Sean
aad644d3-3b69-4ca8-a999-9b0f809eb729
Nadarajan, Gunalan
ed6dc014-8d8d-4f48-a343-4ffad3005cb3
July 2009
Mariategui, Jose-Carlos
57fd04f7-cd53-410a-ad18-989a1e1de16f
Cubitt, Sean
aad644d3-3b69-4ca8-a999-9b0f809eb729
Nadarajan, Gunalan
ed6dc014-8d8d-4f48-a343-4ffad3005cb3
Mariategui, Jose-Carlos, Cubitt, Sean and Nadarajan, Gunalan
(2009)
Social formations of global media art.
Third Text, 23 (3), .
(doi:10.1080/09528820902954853).
Abstract
The best new media artefacts are not necessarily websites or installations: they may well be the artefacts of new organisational forms, linking local to global struggles, building solidarities. Such artefacts are ready to burst into new forms and to change forever the habits of use designed into our digital tools. Such resistant fragmentations are the enclaves of difference and change
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Published date: July 2009
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Local EPrints ID: 179767
URI: http://eprints.soton.ac.uk/id/eprint/179767
ISSN: 0952-8822
PURE UUID: e38c5912-1e41-4746-9eee-98e81f9a79e0
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Date deposited: 04 Apr 2011 12:57
Last modified: 14 Mar 2024 02:50
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Contributors
Author:
Jose-Carlos Mariategui
Author:
Sean Cubitt
Author:
Gunalan Nadarajan
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